Jan Hackaert, 1660 - Deer Hunt n'ime oke ọhịa - mbipụta nka mara mma

Ngwaahịa nka mara mma nkeonwe gị

The kpochapụwo art art e sere site na Baroque artist Jan Hackaert. The artwork had the following size: height: 69 cm width: 54 cm | height: 27,2 in width: 21,3 in and was painted with the Usoro of mmanụ na kwaaji. Ọzọkwa, enwere ike ilele ihe osise ahụ n'ime Ndị Maurithuis nchịkọta nka dijitalụ dị na Hague, South Holland, Netherlands. Site n'ikike nke: Mauritshuis, The Hague (nwere ikike - ngalaba ọha). The creditline of the artpiece is: Aernout van Beeftingh, Rotterdam, before 1831; his sale, Rotterdam (Lamme), 30 April 1832, no. 3 (for 940 guilders to Lamme); A.J. Lamme Gallery, Rotterdam (to Steengracht); jonkheer Johan Steengracht van Oostcapelle, The Hague, 1832-1846; acquired at a family auction by his second son, jonkheer Hendrik Steengracht van Oostcapelle, The Hague, 1846-1875; by inheritance to his nephew, Hendricus Adolphus Steengracht van Duivenvoorde, The Hague and Voorschoten, 1875-1912; his sale, Paris, 9 June 1913 (Lugt 72900), no. 27 (for 7,000 francs to Muller for Janssen); August Janssen, Amsterdam, 1913-1918; Jacques Goudstikker Gallery, Amsterdam, 1919 (cat. 1919, no. 47); Eugen Gutmann (1840-1925), Haarlem, in or after 1919; bequeathed to his son, Friedrich (Fritz) B.E. Gutmann (1886-1944), Heemstede (loaned by him to an exhibition in Haarlem, 1940, no. 29); sold by him to Karl Haberstock Gallery, Berlin, 1942; Kunstmuseum, Düsseldorf, 1942 (inv. no. 1942-13); Stichting Nederlands Kunstbezit (inv. no. NK 2410); returned to the Gutmann heirs in 1954 and sold by them; S. Nijstad Gallery, The Hague, 1970-1971; purchased, 1971. In addition to that, the alignment is in portrait format with an aspect ratio of 3 : 4, which means that ogologo bụ 25% mkpụmkpụ karịa obosara. The painter, engraver, baptized Jan Hackaert was an artist from the Netherlands, whose artistic style was primarily Baroque. The Baroque painter was born in the year 1627 na Amsterdam, North Holland, Netherlands na nwụrụ anwụ na afọ nke 63 n'afọ 1690.

Họrọ ngwa ngwaahịa gị

Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Mbipụta kwaaji: A printed canvas material applied on a wooden stretcher frame. A printed canvas of your favorite masterpiece will let you turn your individual into a large work of art as you would see in a gallery. The great advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang up your Canvas print without the support of any wall-mounts. Canvas prints are suited for any type of wall.
• Bipụta na enyo acrylic: An acrylic glass print, which is sometimes described as a an art print on plexiglass, will change the artwork into wall decoration. Your own replica of the artwork is made thanks to modern UV printing machines. With an acrylic glass fine art print sharp contrasts as well as smaller artwork details become more identifiable thanks to the granular gradation. Our acrylic glass protects your selected art print against light and heat for many decades.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster print is a printed canvas paper with a slightly rough texture on the surface. Please note, that depending on the size of the canvas poster print we add a white margin between 2-6cm around the print motif in order to facilitate the framing with your custom frame.
• Mbipụta aluminom (aluminium dibbond): These are metal prints on alu dibond material with an impressive depth. A non-reflective surface structure make a modern look. A direct Aluminium Dibond Print is your ideal introduction to fine art reproductions with alu. The white & bright parts of the artwork shine with a silky gloss, however without glare.

Ederede iwu: We try everythig possible in order to describe our products as accurate as possible and to illustrate them visually. However, the tone of the printing material, as well as the imprint can diverge marginally from the image on the screen. Depending on your settings of your screen and the nature of the surface, colors may not be printed as exactly as the digital version shown here. Given that all the art prints are processed and printed manually, there might also be minor deviations in the motif's size and exact position.

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© Nwebiisinka nke, Artprinta.com

Ozi nkowa mgbakwunye from the museum (© Nwebiisinka - Mauritshuis - Maurithuis)

Aernout van Beeftingh, Rotterdam, before 1831; his sale, Rotterdam (Lamme), 30 April 1832, no. 3 (for 940 guilders to Lamme); A.J. Lamme Gallery, Rotterdam (to Steengracht); jonkheer Johan Steengracht van Oostcapelle, The Hague, 1832-1846; acquired at a family auction by his second son, jonkheer Hendrik Steengracht van Oostcapelle, The Hague, 1846-1875; by inheritance to his nephew, Hendricus Adolphus Steengracht van Duivenvoorde, The Hague and Voorschoten, 1875-1912; his sale, Paris, 9 June 1913 (Lugt 72900), no. 27 (for 7,000 francs to Muller for Janssen); August Janssen, Amsterdam, 1913-1918; Jacques Goudstikker Gallery, Amsterdam, 1919 (cat. 1919, no. 47); Eugen Gutmann (1840-1925), Haarlem, in or after 1919; bequeathed to his son, Friedrich (Fritz) B.E. Gutmann (1886-1944), Heemstede (loaned by him to an exhibition in Haarlem, 1940, no. 29); sold by him to Karl Haberstock Gallery, Berlin, 1942; Kunstmuseum, Düsseldorf, 1942 (inv. no. 1942-13); Stichting Nederlands Kunstbezit (inv. no. NK 2410); returned to the Gutmann heirs in 1954 and sold by them; S. Nijstad Gallery, The Hague, 1970-1971; purchased, 1971