Andrea di ọdụm, 1640 - Tobit na-eli ndị nwụrụ anwụ - ọmarịcha nka

Eziokwu na-akpali mmasị banyere eserese a karịrị afọ 380

In 1640 na Italian onye na-ese ihe Andrea di ọdụm made the baroque masterpiece Tobit Burying the Dead. Emere nke mbụ ya na nha 50 1/4 x 68 1/2 na (127,6 x 174 cm) na e mere ya na Usoro of mmanụ na kwaaji. Today, this piece of art is part of the collection of Museumlọ ihe ngosi nka nke Obodo. With courtesy of: The Metropolitan Museum of Art, New York, Gwynne Andrews Fund, 1989 (nwere ikike: ngalaba ọha). Ọzọkwa, ihe nkiri ahụ nwere kreditline: Gwynne Andrews Fund, 1989. The alignment of the digital reproduction is in landscape format and has an aspect ratio of 1.4 : 1, which implies that the length is 40% longer than the width. The painter Andrea di Lione was a European artist from Italy, whose style can be attributed primarily to Baroque. The European artist lived for a total of 75 afọ - Amụrụ na 1610 wee nwụọ na 1685.

Ihe di

Maka mbipụta nka ọ bụla, anyị na-enye ụdị nha & ihe dị iche iche. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:

• Mbipụta nke aluminom: An Aluminium Dibond print is a material with an impressive depth effect, which makes a fashionable look throuch a surface structure, that is non-reflective. The bright & white sections of the original artpiece shine with a silky gloss but without the glare.
• Mbipụta iko acrylic na-egbuke egbuke: A glossy print on acrylic glass, often referred to as a print on plexiglass, transforms the original into amazing décor. Your artwork is being made thanks to the help of modern UV printing technology.
• Mbipụta kwaaji: A canvas direct print is a printed cotton canvas mounted on a wood stretcher. Also, a canvas print generates a cosy and pleasant effect. A printed canvas of this masterpiece will let you turn your new fine art print into a large artwork as you would see in a gallery. Canvas prints are relatively low in weight, which means that it is easy to hang up your Canvas print without additional wall-mounts. Canvas prints are suited for any type of wall in your house.
• Mpempe akwụkwọ ederede (akwa akwa akwa): Our poster is a UV printed sheet of flat cotton canvas paper with a slight surface structure. Please note, that depending on the size of the canvas poster print we add a white margin of approximately 2-6cm round about the painting, which facilitates the framing.

Ederede iwu dị mkpa: We try whatever we can in order to describe the products as clearly as possible and to exhibit them visually on the product detail pages. Please keep in mind that the tone of the print materials and the imprint can differ slightly from the image on your device's screen. Depending on the screen settings and the nature of the surface, color pigments may not be printed as realistically as the digital version depicted here. Because all the are printed and processed by hand, there might also be minor variations in the motif's size and exact position.

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General specifications from the museum (© Copyright - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

The cloaked figure is Tobit, a devout Jew who in defiance of Sennacherib's orders directed the burial of the Jews whom the king had killed outside the walls of Nineveh (Tobit I:17–20). Andrea di Lione was in Rome in the 1640s, where he knew both Giovanni Benedetto Castiglione and Nicolas Poussin, and this work is indebted to both of those artists.