Saleh Ben Jaggia Raden, 1870 - Ịlụ ọgụ agụ - ọmarịcha nka

39,99 €

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Ihe nka ọgbara ọhụrụ akpọrọ Fighting tigers was created by Saleh Ben Jaggia Raden in the year 1870. Nke kariri 150 afọ mbụ nwere nha ndị a: 190 x 261 cm e jikwa nkà na-ese ihe mmanụ na kwaaji. The original masterpiece has the following inscription: "signed and dated lower left: Raden Saleh Danoedirdjof. / Ile Jyava. 1870th". Nowadays, the artpiece is included in the art collection of Belvedere. Site n'ikike nke: © Belvedere, Vienna, nọmba ngwa ahịa: 7899 (ọha na eze). : transfer from the Kunsthistorisches Museum, Vienna in 1987. Moreover, alignment of the digital reproduction is in odida obodo format na nwere akụkụ ruru nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara. Saleh Ben Jaggia Raden was a painter, whose artistic style can be classified as Romanticism. The Romanticist artist was born in the year 1811 in Semarang, Java, Indonesia and passed away at the age of 69 in the year 1880.

What does the website of the Belvedere say about this work of art painted by Saleh Ben Jaggia Raden? (© - nke Belvedere - Belvedere)

The painting was a gift from the artist to the Emperor Franz Joseph, the Order of Franz Joseph had him awarded in 1870th It was issued in early January 1871 at the Austrian Museum of Art and Industry. Raden Saleh, a Javanese prince, studied painting in the Netherlands. By his descent he enjoyed access to the highest European nobility, where he was a colorful character highly appreciated. He is now considered as the most important painter of Indonesia.

Nkọwa ọrụ nka

Aha nka: "Fighting tigers"
Nhazi nka: sere
Otu izugbe: nkà nke oge a
Century: 19th narị afọ
Afọ nka: 1870
Afọ nka: karịa afọ 150
Usoro nka izizi: mmanụ na kwaaji
Akụkụ nke nka nka izizi: 190 x 261 cm
mbinye aka na ihe osise: signed and dated lower left: Raden Saleh Danoedirdjof. / Ile Jyava. 1870th
Ụlọ ihe ngosi nka: Belvedere
Ebe ngosi nka: Vienna, Austria
Weebụsaịtị ihe ngosi nka: Belvedere
License: ngalaba ọha
Site n'aka: © Belvedere, Vienna, nọmba ngwa ahịa: 7899
Ebe E Si Nweta: nyefee site na Kunsthistorisches Museum, Vienna na 1987

Onye na-ese ihe

aha: Saleh Ben Jaggia Raden
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Otu nka: omenkà nke oge a
Ụdị nka: Ihunanya
Afọ ọnwụ: 69 afọ
Amụrụ n'afọ: 1811
Obodo amụrụ: Semarang, Java, Indonesia
Afọ ọnwụ: 1880
Ebe ọnwụ: Bogor, formerly Buitenzorg Batavia, Indonesia

Họrọ ụdị ihe ebipụta nka

Maka ngwaahịa ọ bụla anyị na-enye ihe dị iche iche & nha. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:

  • Kwaaji: A UV printed canvas material stretched on a wooden frame. A canvas has a special impression of three-dimensionality. What is more, printed canvas produces a cosy and appealing impression. A canvas print of your favorite masterpiece will provide you with the unique chance of transforming your into a large work of art as you know from art galleries. A canvas print has the advantage of being low in weight. That means, it is easy to hang up your Canvas print without any wall-mounts. Hence, a canvas print is suitable for any type of wall.
  • Mpempe akwụkwọ ederede (akwa akwa akwa): A poster is a UV printed flat cotton canvas paper with a slightly rough surface finish, which reminds the actual version of the masterpiece. It is suited for framing your fine art print with the help of a customized frame. Please keep in mind, that depending on the absolute size of the poster we add a white margin 2-6cm around the print motif, which facilitates the framing with a custom frame.
  • Mbipụta ọla (aluminium dibbond): These are metal prints on aluminium dibond material with an outstanding effect of depth, creating a fashionable impression with a surface structure, which is non-reflective. A direct Direct Print on Aluminum Dibond is the ideal start to art replicas produced on aluminum. The bright & white sections of the original work of art shimmer with a silky gloss but without the glow. The colors of the print are luminous and vivid, details appear very clear, and the print has a a matte appearance that you can literally feel.
  • Ihe odide acrylic glass: A glossy acrylic glass print, often denoted as a fine art print on plexiglass, makes the original artwork into magnificient décor and forms a distinct alternative to aluminium or canvas art prints. The major upside of an acrylic glass print is that contrasts as well as minor details become more identifiable with the help of the precise gradation. Our real glass coating protects your selected fine art print against light and heat for many more years.

Ozi ederede ahaziri

Nkewa edemede: ezi nka mmeputakwa
Usoro mmeghari: mmeputakwa n'ụdị dijitalụ
Produzọ mmepụta: mbipụta dijitalụ
Ihe ngosi: arụpụtara na Germany
Stockdị ngwaahịa: na mmepụta ihe
Ihe eji eme atụmatụ: mgbidi gallery, ụlọ ihe ngosi nka
Ndepụta: usoro odida obodo
Oke akụkụ onyonyo: 4: 3 ogologo: obosara
Mmetụta ihe onyonyo: ogologo bụ 33% ogologo karịa obosara
Akụrụngwa ị nwere ike ịhọrọ: akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta ọla (aluminium dibbond)
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị) dị iche iche: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Nhọrọ nha mbipụta aluminium dibond: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Nhazi mbipụta nka: agunyeghi

Legal disclaimer: We try all that we can in order to depict our art products with as many details as possible and to illustrate them visually in our shop. However, the tone of the print materials and the imprint might diverge to a certain extent from the presentation on your monitor. Depending on your settings of your screen and the quality of the surface, not all color pigments are printed as exactly as the digital version. Because all our art reproductions are printed and processed by hand, there may also be minor deviations in the motif's exact position and the size.

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