John Hoppner - Oriakụ Richard Brinsley Sheridan (Hester Jane Ogle, 1775/76–1817) na Ọkpara Ya (Charles Brinsley Sheridan, 1796–1843) - ọmarịcha mbipụta nka.

Ndị na-ese ihe osise onye ihunanya nwe- John Hoppner. Ihe izizi tụrụ nha: 93 3/4 x 59 in (238,1 x 149,9 cm). Mmanụ na kwaaji was applied by the European artist as the technique for the artwork. Today, this artpiece belongs to the digital collection of Museumlọ ihe ngosi nka nke Obodo. Site n'ikike nke - The Metropolitan Museum of Art, New York, Gift of Mrs. Carll Tucker, 1965 (licensed: public domain). Creditline of the artwork: Gift of Mrs. Carll Tucker, 1965. Furthermore, alignment of the digital reproduction is in portrait format na a akụkụ ruru nke 2: 3, nke pụtara na ogologo bụ 33% mkpụmkpụ karịa obosara. John Hoppner was a male painter, whose style was primarily Romanticism. The painter was born in 1758 in London, Greater London, England, United Kingdom and deceased at the age of 52 in the year 1810 in London, Greater London, England, United Kingdom.

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We offer a range of different materials and sizes for every product. Select your preferred material and size among the subsequent alternatives:

• Aluminom dibond mbipụta (ọla): This is a metal print manufactured on aluminium dibond material with an outstanding depth effect - for a modern look and non-reflective surface. A direct Aluminium Dibond Print is your best start to the sophisticated world of prints produced with aluminum. The colors are vivid and luminous, details of the print appear clear and crisp. The print on aluminium is the most popular entry-level product and is a stylish way to display fine art reproductions, as it puts all of the viewer’s focus on the replica of the artwork.
• Mpempe akwụkwọ ederede (akwa akwa akwa): The Artprinta poster print is a printed flat cotton canvas paper with a slightly roughened texture on the surface, which reminds the actual version of the work of art. It is perfectly used for putting the art copy in a special frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of something between 2-6cm round about the print motif, which facilitates the framing with your custom frame.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): The acrylic glass print, often labelled as a plexiglass print, will transform your favorite original work of art into wonderful décor. Your favorite work of art is being custom-made with the help of modern UV direct printing machines. With a glossy acrylic glass fine art print contrasts and also color details become more visible due to the very fine gradation in the print.
• Mbipụta kanvas: The printed canvas material stretched on a wood stretcher frame. A canvas print of your favorite artwork will give you the unique chance of transforming your very own art print into a large collection piece as you know from galleries. Hanging your canvas print: A canvas print has the advantage of being relatively low in weight, which implies that it is quite simple to hang your Canvas print without the help of additional wall-mounts. A canvas print is suited for any kind of wall.

Ederede iwu dị mkpa: We try everything in order to depict our products in as much detail as possible and to demonstrate them visually on the different product detail pages. Although, the colors of the printing material and the imprint might vary marginally from the image on your device's screen. Depending on the settings of your screen and the condition of the surface, not all color pigments will be printed one hundret percent realistically. Considering that the art prints are processed and printed manually, there may also be minor differences in the motif's size and exact position.

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© Nwebiisinka nke - www.artprinta.com (Artprinta)

Ozi izugbe site na ihe ngosi nka (© Nwebiisinka - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

In 1795, Hester Jane Ogle married the Honorable Richard Brinsley Sheridan (1751–1816), dramatist, author of The School for Scandal, and a member of Parliament. In this portrait, shown at the Royal Academy in 1797, she appears in the guise of a countrywoman with their son Charles (1796–1843) on her shoulder. It was later remarked that this portrait refutes Hoppner's reputation for excessive flattery of his female sitters.