Odilon Redon, 1912 - Bouquet na Vase China - mbipụta nka mara mma

Họrọ ụdị ihe onwunwe gị

In the product dropdown menu you can select your prefered size and material. Hence, we allow you to choose among the following options:

• Mbipụta iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, which is sometimes described as a plexiglass print, will change your favorite artwork into décor. Beyond that, it is a distinct alternative option to aluminium and canvas prints. The artwork will be printed with the help of state-of-the-art UV print machines.
• Mbipụta akwụkwọ mmado (akwa akwa akwa): Our poster print is a printed flat cotton canvas with a slightly rough surface structure, that reminds the original artwork. Please keep in mind, that depending on the absolute size of the poster we add a white margin of around 2-6cm round about the work of art in order to facilitate the framing with your custom frame.
• Mbipụta kanvas: A UV printed canvas material applied on a wooden stretcher frame. A canvas of this work of art will provide you with the chance to transform your into a large work of art as you know from galleries. Canvas prints are relatively low in weight. This means, it is easy and straightforward to hang the Canvas print without the support of extra wall-mounts. Hence, canvas prints are suited for any kind of wall.
• Mbipụta ọla (aluminium dibbond): This is a metal print made on aluminium dibond with a true effect of depth, which creates a fashionable look thanks to a non-reflective surface structure. The bright sections of the original artwork shimmer with a silky gloss, however without the glare. The colors are bright and luminous, the details of the print are clear and crisp, and there’s a matte appearance that you can literally feel.

Nkwupụta iwu: We try what we can to depict the products in as much detail as possible and to illustrate them visually. Nonetheless, the tone of the print products and the print result may vary somehwat from the image on your screen. Depending on the settings of your screen and the quality of the surface, not all color pigments are printed as exactly as the digital version depicted here. In view of the fact that all our are printed and processed by hand, there might also be slight deviations in the motif's exact position and the size.

Nkọwa nka nka izizi sitere na The Metropolitan Museum of Art (© - Ụlọ ihe ngosi nka nke obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

Redon owned a variety of vases, which his wife, Camille, used in arranging the bouquets that formed the subject of his late still-life paintings. The delicately patterned white vessel depicted in this work appears in several other pictures, including The Met’s Vase of Flowers (Pink Background) of about 1906 (59.16.3).

Nkọwa ngwaahịa

Nke a gafee 100 Ihe osise dị afọ bụ nke ndị French painter Odilon Redon in 1912. The 100 ụdị nke masterpiece dị afọ na-atụ nha: 25 1/2 x 19 5/8 na (64,8 x 49,8 cm) e were teknuzu mee ya mmanụ na kwaaji. N'oge a, ihe osise a bụ akụkụ nke mkpokọta nka Museumlọ ihe ngosi nka nke Obodo na New York City, New York, Njikota Obodo Amerika. Site n'ikike nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Mr. na Oriakụ Henry Ittleson Jr. Purchase Fund, 1964 (nwere ikike: ngalaba ọha). The creditline of the artwork is the following: The Mr. and Mrs. Henry Ittleson Jr. Purchase Fund, 1964. What is more, the alignment is in portrait format with a ratio of 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. Odilon Redon was a illustrator, painter, sculptor, printmaker, lithographer, whose artistic style was primarily Symbolism. The European artist was born in 1840 ma nwụọ na afọ nke 76 n'afọ 1916.

Nkọwa ahaziri nke ọrụ nka

Banyere ngwaahịa

Nchịkọta dị mkpirikpi nke onye na-ese ihe

Nwebiisinka © | Artprinta (www.artprinta.com)