Pierre Puvis de Chavannes, 1867 - Ụra - ọmarịcha akwụkwọ nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ibe nka ụra from Pierre Puvis de Chavannes as your own art replica
N’afọ 1867 the French artist Pierre Puvis de Chavannes made the artpiece named "Sleep". Ihe gafere 150 year-old original was made with the size: 26 1/8 x 41 3/4 in (66,4 x 106 cm) and was produced with oil on canvas. This artwork is included in the art collection of Museumlọ ihe ngosi nka nke Obodo, nke dị na New York City, New York, Njikota Obodo Amerika. Site n'ikike nke The Metropolitan Museum of Art, New York, Theodore M. Davis Collection, Arịrịọ nke Theodore M. Davis, 1915 (ọha na eze). Creditline of the artwork: Theodore M. Davis Collection, Bequest of Theodore M. Davis, 1915. Moreover, alignment is landscape and has a ratio of 3 : 2, which means that the length is 50% longer than the width. Pierre Puvis de Chavannes was a painter of French nationality, whose artistic style can mainly be classified as Symbolism. The Symbolist painter was born in the year 1824 in Lyon, Auvergne-Rhone-Alpes, France and passed away at the age of 74 in the year 1898.
Ozi mgbakwunye sitere na webụsaịtị ihe ngosi nka (© Nwebiisinka - nke The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)
The motif of sleep offered Puvis the opportunity to depict reclining bodies from the front, the back, and the side, embracing and alone. This is a smaller replica of an 1867 painting (Palais des Beaux-Arts de Lille) that Puvis regarded as his "favorite work." He associated the composition with a fragment from the Aeneid by the ancient Roman poet Virgil: "It was the hour when the first rest of weary mortals begins" (book 2, line 268). The text refers to a brief (and illusory) respite from war, but Puvis portrays untroubled repose after harvesting—a recurring theme in his art.
Tebụl a haziri ahazi nke mpempe nka
Aha nka: | "Sleep" |
nhazi ọkwa: | sere |
Nhazi nka: | nkà nke oge a |
Century: | 19th narị afọ |
Ekepụtara: | 1867 |
Ogologo afọ nka nka: | ihe dị ka afọ 150 |
Ọkara nke ihe osise izizi: | mmanụ na kwaaji |
Akụkụ nke nka nka izizi: | 26 1/8 x 41 3/4 na (66,4 x 106 cm) |
Egosiputara na: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
License: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Theodore M. Davis Collection, Arịrịọ nke Theodore M. Davis, 1915 |
Ebe E Si Nweta: | Theodore M. Davis mkpokọta, Arịrịọ nke Theodore M. Davis, 1915 |
Tebụl onye na-ese ihe
Aha onye nka: | Pierre Puvis de Chavannes |
Aliases: | Pierre Puvis de Chavannes, Pierre Henri Puvis de Chavanne, da Chavannes Pierre Puvis, p. de chavannes, Puvis de Chavannes Pierre Cecile, Puvis de Chavannes P., Puvis de Chavannes, Puvis de Chavannes Pierre, Pʻu-wei Te Hsia-fan-na, De Chavannes Pierre Puvis, Chavannes Puvis de, chavannes de P., pierre cecile puvis de chavannes, Puvis de Chavanne Pierre Henri, Pierre-Cécile Puvis de Chavannes, Chavannes Pierre Puvis de, פובי דה שאבאן פייר אנרי, Puvis de Chavannes Pierre-Cecile |
Gender: | nwoke |
Obodo onye nka: | French |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
Obodo onye nka: | France |
Nkewa onye nka: | omenkà nke oge a |
Ụdị nka: | Akara |
Nwụrụ anwụ: | 74 afọ |
Afọ ọmụmụ: | 1824 |
Ebe amụrụ onye: | Lyon, Auvergne-Rhone-Alpes, France |
Nwuru: | 1898 |
Nwụrụ na (ebe): | Paris, Ile-de-France, France |
Họrọ ihe kacha amasị gị
Nchịkọta nhọrọ ndetu ngwaahịa na-enye gị ohere ịhọrọ akụrụngwa yana nha dabere na mmasị gị. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:
- Poster (akwa akwa akwa): The Artprinta poster is a printed canvas with a slightly roughened surface structure, that resembles the original version of the masterpiece. The poster is excellently used for putting your art copy in a personal frame. Please note, that depending on the absolute size of the poster print we add a white margin between 2 - 6cm around the print motif to facilitate the framing with your custom frame.
- Mbipụta ọla (aluminium dibbond): These are metal prints on aluminium dibond with an outstanding depth effect. A direct Direct Print on Aluminum Dibond is your excellent start to fine art replicas with aluminum. The white and bright parts of the original work of art shine with a silk gloss, however without any glow. The UV print on aluminium is one of the most demanded entry-level products and is an extremely stylish way to display artworks, because it puts the viewer’s focus on the image.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, which is often named as a UV print on plexiglass, will change your favorite artwork into beautiful home decoration and makes a good alternative option to aluminium or canvas fine art prints. Your favorite artwork is manufactured thanks to state-of-the-art UV direct printing technology. With an acrylic glass art print contrasts as well as smaller image details become exposed with the help of the very fine tonal gradation. Our plexiglass protects your selected fine art print against light and external influences for many more years to come.
- Kwaaji: A printed canvas, not to be confused with a canvas painting, is a digital replica printed from a UV direct printer. A canvas makes the special effect of three dimensionality. A canvas creates a homelike and comfy effect. A canvas print of this artpiece will give you the unique opportunity to transform your into a large size work of art. Canvas prints are relatively low in weight. That means, it is easy and straightforward to hang up the Canvas print without extra wall-mounts. Canvas prints are suited for all kinds of walls.
Ngwaahịa a
Nkewa edemede: | nka nka |
Mmeputakwa: | dijitalụ mmeputakwa |
Production usoro: | UV kpọmkwem obibi |
Mmalite ngwaahịa: | German mere |
Stockdị ngwaahịa: | na mmepụta ihe |
Ngwaahịa were: | ihe ndozi ụlọ, ihe ndozi mgbidi |
Nhazi onyonyo: | usoro odida obodo |
Oke akụkụ onyonyo: | 3: 2 |
Pụtara nha onyonyo a: | ogologo bụ 50% ogologo karịa obosara |
Nhọrọ akụrụngwa: | ígwè obibi akwụkwọ (aluminium dibond), ebipụta canvas, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Nhọrọ nha nke akwa akwa n'elu etiti ihe na-agbatị (mbipụta kwaaji): | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): | 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Aluminium dibond ebipụta (ihe aluminium) nha dị iche iche: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Nhazi nke nka nka: | adịghị |
Disclaimer: We try the best we can in order to describe our products as closely as possible and to display them visually in our shop. At the same time, the pigments of the print products and the print result might vary marginally from the representation on your monitor. Depending on your settings of your screen and the quality of the surface, not all colors can be printed 100% realistically. Because all our fine art prints are processed and printed manually, there may also be slight deviations in the motif's size and exact position.
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