Antonio Francesco Peruzzini, 1718 - Seascape na onye ọkụ azụ na-adọpụta ụgbụ - mbipụta nka mara mma.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ozi ndabere na ọrụ nka pụrụ iche
Iberibe aha nka: | "Seascape with Fisherman Pulling out Nets" |
Nhazi: | sere |
Okwu mkpokọta: | nka ochie |
Nhazi oge: | 18th narị afọ |
Afọ okike: | 1718 |
Ogologo afọ nka nka: | gbara afọ 300 |
Agba na: | mmanụ na kwaaji |
Akụkụ izizi (ọrụ nka): | 115,6 x 174 x 0,6 cm (45 1/2 x 68 1/2 x 1/4 na) emebere: 136,21 x 194,63 x 5,72 cm (53 5/8 x 76 5/8 x 2 1/4 nke anụ ọhịa) |
Egosiputara na: | Artlọ Osisi Mahadum Yale |
Ebe ngosi nka: | New Haven, Connecticut, Njikota Obodo Amerika |
Weebụsaịtị ihe ngosi nka: | artgallery.yale.edu |
License: | ngalaba ọha |
Site n'aka: | Artlọ Osisi Mahadum Yale |
kreditline ọrụ nka: | Maitland F. Griggs, 1896, Ego |
Nchịkọta ihe nkiri
Aha onye nka: | Antonio Francesco Peruzzini |
Aha ndi ozo: | Peruzzini Antonio Francesco, Anton Francesco Peruzzini, Francesco Antonio Peruzzini, Peruzzini Anton Francesco, Fran.o Ant.o Peruzini, Perugino, Fran.co Ant.o Peruzzini, Antonio Francesco Peruzzini |
okike nke onye nka: | nwoke |
Obodo onye nka: | Italian |
Ọrụ: | onye na-ese ihe |
Mba onye si: | Italy |
nhazi ọkwa: | nna ukwu ochie |
Ụdị nka: | Baroque |
Nwụrụ anwụ: | 78 afọ |
Afọ amụrụ: | 1646 |
Afọ nwụrụ: | 1724 |
Nwụrụ na (ebe): | Milan, obodo Milano, Lombardy, Italy |
Ngwaahịa a
Bipụta ngwaahịa: | nka nka |
Usoro mmeghari: | dijitalụ mmeputakwa |
Usoro nhazi: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Mmalite ngwaahịa: | Germany |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
Ihe eji eme atụmatụ: | ihe ndozi mgbidi, gallery mgbidi |
Ntuziaka onyonyo: | nhazi odida obodo |
Ụdị anya: | ogologo: obosara 3:2 |
Nkọwa: | ogologo bụ 50% ogologo karịa obosara |
Nhọrọ ihe dị: | akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nke nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta kwaaji |
Nhọrọ nke Canvas Mbipụta (akwa akwa na etiti ihe ndọtị): | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Aluminium dibond ebipụta (ihe aluminium) nha dị iche iche: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Nhazi nke nnomi nka: | biko buru n'uche na edeghị nka nka |
Ihe ndị ahịa anyị nwere ike isi na ya nweta
In the dropdown menu next to the article you can choose your favorite material and size. That is why, we allow you to choose among the following options:
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, often referred to as a plexiglass print, makes the original work of art into lovely wall décor. Your favorite work of art is being made with the help of state-of-the-art UV direct print technology. This has the effect of rich and sharp colors. The major upside of a plexiglass art print is that contrasts and granular painting details will be more identifiable with the help of the granular tonal gradation.
- Mbipụta nke aluminom: An Aluminium Dibond print is a print material with an outstanding depth. A direct Direct Print on Aluminum Dibond is the ideal introduction to fine art reproductions with aluminum. For your Direct Print On Aluminum Dibond, we print your favorite artpiece right onto the aluminium composite surface. The bright & white sections of the original work of art shine with a silk gloss, however without the glare.
- Mpempe akwụkwọ ederede (akwa akwa akwa): A poster is a printed sheet of flat canvas paper with a granular finish on the surface. Please bear in mind, that depending on the absolute size of the poster print we add a white margin between 2-6cm around the work of art in order to facilitate the framing.
- Mbipụta kanvas: A UV printed canvas material applied on a wooden frame. A printed canvas of your favorite masterpiece will let you turn your own into a large size collection piece as you would see in a gallery. Canvas prints are relatively low in weight, which means that it is easy to hang the Canvas print without the help of any wall-mounts. Therefore, canvas prints are suitable for any kind of wall.
Nkọwapụta ngwaahịa
Nke a na narị afọ nke 18 kere site Antonio Francesco Peruzzini in 1718. The version of the work of art was painted with the following dimensions: 115,6 x 174 x 0,6 cm (45 1/2 x 68 1/2 x 1/4 na) emebere: 136,21 x 194,63 x 5,72 cm (53 5/8 x 76 5/8 x 2 1/4 nke anụ ọhịa). Mmanụ na kwaaji was used by the Italian painter as the technique for the work of art. It is included in the digital art collection of Yale University Art Gallery, which belongs to Yale University and is the oldest art museum of a university in the western hemisphere. The public domain work of art is included with courtesy of Artlọ Osisi Mahadum Yale. : Maitland F. Griggs, 1896, Fund. Besides this, the alignment of the digital reproduction is in odida obodo usoro na nwere ihe oyiyi ruru nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara. The painter Antonio Francesco Peruzzini was a European artist from Italy, whose style was primarily Baroque. The Italian painter lived for 78 afọ a mụrụ ya n'afọ 1646 and passed away in 1724 in Milan, Milano province, Lombardy, Italy.
Ederede iwu: We try everything to depict our art products in as much detail as possible and to showcase them visually in our shop. Still, the tone of the print products, as well as the imprint may vary marginally from the presentation on your screen. Depending on your screen settings and the quality of the surface, not all colors will be printed one hundret percent realistically. In view of the fact that all our art prints are processed and printed manually, there may as well be slight variations in the motif's exact position and the size.
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