Théodore Géricault, 1818 - Ịnyịnya na-acha aja aja n'ime ụlọ anụ ụlọ - ọmarịcha nka

39,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Nkọwa ihe osise izizi sitere na webụsaịtị ihe ngosi nka (© - nke Petit Palais dere - Musée des Beaux-arts de la Ville de Paris - Petit Palais - Musée des Beaux-arts de la Ville de Paris)

In a stable, the brown horse at rest is shown in full and profile with a flange.

Passionate about horses, trained by Carle Vernet had imported into France English taste of horse paintings, Géricault their devoted part of his work. This painting belongs to a series of four horses in the stable studies performed in 1818 at Dolphin stud farm, located in the Bois de Boulogne.

Animal Representation, Horse Stables

Nkọwa ngwaahịa

Brown horse in the stable bụ ihe nka nke onye romanticist kere French onye na-ese ihe Theodore Gericault. Ihe osise nwere nha Ogologo: 26,2 cm, obosara: 35 cm and was produced with the medium Oil painting. Nowadays, the artwork can be viewed in in the digital art collection of Petit Palais - Musée des Beaux-arts de la Ville de Paris, which is located in Paris, France. With courtesy of: Petit Palais Paris (ikike - ngalaba ọha).Kridi n'obi nke artpiece bụ ndị a: . Ọzọkwa, itinye n'ọnọdụ nke mmepụta dijitalụ bụ odida obodo and has an image ratio of 4 : 3, which means that the length is 33% longer than the width. The painter Théodore Géricault was a European artist, whose artistic style can be attributed primarily to Romanticism. The European artist was born in the year 1791 in Rouen and deceased at the age of 33 in the year 1824.

Họrọ ihe kacha amasị gị

Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

  • Akwụkwọ mmado ebipụtara (akwa akwa akwa): The poster print is a printed canvas with a nice surface structure. Please note, that depending on the size of the poster we add a white margin 2-6cm round about the painting, which facilitates the framing.
  • Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with an outstanding effect of depth. The Aluminium Dibond Print is the perfect start to art reproductions with aluminum. The colors of the print are luminous in the highest definition, details of the print appear crisp and clear, and there’s a matte look you can literally feel. The direct UV print on aluminium is one of the most demanded entry-level products and is a truly modern way to display artworks, as it puts 100% of the viewer’s attention on the whole artwork.
  • Kwaaji: A canvas direct print is a printed cotton canvas mounted on a wood stretcher. A canvas creates the plastic look of three-dimensionality. The canvas makes a lovely, pleasing impression. A printed canvas of your favorite artpiece will allow you to transform your art print into a large artwork as you know from art galleries. How do I hang a canvas on the wall? The advantage of canvas prints is that they are relatively low in weight. This means, it is easy and straightforward to hang your Canvas print without the support of extra wall-mounts. That is why, a canvas print is suited for any kind of wall.
  • Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): A glossy acrylic glass print, which is often labelled as a plexiglass print, will turn the original into wonderful wall decoration. Your own copy of the work of art is printed with the help of state-of-the-art UV direct printing technology. The special effect of this are intense, sharp color tones. The great advantage of a plexiglass fine art print is that contrasts and minor color details become visible thanks to the granular tonal gradation. Our acrylic glass protects your chosen art replica against light and heat for several decades.

Banyere omenka

Ihe nkiri: Theodore Gericault
okike nke onye nka: nwoke
Nationality: French
Ọrụ onye na-ese ihe: onye na-ese ihe
Country: France
nhazi ọkwa: omenkà nke oge a
Ụdị nke onye na-ese ihe: Ihunanya
Akwụsị: 33 afọ
Amụrụ n'afọ: 1791
Amụrụ na (ebe): Rouen
Nwụrụ n'afọ: 1824
Obodo ọnwụ: Paris

Ozi ndabere na mpempe nka izizi

Aha nka nka: "Brown horse in the stable"
nhazi ọkwa: sere
Nhazi nka: nkà nke oge a
Narị afọ nka: 19th narị afọ
Year: 1818
Afọ nka: ihe karịrị afọ 200
Ọkara nke ihe osise izizi: Agba mmanụ
Akụkụ nke nka nka izizi: Ogologo: 26,2 cm, obosara: 35 cm
Ụlọ ihe ngosi nka: Petit Palais - Musée des Beaux-arts de la Ville de Paris
Ebe ngosi nka: Paris, France
Ebe nrụọrụ weebụ ihe ngosi nka: Petit Palais - Musée des Beaux-arts de la Ville de Paris
Ụdị ikike nka: ngalaba ọha
Site n'aka: Petit Palais Paris

Ihe omuma

Nkewa edemede: nka nka
Usoro mmeghari: dijitalụ mmeputakwa
Produzọ mmepụta: mbipụta dijitalụ
Mmalite ngwaahịa: arụpụtara na Germany
Ụdị ngwaahịa: mmepụta ihe na-achọ
Ojiji ngwaahịa: Nhazi ụlọ, mkpokọta nka (mmeputakwa)
Ndozi onyonyo: usoro odida obodo
Ụdị anya: ( Ogologo: obosara) 4: 3
Nkọwa: ogologo bụ 33% ogologo karịa obosara
Nhọrọ ihe dị: akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nke nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta kwaaji
Ọdịiche dị n'okirikiri akwa akwa akwa (akwa akwa): 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Mpempe aluminom (aluminium dibond ihe) nha: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
ụba: agunyeghi

Disclaimer: We try our utmost in order to describe the products as clearly as possible and to display them visually on the various product detail pages. Nevertheless, the colors of the printing material and the printing might diverge slightly from the image on the device's monitor. Depending on your screen settings and the condition of the surface, not all colors are printed as realisitcally as the digital version on this website. Given that the fine art prints are processed and printed manually, there may as well be slight deviations in the exact position and the size of the motif.

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