Peter Fendi, 1829 - Nwa agbọghọ tupu oghere lọtrị - mbipụta nka mara mma

Artwork specifications as provided from Belvedere website (© - nke Belvedere - Belvedere)

In this illustration is one of the first genre paintings in the Austrian painting of the 19th century. The story that entwines around the girl does not develop from an action, but from the figure itself. But it remains unclear whether the young woman reflects on the lost the lottery money, or whether they considered their money in the " to invest small game for Linz ". Peter Fendi chose not the subject by chance, but was referring to the thriving luck transactions that could be topic of the day the lottery. When the painting exhibition 1830 Academy was shown in, there was tremendous echo in the press. Emperor Franz I bought it in the same year for its collection of paintings. [Sabine Grabner 8/2009]

Nchịkọta ngwaahịa

The artwork "Girl before the lottery vault" was created by the Ọstrịa artist Peter Fendi in 1829. The artpiece had the size - 63 x 50 cm - frame dimensions: 80 x 67 x 8 cm. Mmanụ na kwaaji was applied by the Austrian artist as the technique for the painting. Signed and dated lower left: Fendi p. / 1829th is the masterpiece's original inscription. Nowadays, the work of art forms part of the nke Belvedere digital collection located in Vienna, Austria. With courtesy of - © Belvedere, Vienna, inventory number: 2177 (licensed: public domain). : nyefee site na Kunsthistorisches Museum, Vienna na 1921. Ọzọkwa, itinye n'usoro Eserese usoro na nha onyonyo nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. The painter, art collector Peter Fendi was an artist, whose style can mainly be classified as Realism. The artist lived for a total of 46 afọ - born in the year 1796 in Vienna, Vienna state, Austria and died in the year 1842 in Vienna, Vienna state, Austria.

Họrọ ngwa ngwaahịa gị

N'ime nhọrọ ndọpụta ngwaahịa ị nwere ike ịhọrọ nha na akụrụngwa nke gị. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:

• Aluminom dibond mbipụta (ọla): This is a metal print manufactured on alu dibond with an impressive effect of depth. The non-reflective surface creates a modern impression. The colors of the print are luminous in the highest definition, fine details of the print are very clear, and there’s a matte appearance that you can literally feel. This direct print on aluminium is the most popular entry-level product and is an extremely modern way to showcase art reproductions, as it puts 100% of the viewer’s focus on the image.
• Mbipụta enyo acrylic: An acrylic glass print, which is often named as a print on plexiglass, makes an original work of art into brilliant home decoration. Your own version of the artwork is being made with state-of-the-art UV print technology. The result of this are vibrant, sharp colors. The acrylic glass protects your selected art print against sunlight and heat for several decades.
• Akwụkwọ mmado ebipụtara (ihe kwaaji): The poster is a UV printed sheet of canvas paper with a slightly rough surface texture. It is particularly suited for placing your fine art print in a custom frame. Please note, that depending on the size of the poster we add a white margin between 2 - 6cm round about the print motif, which facilitates the framing with a custom frame.
• Kwaaji: The UV printed canvas applied on a wood stretcher frame. It produces a distinctive impression of three-dimensionality. In addition to that, a canvas print creates a charming and enjoyable ambience. Your printed canvas of your favorite artpiece will let you turn your fine art print into a large size artwork as you would see in a gallery. The great advantage of canvas prints is that they are relatively low in weight. This means, it is easy and straightforward to hang your Canvas print without additional wall-mounts. Hence, a canvas print is suitable for any kind of wall.

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Nkwupụta iwu: We try our utmost to describe the products with as many details as possible and to showcase them visually in our shop. However, the pigments of the printed materials and the print result can diverge to a certain extent from the presentation on your device's screen. Depending on the settings of your screen and the condition of the surface, not all colors are printed 100% realistically. Bearing in mind that all the fine art prints are processed and printed by hand, there may as well be slight differences in the exact position and the size of the motif.

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