John Sell Cotman, 1838 - Na nso Durham - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nkọwa ngwaahịa dị omimi
Near Durham was by John Sell Cotman in 1838. The 180 year-old artpiece measures the size - Plate: 11 3/4 × 8 3/4 in (29,8 × 22,2 cm) Sheet: 13 1/2 × 9 5/8 in (34,3 × 24,5 cm). Soft ground etching was used by the painter as the technique for the painting. Moveover, this piece of art forms part of the digital art collection of Museumlọ ihe ngosi nka nke Obodo in New York City, New York, Njikota Obodo Amerika. Anyị nwere obi ụtọ ịkpọ na ngalaba ọha masterpiece na-gụnyere na nkwanye ùgwù nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Rogers Fund, 1922. The creditline of the artwork is: Rogers Fund, 1922. The alignment is portrait with a side ratio of 3 : 4, which means that the length is 25% shorter than the width. John Sell Cotman was a illustrator, painter, publisher, etcher of British nationality, whose style was mainly Romanticism. The British artist lived for 60 years - born in the year 1782 in Norwich, Norfolk county, England, United Kingdom and died in the year 1842.
Ozi nka ndị ọzọ nke The Metropolitan Museum of Art (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)
In addition to working in oils and watercolors, Cotman was a prolific etcher, issuing his first prints in 1811. This etching comes from a group published in 1838 by Henry G. Bohn from Cotman’s plates for a set devoted to "principles of Landscape composition." The title of the series, Liber Studiorum (Book of Studies), derives from that used by J. M. W. Turner in a famous 1807–9 series of prints in which the artist sought to elevate landscape as a poetic and sublime genre. Cotman’s most evocative images are decidedly more rustic than Turner’s. Near Durham centers on a medieval tower that once fronted a Norman church, with a ruined wall and buried arch shown in the background to suggest what was lost.
Tebụl nka nka
Aha nka: | "Near Durham" |
nhazi ọkwa: | sere |
Category: | nkà nke oge a |
Narị afọ nka: | 19th narị afọ |
Emepụtara n'afọ: | 1838 |
Ogologo afọ nka nka: | karịa afọ 180 |
Ọkara nke ihe osise izizi: | soft ground etching |
Akụkụ izizi (ọrụ nka): | Plate: 11 3/4 × 8 3/4 in (29,8 × 22,2 cm) Sheet: 13 1/2 × 9 5/8 in (34,3 × 24,5 cm) |
Egosiputara na: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
URL webụ: | Museumlọ ihe ngosi nka nke Obodo |
License: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, Rogers Fund, 1922 |
kreditline ọrụ nka: | Rogers Fund, 1922 |
Tebụl nchịkọta ihe nkiri
Aha onye nka: | John Sell Cotman |
A makwaara dịka: | Cotman J. S., Cotsman, Cotman, Cottman, Cottman John Sell, Cotman John Sell, John Sell Cotman, Cotsman John Sell, J. tell Cotman |
okike nke onye nka: | nwoke |
Obodo onye nka: | British |
Ọrụ: | publisher, etcher, illustrator, painter |
Obodo obibi: | United Kingdom |
nhazi ọkwa: | omenkà nke oge a |
Ụdị nka: | Ihunanya |
Oge ndu: | 60 afọ |
Amụrụ n'afọ: | 1782 |
Obodo ọmụmụ: | Norwich, Norfolk County, England, United Kingdom |
Nwụrụ n'afọ: | 1842 |
Obodo ọnwụ: | London, Greater London, England, United Kingdom |
Nweta ụdị ebipụta nka ị chọrọ
Maka ngwaahịa ọ bụla anyị na-enye ihe dị iche iche & nha. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:
- Mbipụta nke aluminom: An Aluminium Dibond print is a print material with an impressive depth. The non-reflective surface creates a contemporary impression. A direct Aluminium Dibond Print is your excellent introduction to fine art replicas produced with aluminum. The bright and white parts of the artpiece shine with a silk gloss but without any glow.
- Mbipụta kwaaji: The printed canvas material mounted on a wooden stretcher frame. The great advantage of canvas prints is that they are relatively low in weight. This means, it is quite simple to hang the Canvas print without additional wall-mounts. Because of thata canvas print is suited for all types of walls.
- Mbipụta iko acrylic na-egbuke egbuke: A glossy acrylic glass print, often denoted as a plexiglass print, changes the original into marvellous home decoration. With a glossy acrylic glass fine art print contrasts and minor details become more identifiable due to the subtle tonal gradation in the print. Our acrylic glass protects your custom art replica against light and heat for several decades.
- Mbipụta akwụkwọ mmado (akwa akwa akwa): The Artprinta poster print is a printed canvas paper with a granular texture on the surface. It is optimally suited for placing your art replica with a personal frame. Please note, that depending on the absolute size of the canvas poster print we add a white margin of around 2-6cm round about the work of art, which facilitates the framing with your custom frame.
Ngwaahịa a
Nkewa bipụta: | ọrụ mgbidi |
Usoro mmeghari: | dijitalụ mmeputakwa |
Produzọ mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Mmalite ngwaahịa: | Germany |
Ụdị ngwaahịa: | a na-achọ |
A na-atụ aro iji ngwaahịa eme ihe: | nka mgbidi, mma mgbidi |
Nhazi: | nhazi ihe osise |
Ụdị anya: | ( Ogologo: obosara) 3: 4 |
Ihe: | ogologo bụ 25% mkpụmkpụ karịa obosara |
Ihe mmeputakwa dị: | ígwè obibi akwụkwọ (aluminium dibond), ebipụta canvas, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Mbipụta kanvas (akwa akwa n'elu etiti ihe ndọtị) ụdị nha dị iche iche: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Mpempe akwụkwọ Dibony (ihe alumnium) nha dị iche iche: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
ụba: | biko mara na nka nka enweghi fremu |
Disclaimer: We try in order to describe our art products in as much detail as possible and to exhibit them visually on the respective product detail pages. At the same time, the colors of the print products, as well as the imprint can vary marginally from the presentation on the monitor. Depending on your screen settings and the quality of the surface, color pigments can unfortunately not be printed as exactly as the digital version on this website. Given that all are printed and processed manually, there may as well be slight variations in the exact position and the size of the motif.
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