James McNeill Whistler, 1870 - Cremorne Gardens, Nke 2 - ọmarịcha nka nka.

Background information on the modern art artwork titled Cremorne Gardens, No. 2

In 1870 James McNeill Whistler made the work of art. The over 150 years old original version was made with the following size: 27 x 53 1/8 na (68,6 x 134,9 cm) e jikwa nkà na-ese ihe mmanụ na kwaaji. Nowadays, the piece of art belongs to the art collection of Museumlọ ihe ngosi nka nke Obodo. We are delighted to mention that the masterpiece, which belongs to the public domain is supplied with courtesy of The Metropolitan Museum of Art, New York, John Stewart Kennedy Fund, 1912. The creditline of the artpiece is the following: John Stewart Kennedy Fund, 1912. Furthermore, alignment of the digital reproduction is in odida obodo format ma nwee oke nke 2: 1, nke pụtara na ogologo ahụ dị okpukpu abụọ karịa obosara. The writer, illustrator, painter, etcher, lithographer James McNeill Whistler was a North American artist, whose style was primarily Symbolism. The North American painter was born in the year 1834 na Lowell, Middlesex County, Massachusetts, United States ma nwụọ mgbe ọ dị afọ 69 na 1903.

What does the curator team of the The Metropolitan Museum of Art say about the 19th century work of art from the writer, illustrator, painter, etcher and lithographer James McNeill Whistler? (© Copyright - by The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

The progressive expatriate James McNeill Whistler is associated with the "art for art’s sake" philosophy, which privileged artistic form over content. Yet his subjects were often seen to be as radical as his ethereal color harmonies. In this so-called nocturne, painted in London’s Cremorne Gardens (near his Chelsea home-studio), Whistler explores the theme of modern life embraced by many of his European associates, especially the French Impressionists. An elegant, manicured park that drew fashionable strollers during the daytime hours, the Gardens at night became a site for lively music, dancing, and fireworks, frequented by a broader range of classes.

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• Mbipụta ọla (aluminium dibbond): Aluminium Dibond prints are prints on metal with an outstanding effect of depth. A non-reflective surface creates a contemporary impression. The white & bright parts of the work of art shine with a silky gloss but without the glare.
• Mbipụta kanvas: The printed canvas, which shall not be confused with a real painting on a canvas, is a digital replica applied on a cotton canvas material. Your canvas of this artpiece will allow you to transform your fine art print into a large size artpiece as you would see in a gallery. Canvas Prints have the advantage of being relatively low in weight. This means, it is quite simple to hang up the Canvas print without any wall-mounts. Canvas prints are suited for all types of walls.
• Mbipụta akwụkwọ mmado (ihe kwaaji): A poster is a UV printed canvas paper with a slightly roughened surface structure. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of around 2-6cm around the work of art to facilitate the framing with your custom frame.
• Bipụta na enyo acrylic: A glossy print on acrylic glass, often described as a plexiglass print, transforms the original into décor. Besides, the acrylic glass fine art print offers a great alternative to aluminium or canvas fine art prints. The work of art is being made with modern UV direct printing machines. With an acrylic glass fine art print sharp contrasts plus minor artwork details will be more visible due to the granular gradation of the print. The acrylic glass protects your selected art print against sunlight and heat for decades.

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Ederede iwu: We try everything to describe our art products as clearly as possible and to illustrate them visually. Nonetheless, the colors of the printed materials and the imprint may vary marginally from the representation on the device's screen. Depending on your settings of your screen and the quality of the surface, not all colors are printed one hundret percent realistically. Since all our art prints are processed and printed manually, there may as well be minor differences in the motif's size and exact position.

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