Jan Anthonisz van Ravesteyn, 1617 - Eserese ma ọ bụ Catharina Belgica (1578-1648) - mbipụta nka mara mma.

(© Nwebiisinka - nke Mauritshuis - www.mauritshuis.nl)

Frederik Hendrik, Stadholder’s Quarter, The Hague, 1632; by descent to Prince William V, Honselaarsdijk Palace, Naaldwijk, 1755; sold or taken from the stadholder’s collection in or after 1795; purchased, 1820

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Anyị na-enye ụdị nha na ihe dị iche iche maka ngwaahịa ọ bụla. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:

• Mbipụta kwaaji: A canvas print is a printed canvas stretched on a wooden stretcher. A canvas creates a nice and appealing feeling. Your canvas of this work of art will allow you to transform your personal art print into a large size work of art. A canvas print has the advantage of being relatively low in weight, which implies that it is quite simple to hang up the Canvas print without the use of any wall-mounts. A canvas print is suited for any type of wall.
• Mbipụta enyo acrylic: The acrylic glass print, often denoted as a print on plexiglass, will transform an original artwork into home décor. With an acrylic glass fine art print contrasts and smaller painting details become more identifiable due to the precise gradation of the print. Our acrylic glass protects your selected art replica against light and external influences for up to 60 years.
• Mbipụta nke aluminom: This is a metal print made on aluminium dibond with an impressive depth effect. The bright parts of the artwork shine with a silky gloss, however without the glow. The colors are bright and vivid, details are crisp, and the print has a a matte look that you can literally feel. The direct print on aluminium is one of the most demanded entry-level products and is a stylish way to showcase artworks, as it draws attention on the artwork.
• Mbipụta akwụkwọ mmado (ihe kwaaji): The poster print is a UV printed canvas with a slightly roughened surface finish. It is used for putting your art print with a personal frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin of something between 2-6cm around the print motif, which facilitates the framing with your custom frame.

Nkọwa nke ngwaahịa ebipụta

N'afọ 1617, onye na-ese ihe Jan Anthonisz van Ravesteyn painted this work of art. The original was made with the size: elu: 63,9 cm obosara: 55,6 cm | elu: 25,2 n'obosara: 21,9 inch. Oil on panel was applied by the artist as the technique for the masterpiece. The masterpiece has the following inscription: "dated: Anno 1617bears inscription: FIL’ DE HANNAUmark: WMbears inscription: 87". What is more, the artpiece is part of the Ndị Maurithuis digital collection located in The Hague, South Holland, Netherlands. The nka ochie masterpiece, nke bụ akụkụ nke ngalaba ọha is being supplied with courtesy of Mauritshuis, The Hague. : Frederik Hendrik, Stadholder’s Quarter, The Hague, 1632; by descent to Prince William V, Honselaarsdijk Palace, Naaldwijk, 1755; sold or taken from the stadholder’s collection in or after 1795; purchased, 1820. Moreover, alignment is Eserese ma nwee oke nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.

Important legal note: We try all that we can to depict our art products as precisely as possible and to showcase them visually. Nonetheless, some tone of the printing material, as well as the print result may diverge slightly from the image on your device's monitor. Depending on the screen settings and the nature of the surface, colors can unfortunately not be printed one hundret percent realistically. Since our art prints are processed and printed manually, there may as well be slight variations in the motif's exact position and the size.

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