James McNeill Whistler, 1863 - Grey na Silver: Old Battersea Reach - ọmarịcha nka.

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• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The acrylic glass print, which is sometimes denoted as a plexiglass print, will turn your favorite original into lovely home decoration. What is more, it forms a good alternative option to dibond and canvas fine art prints. The artwork will be manufactured thanks to the help of state-of-the-art UV direct print machines. It creates vivid and stunning color shades. The great benefit of an acrylic glass fine art copy is that contrasts and small artwork details will be identifiable due to the precise gradation.
• Mbipụta nke aluminom: This is a metal print made on aluminium dibond material with an outstanding effect of depth. The non-reflective surface structure creates a fashionable impression. The Direct Print on Aluminum Dibond is your perfect start to fine prints produced with alu. This direct UV print on aluminium is the most popular entry-level product and is a truly modern way to display art reproductions, because it puts all of the viewer’s focus on the replica of the artwork.
• Mbipụta kwaaji: A canvas print is a printed cotton canvas mounted on a wood frame. A canvas print of your favorite artpiece will let you turn your into a large work of art. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang up your Canvas print without any wall-mounts. Because of thata canvas print is suitable for any type of wall.
• Mpempe akwụkwọ mmado ebipụtara na akwa akwa: The Artprinta poster print is a UV printed canvas paper with a nice structure on the surface. Please note, that depending on the absolute size of the poster print we add a white margin 2-6cm round about the artwork in order to facilitate the framing with your custom frame.

Nkwupụta iwu: We try everythig possible to depict our art products as exact as possible and to demonstrate them visually in our shop. Still, the pigments of the print materials, as well as the print result may diverge marginally from the image on your device's screen. Depending on your settings of your screen and the condition of the surface, not all colors will be printed as exactly as the digital version. Since our are processed and printed by hand, there may also be slight discrepancies in the motif's exact position and the size.

What does the website of the Art Institute Chicago say about this 19th century artwork from the writer, illustrator, painter, etcher and lithographer James McNeill Whistler? (© Nwebiisinka - Art Institute Chicago - Ụlọ ọrụ Art Chicago)

James McNeill Whistler painted marine subjects throughout his career. For several years beginning in 1855, the expatriate American artist divided his time between London and Paris; in the latter, he was exposed to the bold realism and thickly impastoed surfaces of the paintings of Gustave Courbet. The older artist’s influence shaped Whistler’s depiction of the Thames River, a subject that frequently appeared in his work after he moved to London in 1863. In this painting, he focused on the river’s industrial nature—boats and barges, laboring men, and smoking chimneys—which featured so largely in urban life. Yet despite the realism of the subject, Whistler unified the composition with deft brushwork and a subtle palette of brown and gray that anticipates his later interest in delicate tonal harmonies.

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In 1863 James McNeill Whistler made the symbolist work of art "Grey and Silver: Old Battersea Reach". The original was made with the dimensions: 50,8 × 68,6 cm (20 × 27 na). Oil on canvas was used by the painter as the medium of the artwork. The artpiece has the following inscription: signed, lower left: "Whistler 63". Taa, a nwere ike ilele ihe osise a n'ime Ụlọ ọrụ Art nke Chicago mkpokọta nka na Chicago, Illinois, Njikota Obodo Amerika. Site n'ikike nke Art Institute Chicago (ikike ngalaba ọha). Creditline of the artwork: Gift of Honoré and Potter Palmer. Further, the alignment is odida obodo ma nwee oke onyonyo nke 4: 3, meaning that the length is 33% longer than the width. The writer, illustrator, painter, etcher, lithographer James McNeill Whistler was an artist, whose art style can mainly be assigned to Symbolism. The American painter was born in the year 1834 in Lowell, Middlesex county, Massachusetts, United States and passed away at the age of 69 n'afọ 1903.

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