Bernardo Bellotto, 1745 - Mkpọchi na Dolo - mbipụta nka mara mma

Họrọ ihe gị

Maka ngwaahịa ọ bụla anyị na-enye ihe dị iche iche dị iche iche na nha. Họrọ nha na ihe kacha amasị gị n'ime nhọrọ ndị a:

• Mbipụta akwụkwọ mmado (ihe kwaaji): A poster print is a printed sheet of canvas paper with a nice finish on the surface. Please bear in mind, that depending on the absolute size of the poster print we add a white margin between 2-6cm round about the painting, which facilitates the framing with your custom frame.
• Mbipụta enyo acrylic: An acrylic glass print, often labelled as a fine art print on plexiglass, will change your favorite original work of art into brilliant décor. The work of art is printed thanks to state-of-the-art UV direct printing technology. The real glass coating protects your chosen art print against sunlight and heat for many years to come.
• Kwaaji: A canvas print, not to be confused with a painting on a canvas, is an image printed on an industrial printing machine. What is more, canvas print produces a lively and pleasing appearance. Your printed canvas of your favorite masterpiece will let you turn your personal fine art print into a large size collection piece like you would see in a gallery. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang up the Canvas print without any wall-mounts. Because of thata canvas print is suited for all types of walls.
• Metal (aluminium debond mbipụta): An Aluminium Dibond print is a print material with an outstanding depth effect. The Direct Print on Aluminum Dibond is the best start to fine art prints made with aluminum. The print on Aluminum Dibond is one of the most popular entry-level products and is a contemporary way to showcase artworks, as it puts the viewer’s attention on the replica of the artwork.

Ihe dị mkpa: We try our best in order to depict the art products as closely as possible and to showcase them visually in our shop. Still, the tone of the printed materials, as well as the imprint might vary slightly from the representation on the device's monitor. Depending on your settings of your screen and the nature of the surface, not all color pigments are printed as realistically as the digital version depicted here. In view of the fact that our fine art prints are processed and printed by hand, there may also be slight variations in the motif's exact position and the size.

Ozi ngwaahịa nka

In 1745 onye omenkà Bernardo Bellotto tee ihe a 18th narị afọ eserese. Nke 270 ụdị nka nke afọ dị afọ tụrụ nha: emebereghị: 73,8 x 108,7 cm (29 1/16 x 42 13/16 na) emebere: 97,3 x 131,9 cm (38 5/16 x 51 15/16 na) e jikwa ya see ya mmanụ na kwaaji. Nowadays, this work of art is included in the digital collection of Artlọ Osisi Mahadum Yale, nke bụ nke Mahadum Yale ma bụrụ ụlọ ngosi nka nka kacha ochie nke mahadum dị na mpaghara ọdịda anyanwụ. Nke a nka ochie A na-enye ihe osise ngalaba ọha site n'ikike nke Artlọ Osisi Mahadum Yale. Creditline of the artwork: Gift of Duncan Phillips, 1908. Furthermore, alignment of the digital reproduction is odida obodo ma nwee oke akụkụ nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara. Bernardo Bellotto was a painter, printmaker, whose style was primarily Rococo. The Italian artist lived for 59 afọ - amuru n'ime 1721 in Venice, Venezia province, Veneto, Italy and deceased in the year 1780 in Warsaw, Mazowieckie, Poland.

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