Jan Steen, 1675 - 'Ezi dị na Sty' - mbipụta nka mara mma

59,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

(© Nwebiisinka - Mauritshuis - Maurithuis)

Gerardus Vogel sale, Rotterdam, 3 July 1755 (Lugt 887), no. 30; possibly Pieter Foucquet sale, London, 10-11 February 1773 (Lugt 2115), second day, no. 33; Henry Doetsch sale, London, 22 June 1895 (Lugt 53661), no. 428 (for 52 guineas to J. Murray for Bredius); Abraham Bredius, The Hague, 1895-1946 (on loan to the Mauritshuis, since 1911); bequest of Abraham Bredius, 1946

Bipụta nchịkọta ngwaahịa

The classic art artpiece was made by the baroque painter Jan Steen. Nke mbụ dị ihe karịrị afọ 340 tụrụ nha: elu: 85,8 cm obosara: 72,1 cm | elu: 33,8 n'obosara: 28,4 inch e tekwara ya na ọkara mmanụ na kwaaji. The masterpiece has the following text as inscrption: "signed: JSteen". This piece of art belongs to the Ndị Maurithuis digital collection, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. The classic art ngalaba ọha a na-enye ihe osise site n'ikike nke Maurithuis, Hague. Ọzọkwa, ọrụ nka nwere akara kredit ndị a: Gerardus Vogel sale, Rotterdam, 3 July 1755 (Lugt 887), no. 30; possibly Pieter Foucquet sale, London, 10-11 February 1773 (Lugt 2115), second day, no. 33; Henry Doetsch sale, London, 22 June 1895 (Lugt 53661), no. 428 (for 52 guineas to J. Murray for Bredius); Abraham Bredius, The Hague, 1895-1946 (on loan to the Mauritshuis, since 1911); bequest of Abraham Bredius, 1946. N'elu nke ahụ, itinye n'ọnọdụ bụ ihe onyonyo ma nwee oke onyonyo 1: 1.2, which implies that the length is 20% shorter than the width. The painter Jan Steen was a European artist, whose artistic style can be attributed primarily to Baroque. The Baroque artist was born in 1626 in Alkmaar, North Holland, Netherlands and passed away at the age of 53 na 1679.

Akụrụngwa ị nwere ike ịhọrọ

In the dropdown selection right next to the product offering you can pick your individual size and material. You can choose among the following product customization options:

  • Bipụta akwụkwọ mmado n'ihe kwaaji: Our poster print is a printed cotton canvas with a slightly rough surface structure. Please keep in mind, that depending on the absolute size of the poster we add a white margin of approximately 2 - 6cm round about the print, which facilitates the framing with your custom frame.
  • Aluminom ihe eji eme ihe: These are metal prints on aluminium dibond with a true effect of depth. The non-reflective surface structure creates a contemporary impression. The Direct Print on Aluminum Dibond is the perfect introduction to fine art replicas produced on aluminum. The colors of the print are luminous, the details of the print are crisp and clear, and you can feel a matte appearance of the fine art print. The print on aluminium is one of the most demanded entry-level products and is a truly contemporary way to display art reproductions, as it puts 100% of the viewer’s attention on the whole artwork.
  • Kwaaji: The canvas print, not to be confused with a painting on a canvas, is a digital image applied on a cotton canvas material. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang up your Canvas print without the use of additional wall-mounts. Canvas prints are suitable for any kind of wall.
  • Ihe odide acrylic glass: A glossy acrylic glass print, often referenced as a print on plexiglass, will convert the original artwork into lovely décor and makes a viable alternative option to aluminium or canvas art prints. The great advantage of a plexiglass fine art copy is that contrasts and also minor image details become more exposed because of the delicate tonal gradation.

Nkọwa onye nka

Aha onye nka: Jan Steen
A makwaara dịka: Jan Steen de Alkmaarsche, Jan Steen de Alkmaarsche, Steen Jan, Steen Jan 'de Alkmaarsche, Jan Steen
Gender: nwoke
Obodo onye nka: Dutch
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Mba onye si: mba netherland
Nkewa onye nka: nna ukwu ochie
Ụdị nka: Baroque
Nwụrụ anwụ: 53 afọ
A mụrụ: 1626
Amụrụ na (ebe): Alkmaar, North Holland, Netherlands
Nwuru: 1679
Nwuru na (ebe): Alkmaar, North Holland, Netherlands

Nkọwa na nka nka mbụ

Aha nke ihe nka: "‘A Pig Belongs in the Sty’"
Nhazi nka: sere
Okwu mkpokọta: nka ochie
Nhazi oge: 17th narị afọ
Emepụtara n'afọ: 1675
Ogologo afọ nka nka: 340 afọ
Ọkara nke ihe osise izizi: mmanụ na kwaaji
Nha izizi nka: elu: 85,8 cm obosara: 72,1 cm
Akanyere (ọrụ nka): aka: JSteen
Ụlọ ihe ngosi nka / ebe: Maurithuis
Ebe ngosi nka: Hague, South Holland, Netherlands
Weebụsaịtị ihe ngosi nka: Maurithuis
Ụdị ikike nka: ngalaba ọha
Site n'aka: Maurithuis, Hague
kreditline ọrụ nka: Gerardus Vogel sale, Rotterdam, 3 July 1755 (Lugt 887), no. 30; possibly Pieter Foucquet sale, London, 10-11 February 1773 (Lugt 2115), second day, no. 33; Henry Doetsch sale, London, 22 June 1895 (Lugt 53661), no. 428 (for 52 guineas to J. Murray for Bredius); Abraham Bredius, The Hague, 1895-1946 (on loan to the Mauritshuis, since 1911); bequest of Abraham Bredius, 1946

Nkọwa akụkọ ahaziri ahazi

Bipụta ụdị ngwaahịa: ezi nka mmeputakwa
Usoro mmeputakwa: dijitalụ mmeputakwa
Production usoro: mbipụta dijitalụ
Production: Germany
Ụdị ngwaahịa: mmepụta ihe na-achọ
Ojiji ngwaahịa: mgbidi gallery, mgbidi ịchọ mma
Nhazi nka nka: nhazi ihe osise
Oke akụkụ: 1: 1.2
Akụkụ onyonyo pụtara: ogologo bụ 20% mkpụmkpụ karịa obosara
Ụdị dị iche iche dị: mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta iko acrylic (nwere ezigbo mkpuchi iko)
Mbipụta kanvas (akwa akwa n'elu etiti ihe ndọtị) ụdị nha dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): 50x60cm - 20x24", 100x120cm - 39x47"
Nhọrọ aluminom dibond (ihe aluminom) nhọrọ: 50x60cm - 20x24", 100x120cm - 39x47"
Nhazi mbipụta nka: agunyeghi

Ederede iwu dị mkpa: We try what we can in order to depict the products as closely as possible and to illustrate them visually on the different product detail pages. Nevertheless, the tone of the printed materials, as well as the imprint can vary marginally from the presentation on the device's screen. Depending on the screen settings and the nature of the surface, not all colors are printed 100% realistically. Given that our art reproductions are printed and processed manually, there might also be slight differences in the motif's size and exact position.

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