Adriaen van de Velde, 1663 - Osisi osisi nwere ehi - mbipụta nka mara mma.

Ntụgharị nka nke gị

Ihe osise nke narị afọ nke 17 nwere aha Wooded Landscape with Cattle mere site na Baroque artist Adriaen van de Velde. Ihe osise a tụrụ nha: elu: 29 cm obosara: 35,5 cm | elu: 11,4 n'obosara: 14 inch. Mmanụ na panel was used by the artist as the technique for the piece of art. The original masterpiece has the following inscription: "signed and dated: A. V. Velde / 1663". It is included in the Mauritshuis's digital collection, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. With courtesy of - Maurithuis, Hague (ikike ngalaba ọha). : Possibly Floris Drabbe, Leiden, 1743; Willem Lormier, The Hague, 1752-1763; Pieter Leendert de Neufville, Amsterdam, 1763-1765; Prince William V, The Hague, 1765-1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822. N'elu nke ahụ, nhazi a na-abanye odida obodo format and has a side ratio of 1.2 : 1, which means that the length is 20% longer than the width. Adriaen van de Velde was a painter, printmaker, whose art style can primarily be classified as Baroque. The European painter was born in 1636 na Amsterdam, North Holland, Netherlands ma nwụọ mgbe ọ dị afọ 36 na 1672 na Amsterdam, North Holland, Netherlands.

Nweta ụdị ihe onwunwe kachasị amasị gị

Maka mbipụta nka ọ bụla anyị na-enye nha & ihe dị iche iche. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Mbipụta aluminom (aluminium dibbond): An Aluminium Dibond print is a material with a true effect of depth. For the Direct Print On Aluminum Dibond, we print your work of art right on the surface of the aluminum. Colors are luminous and vivid, the details of the print are very clear.
• Mbipụta kwaaji: A canvas direct print is a printed cotton canvas stretched on a wooden frame. It creates the special effect of three-dimensionality. A printed canvas of this artpiece will provide you with the opportunity to transform your new into a large work of art as you would see in a true gallery. The great advantage of canvas prints is that they are relatively low in weight. This means, it is easy and straightforward to hang your Canvas print without the use of additional wall-mounts. Canvas prints are suitable for all types of walls.
• Mbipụta enyo acrylic: A glossy acrylic glass print, often referred to as a an art print on plexiglass, changes your favorite original work of art into stunning décor. Your own copy of the work of art will be made with modern UV printing machines. Our real glass coating protects your chosen fine art print against sunlight and external influences for between 40-60 years.
• Mbipụta akwụkwọ mmado (akwa akwa akwa): The poster is a printed sheet of cotton canvas with a slightly rough surface texture. The printed poster is suited for framing the art replica with a customized frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6cm around the painting, which facilitates the framing with a custom frame.

Nkwupụta iwu: We try what we can to depict our art products as exact as it is possible and to exhibit them visually in our shop. However, the tone of the printing material and the imprint may differ marginally from the presentation on the device's screen. Depending on the screen settings and the nature of the surface, colors can unfortunately not be printed as exactly as the digital version on this website. Given that all are printed and processed by hand, there may also be minor discrepancies in the motif's size and exact position.

Banyere ihe

Ozi ndabere na ọrụ nka pụrụ iche

Ozi izugbe na onye na-ese ihe

© Nwebiisinka nke, Artprinta.com (Artprinta)

What does the original artwork description of the Mauritshuis say about the 17th century artwork created by Adriaen van de Velde? (© Nwebiisinka - Mauritshuis - Maurithuis)

Possibly Floris Drabbe, Leiden, 1743; Willem Lormier, The Hague, 1752-1763; Pieter Leendert de Neufville, Amsterdam, 1763-1765; Prince William V, The Hague, 1765-1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822