Robert Peake the Elder, 1603 - Henry Frederick (1594–1612), Onye isi ala Wales, ya na Sir John Harington (1592–1614), na Ubi ịchụ nta - ọmarịcha nka.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nweta ihe kacha amasị gị
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- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An acrylic glass print, which is often described as a an art print on plexiglass, will turn your favorite original work of art into brilliant home décor. Moreover, it offers a viable alternative to dibond and canvas art prints. Your favorite artwork is being made with modern UV direct printing machines. This makes stunning, vivid color shades. The great advantage of a plexiglass fine art copy is that sharp contrasts and small details will be recognizeable with the help of the very fine gradation of the print. Our acrylic glass protects your chosen art print against light and external influences for decades.
- Mbipụta kwaaji: A UV printed canvas mounted on a wooden stretcher frame. It generates the exclusive impression of three-dimensionality. Additionally, a canvas print makes a attractive and comfy impression. Your canvas of your favorite artwork will let you turn your fine art print into a large work of art. How can I hang a canvas on my wall? The advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang the Canvas print without extra wall-mounts. A canvas print is suitable for any kind of wall.
- Mpempe akwụkwọ ederede (akwa akwa akwa): The Artprinta poster is a UV printed flat canvas with a slightly roughened surface structure. A poster print is appropriate for placing the fine art print in a custom frame. Please keep in mind, that depending on the absolute size of the poster we add a white margin between 2-6cm around the print, which facilitates the framing.
- Mbipụta nke aluminom: This is a metal print manufactured on alu dibond material with an impressive effect of depth. The non-reflective surface make a modern look. Colors are luminous and bright, the details of the print appear clear and crisp, and the print has a a matte appearance you can literally feel.
Important note: We do our best to depict the art products in as much detail as we can and to display them visually in our shop. Please bear in mind that the pigments of the print products and the imprint can vary marginally from the representation on the device's monitor. Depending on the screen settings and the nature of the surface, not all color pigments will be printed as exactly as the digital version. Because our fine art prints are processed and printed by hand, there may also be minor variations in the exact position and the size of the motif.
(© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)
This royal hunting portrait was modeled after an earlier type established by Netherlandish and German artists. The young Prince Henry sheathes his sword while his companion, Sir John Harington, holds the deer's antlers. The light palette and rich decorative effect are hallmarks of Peake's style.
Product nkọwa
The more than 410 year old piece of art Henry Frederick (1594–1612), Prince of Wales, with Sir John Harington (1592–1614), in the Hunting Field mere site na British painter Robert Peake the Elder in 1603. Ụdị nke ọrụ nka nwere nha: 79 1/2 x 58 inch (201,9 x 147,3 cm) and was painted with the medium oil on canvas. This work of art is included in the Ụlọ ihe ngosi nka nke Metropolitan mkpokọta, nke dị na New York City, New York, Njikota Obodo Amerika. This classic art public domain masterpiece is supplied with courtesy of The Metropolitan Museum of Art, New York, Purchase, Joseph Pulitzer Bequest, 1944. Creditline of the artwork: Purchase, Joseph Pulitzer Bequest, 1944. Furthermore, alignment is in Eserese format ma nwee oke onyonyo nke 1: 1.4, nke pụtara na ogologo bụ 29% mkpụmkpụ karịa obosara.
Ozi ndabere ihe nka
Aha ọrụ nka: | "Henry Frederick (1594–1612), Prince of Wales, with Sir John Harington (1592–1614), in the Hunting Field" |
Nchịkọta nke ọrụ nka: | sere |
Category: | nka ochie |
Nhazi oge: | 17th narị afọ |
Ekepụtara: | 1603 |
Ogologo afọ nka nka: | ihe karịrị 410 afọ |
Usoro izizi: | mmanụ na kwaaji |
Akụkụ nke ọrụ nka mbụ: | 79 1/2 x 58 inch (201,9 x 147,3 cm) |
Ụlọ ihe ngosi nka / mkpokọta: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Ebe nrụọrụ weebụ ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
License: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, Ịzụta, Joseph Pulitzer Bequest, 1944 |
Ebe kredit nke ọrụ nka: | Ịzụta, Joseph Pulitzer Bequest, 1944 |
Ngwaahịa a
Ụdị ngwaahịa: | nka nka |
Mmeputakwa: | dijitalụ mmeputakwa |
Production usoro: | Mbipụta UV ozugbo |
Ihe ngosi: | emepụtara na Germany |
Stockdị ngwaahịa: | a na-achọ |
Eji ngwaahịa a chọrọ: | ihe ndozi ụlọ, ụlọ mmepụta nka nka |
Ntuziaka onyonyo: | nhazi ihe osise |
Ụdị anya: | ogologo: obosara - 1: 1.4 |
Oke akụkụ pụtara: | ogologo bụ 29% mkpụmkpụ karịa obosara |
Ụdị akwa: | akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta ọla (aluminium dibbond) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị) dị iche iche: | 50x70cm - 20x28", 100x140cm - 39x55" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 50x70cm - 20x28", 100x140cm - 39x55" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: | 50x70cm - 20x28" |
Nhọrọ mbipụta aluminom: | 50x70cm - 20x28", 100x140cm - 39x55" |
Nhazi mmeputa nka nka: | biko buru n'uche na ebipụta nka enweghi etiti |
Nyocha ngwa ngwa nke onye na-ese ihe
Aha onye nka: | Robert Peake the Elder |
okike nke onye nka: | nwoke |
Obodo onye nka: | British |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
Country: | United Kingdom |
nhazi ọkwa: | nna ukwu ochie |
Nwụrụ anwụ: | 73 afọ |
Afọ amụrụ: | 1546 |
Nwuru: | 1619 |
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