James McNeill Whistler, 1878 - Nocturne (Nocturne: The Thames na Battersea) - ọmarịcha akwụkwọ nka.

a nkà nke oge a ihe osise e kere site na nwoke artist James McNeill Whistler in 1878. The version of the painting measures the size: Image: 6 3/4 × 10 3/16 in (17,1 × 25,9 cm) Sheet: 13 1/2 × 19 5/16 in (34,3 × 49 cm) and was painted with the Usoro lithotint with scraping, on a prepared half-tint ground, second state of two (chicago), printed in soft gray-black ink on pale blue laid chine mounted on ivory wove plate paper. Nowadays, the artwork is included in the Ụlọ ihe ngosi nka nke Metropolitan nchịkọta nka, nke bụ otu n'ime ụlọ ngosi ihe ngosi nka kachasị ukwuu na nke kachasị mma n'ụwa, nke gụnyere ihe karịrị nde abụọ ọrụ nka na-agbatị puku afọ ise nke ọdịbendị ụwa, site na prehistory ruo ugbu a na site n'akụkụ ọ bụla nke ụwa .. Ọrụ nka nka. , nke bụ akụkụ nke ngalaba ọha is provided with courtesy of The Metropolitan Museum of Art, New York, Harris Brisbane Dick Fund, 1917. Also, the artpiece has the creditline: Harris Brisbane Dick Fund, 1917. In addition to this, the alignment is odida obodo ma nwee oke nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara. The writer, illustrator, painter, etcher, lithographer James McNeill Whistler was a North American artist, whose art style can primarily be assigned to Symbolism. The Symbolist artist was born in 1834 na Lowell, Middlesex County, Massachusetts, United States ma nwụọ mgbe ọ dị afọ 69 N'afọ 1903 na London, Greater London, England, United Kingdom.

Nhọrọ ihe ngwaahịa dị

Na dropdown nhọrọ ziri ezi na-esote isiokwu ị nwere ike họrọ size na ihe ị na-ahọrọ. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:

• Poster (akwa akwa akwa): The Artprinta poster print is a UV printed sheet of cotton canvas paper with a nice surface finish. Please keep in mind, that depending on the size of the poster we add a white margin of something between 2-6cm around the work of art, which facilitates the framing with a custom frame.
• Metal (aluminium debond mbipụta): This is a metal print made on aluminium dibond material with an outstanding depth effect. The non-reflective surface creates a modern impression. The bright and white parts of the artpiece shimmer with a silky gloss, however without any glare. This direct print on Aluminum Dibond is the most popular entry-level product and is an extremely stylish way to display fine art reproductions, since it puts all of the viewer’s attention on the artwork.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): The print on acrylic glass, which is sometimes described as a print on plexiglass, changes your favorite artwork into beautiful décor.
• Mbipụta kanvas: A canvas print, not to be confused with a canvas painting, is a digital replica applied onto cotton canvas. How do I hang a canvas print on my wall? A canvas print has the advantage of being low in weight, which means that it is easy to hang up the Canvas print without the support of any wall-mounts. Canvas prints are suitable for any type of wall.

Important information: We try our best to depict the art products in as much detail as possible and to demonstrate them visually on the respective product detail pages. However, the tone of the print products and the imprint can differ somehwat from the image on the device's monitor. Depending on the screen settings and the condition of the surface, not all color pigments are printed as realistically as the digital version. Because all art reproductions are processed and printed manually, there may also be minor differences in the exact position and the size of the motif.

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Ozi nkowa mgbakwunye by The Metropolitan Museum of Art (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

Born in New England, Whistler studied painting in Paris and then based himself in London. There he demonstrated that making prints could be as serious an artistic pursuit as painting. Representing the river Thames, then the lagoons of Venice, Whistler developed subtle tonal variations that alluded dreamily to a triumph of water and air over substance.In this early lithograph, Whistler worked directly on the stone (rather than using transfer paper), applying washes of ink to achieve striking atmospheric effects. The artist printed this river subject in 1878, the year in which his libel case against the art critic John Ruskin—involving Ruskin's attack on one of Whistler's painted "Nocturnes"—was heard. Though Whistler won the case, the court costs forced him to declare bankruptcy in the following year.