Pieter Symonsz Potter, 1638 - Jekọb Na-arịọ Lia na Rechel ka ha gbanarị Leban - mbipụta nka mara mma.

Product nkọwa

Ihe karịrị 380 eserese afọ Jacob Urging Leah and Rachel to Flee from Laban e kere ya Pieter Symonsz Potter. Ihe osise ahụ tụrụ nha elu: 54 cm obosara: 81,5 cm | elu: 21,3 n'obosara: 32,1 inch ma were ihe osise ese Usoro mmanụ na panel. Ederede ihe osise mbụ bụ nke a: signed and dated: P. Potter. f 1638.. It is in the the Mauritshuis's digital collection, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. We are pleased to reference that the work of art, which belongs to the ngalaba ọha a na-enye - site n'ikike nke Maurithuis, Hague. : Neville Davison Goldsmid, The Hague, until 1875; his widow, Eliza Garey, The Hague and Paris, 1875-1876; Goldsmid sale, Paris, 4-5 May 1876 (Lugt 36515), no. 105 (for 120 francs to Victor Eugène Louis de Stuers for the Dutch State); purchased, 1876; on long-term loan to the Catharijneconvent Museum, Utrecht, since 2012. N'elu nke ahụ, nhazi nke mmepụta dijitalụ bụ odida obodo ya na oke nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara.

Ngwa ngwaahịa dị

Ndepụta ndetu ngwaahịa na-enye gị ohere ịhọrọ ngwa na nha dabere na mmasị gị. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:

• Metal (aluminium debond mbipụta): Aluminium Dibond prints are prints on metal with an outstanding depth - for a modern impression and a non-reflective surface. A direct Direct Print on Aluminum Dibond is the ideal start to fine prints made with alu. For our Aluminium Dibond print, we print the work of art right on the aluminium composite white-primed surface.
• Bipụta na enyo acrylic: The print on acrylic glass, often referenced as a an art print on plexiglass, changes an artwork into brilliant décor. Furthermore, the acrylic glass print is a great alternative to canvas and aluminidum dibond fine art replicas. With a glossy acrylic glass fine art print contrasts and granular artwork details become exposed with the help of the granular tonal gradation of the picture. The acrylic glass protects your selected fine art print against light and external influences for many more years to come.
• Mbipụta kanvas: The canvas direct print is a printed cotton canvas stretched on a wooden stretcher. The printed canvas makes a lively and comfortable ambience. Canvas prints are relatively low in weight, meaning that it is quite simple to hang up your Canvas print without the support of any wall-mounts. Hence, a canvas print is suitable for all types of walls.
• Mbipụta akwụkwọ mmado (akwa akwa akwa): Our poster is a printed canvas paper with a nice surface finish, which resembles the original masterpiece. Please keep in mind, that depending on the size of the canvas poster print we add a white margin between 2-6cm round about the artwork, which facilitates the framing with your custom frame.

Ozi dị mkpa: We do in order to describe our products as precisely as possible and to demonstrate them visually. At the same time, some pigments of the print materials and the printing can vary to a certain extent from the representation on your device's monitor. Depending on your screen settings and the quality of the surface, color pigments might not be printed as exactly as the digital version on this website. Since all the fine art prints are processed and printed by hand, there may also be slight deviations in the size and exact position of the motif.

Nkọwa akụkọ ahaziri ahazi

Ozi ndabere gbasara nka

Tebụl nchịkọta ihe nkiri

© Nchekwa ikike nwebisiinka - Artprinta.com (Artprinta)

Additional description as provided by Mauritshuis website (© - Mauritshuis - www.mauritshuis.nl)

Neville Davison Goldsmid, The Hague, until 1875; his widow, Eliza Garey, The Hague and Paris, 1875-1876; Goldsmid sale, Paris, 4-5 May 1876 (Lugt 36515), no. 105 (for 120 francs to Victor Eugène Louis de Stuers for the Dutch State); purchased, 1876; on long-term loan to the Catharijneconvent Museum, Utrecht, since 2012