Joseph Mallord William Turner, 1811 - Ụlọ elu Martello dị nso na Bexhill, Sus (Liber Studiorum, akụkụ VII, efere 34) - ọmarịcha nka.

39,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

This over 200 year old work of art was created by the nwoke artist Joseph Mallord William Turner. The version of the work of art was made with the size: efere: 7 x 10 3/16 na (17,8 x 25,9 cm) mpempe akwụkwọ: 8 1/4 x 11 3/8 na (21 x 28,9 cm). Etching only; before first state of four was used by the artist as the medium of the artpiece. Nowadays, the piece of art forms part of the collection of Museumlọ ihe ngosi nka nke Obodo na New York City, New York, Njikota Obodo Amerika. Site n'ikike nke: The Metropolitan Museum of Art, New York, H.O. Havemeyer Collection, Bequest of Mrs. H.O. Havemeyer, 1929 (nwere ikike: ngalaba ọha). : H.O. Havemeyer Collection, Bequest of Mrs. H.O. Havemeyer, 1929. Na mgbakwunye na nke a, nhazi nke mmepụta dijitalụ bụ odida obodo ma nwee oke nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara. Joseph Mallord William Turner was a male painter, whose artistic style can be attributed mainly to Romanticism. The European artist was born in the year 1775 in London, Greater London, England, United Kingdom and passed away at the age of 76 in the year 1851.

Họrọ nhọrọ ihe onwunwe

Maka mbipụta nka ọ bụla, anyị na-enye nha & ihe dị iche iche. Họrọ nha na ihe kacha amasị gị n'ime nhọrọ ndị a:

  • Poster (akwa akwa akwa): A poster print is a printed flat canvas paper with a slightly rough surface finish, which resembles the actual work of art. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of around 2-6cm around the work of art, which facilitates the framing.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, often denoted as a UV print on plexiglass, will turn the original artwork into brilliant home décor. The real glass coating protects your selected fine art print against light and heat for many decades.
  • Kwaaji: The canvas print is a printed canvas stretched on a wooden frame. A canvas of your favorite artpiece will let you turn your fine art print into a large work of art like you know from galleries. The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang the Canvas print without additional wall-mounts. That is why, a canvas print is suited for any kind of wall.
  • Aluminom dibond mbipụta (ọla): Aluminium Dibond prints are prints on metal with a true effect of depth, which creates a modern look with a non-reflective surface. A direct Aluminium Dibond Print is your perfect introduction to art reproductions with aluminum. For the Direct Aluminium Dibond print, we print your chosen artpiece on the surface of the aluminum material. The bright & white parts of the original artpiece shine with a silk gloss but without glare. This direct UV print on Aluminum Dibond is the most popular entry-level product and is a sophisticated way to display fine art reproductions, as it puts all of the viewer’s attention on the replica of the artwork.

Ederede iwu: We try our best in order to depict the art products in as much detail as possible and to showcase them visually in our shop. Nonetheless, some pigments of the print materials, as well as the printing might vary slightly from the image on your monitor. Depending on the screen settings and the condition of the surface, not all color pigments can be printed one hundret percent realistically. Since our art prints are processed and printed manually, there might also be slight differences in the motif's size and exact position.

Banyere akụkọ

Bipụta ụdị ngwaahịa: ọmarịcha nka
Mmeputakwa: mmeputakwa n'ụdị dijitalụ
Usoro nhazi: mbipụta dijitalụ
Ihe ngosi: emere na Germany
Stockdị ngwaahịa: na mmepụta ihe
A na-atụ aro iji ngwaahịa eme ihe: mgbidi gallery, art mmeputakwa gallery
Nhazi nka nka: usoro odida obodo
Oke akụkụ: 4: 3
Akụkụ akụkụ pụtara: ogologo bụ 33% ogologo karịa obosara
Ụdị dị iche iche dị: acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ.
Canvas dị n'elu ihe nrịbama (mbipụta kanvas) nha dị iche iche: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Nhọrọ nha mbipụta aluminium dibond: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Nhazi mbipụta nka: biko mara na ngwaahịa a enweghị okpokolo agba

Ozi nka ahaziri

Aha nke ihe nka: "Martello Towers nso Bexhill, Sus(Liber Studiorum, akụkụ VII, efere 34)"
nhazi ọkwa: sere
Okwu mkpokọta: nkà nke oge a
Century: 19th narị afọ
Afọ okike: 1811
Ogologo afọ nka nka: gbara afọ 200
Ihe osise izizi: etching only; before first state of four
Akụkụ nke nka nka izizi: efere: 7 x 10 3/16 na (17,8 x 25,9 cm) mpempe akwụkwọ: 8 1/4 x 11 3/8 na (21 x 28,9 cm)
Ụlọ ihe ngosi nka / ebe: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Ebe nrụọrụ weebụ ihe ngosi nka: www.metmuseum.org
Akwụkwọ ikike nka: ngalaba ọha
Site n'aka: The Metropolitan Museum of Art, New York, H.O. Havemeyer Collection, Bequest of Mrs. H.O. Havemeyer, 1929
Ebe E Si Nweta: H.O. Havemeyer Collection, Bequest of Mrs. H.O. Havemeyer, 1929

Ozi ndabere izugbe gbasara onye na-ese ihe

aha: Joseph Mallord William Turner
Aha ndị ọzọ: J.W.M. Turner RA, J. M. W. Turner R. A., j.m.w. turner, Turner J.M.W., jmw turner, j. m. w. turner r. a., Tarner Tzozeph Mallornt Ouilliam, טרנר ג'וזף מאלורד ויליאם, J. M. W. Turner, Terner Dzhozef Mallord Uilʹi︠a︡m, W. Turner, Turnor, Turner Joseph Mallord William, I.W.M. Turner RA, J.M.W. Turner RA, Turner James Mallord William, Turner J. M. W., W. M. Turner R.A., Turner R.A., Turner RA, Tʻou-na, Joseph Mallord William Turner, joseph m. w. turner, Turner, Turner J M. W., Turner J.M.W. (Joseph Mallord William), טרנר ג׳וזף מאלור ויליאם, J.M.W. Turner R.A., J.W.M. Turner R.A., J.M.W. (Joseph Mallord William) Turner, J. W. Turner, Tʻou-na Yüeh-se-fu Ma-lo-te Wei-lien, Turner William, turner j.m.w., Turner Joseph Mallord William, I.M.W. Turner, Tŭrnŭr Dzhouzef Mŭlord Uili︠a︡m
okike nke onye nka: nwoke
Obodo onye nka: British
Ọrụ: onye na-ese ihe
Obodo onye nka: United Kingdom
Nkewa onye nka: omenkà nke oge a
Ụdị nka: Ihunanya
Afọ ọnwụ: 76 afọ
A mụrụ: 1775
Amụrụ na (ebe): London, Greater London, England, United Kingdom
Nwụrụ n'afọ: 1851
Nwuru na (ebe): Chelsea, London, Greater London, England, United Kingdom, agbataobi

© echebe nwebiisinka - Artprinta.com (Artprinta)

What does the website of the The Metropolitan Museum of Art state about the artwork painted by Joseph Mallord William Turner? (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - www.metmuseum.org)

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Here we see his preliminary work on a plate that William Say later completed using mezzotint. Along a stretch of England's south coast, a road below cliffs recedes toward forts built to defend against a feared Napoleonic invasion. In the foreground a man and woman lead a donkey loaded with panniers and a child, as two hussars follow on horseback. Published states of this print include the letter "M" in the upper margin to indicate Turner's category of Marine landscape.

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