Albert Pinkham Ryder, 1908 - Ọsọ Ọsọ (Ọnwụ na Ịnyịnya Pale) - mbipụta nka mara mma.

59,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Ozi nka nka izizi dị ka ụlọ ngosi nka weputara (© Nwebiisinka - Ụlọ ihe ngosi nka nke Cleveland - Velọ ihe ngosi nka nke Cleveland)

Ryder’s subject was inspired by a horse race that took place in New York during 1888. One of the artist’s friends wagered $500 on the race and then committed suicide after the horse lost. Medieval symbolism infuses the composition: death appears as a skeleton on horseback holding a scythe with which he cuts down the living, while a snake-a sign of temptation and evil-slithers in the foreground. An intense man, Ryder worked on the painting for several years and was deeply reluctant to part with it.

Nkọwapụta nka nka

Aha ọrụ nka: "The Race Track (Death on a Pale Horse)"
Nhazi nka: sere
Otu sara mbara: nkà nke oge a
Nhazi oge: 20th narị afọ
Emepụtara n'afọ: 1908
Afọ nka: karịa afọ 110
Agba na: mmanụ na kwaaji
Akụkụ ihe osise izizi: Nhazi: 84,5 x 102 x 6,5 cm (33 1/4 x 40 3/16 x 2 9/16 na); Edebereghị: 70,5 x 90 cm (27 3/4 x 35 7/16 na)
Ederede nka nka izizi: signed lower left: "A. P. Ryder"
Egosiputara na: Velọ ihe ngosi nka nke Cleveland
Ebe ngosi nka: Cleveland, Ohio, United States nke America
Ebe nrụọrụ weebụ ihe ngosi nka: Velọ ihe ngosi nka nke Cleveland
Ụdị nka nka: ngalaba ọha
Site n'aka: Velọ ihe ngosi nka nke Cleveland
kreditline ọrụ nka: Ịzụta n'aka JH Wade Fund

Ozi ndabere izugbe gbasara onye na-ese ihe

Ihe nkiri: Albert Pinkham Ryder
A makwaara dịka: Albert Pinkham Ryder, ryder a.p., Ryder Albert P., Ryder Albert Pinkham, ryder a.p., albert ryder, ryder albert, Ryder, a.p. ryder
okike onye nka: nwoke
Obodo onye nka: American
Ọrụ: onye na-ese ihe, onye na-ese ihe
Obodo onye nka: United States
nhazi ọkwa: omenkà nke oge a
Ụdị nke onye na-ese ihe: Akara
Nwụrụ na afọ nke: 70 afọ
Afọ ọmụmụ: 1847
Ebe omuma: New Bedford, Bristol County, Massachusetts, Njikota Obodo Amerika
Afọ ọnwụ: 1917
Obodo ọnwụ: Elmhurst, New York City, New York steeti, United States, agbataobi

Ngwaahịa a

Nkewa bipụta: ezi nka mmeputakwa
Usoro mmeputakwa: dijitalụ mmeputakwa
Usoro mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Mmalite ngwaahịa: German mere
Stockdị ngwaahịa: a na-achọ
Ojiji ngwaahịa: mgbidi mma, art ebipụta gallery
Nhazi nka nka: usoro odida obodo
Oke akụkụ: 1.2: 1 - ( Ogologo: obosara)
Nkọwa: ogologo bụ 20% ogologo karịa obosara
Akụrụngwa ị nwere ike ịhọrọ site na: acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta ọla (aluminium dibond)
Nhọrọ nha nke akwa akwa n'elu etiti ihe na-agbatị (mbipụta kwaaji): 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59"
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: 60x50cm - 24x20", 120x100cm - 47x39"
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): 60x50cm - 24x20", 120x100cm - 47x39"
Mpempe aluminom (aluminium dibond ihe) nha: 60x50cm - 24x20", 120x100cm - 47x39"
Nhazi nke nnomi nka: enweghị etiti

Họrọ ụdị ngwa ngwaahịa ọkacha mmasị gị

In the product dropdown lists you can pick your favorite material and size. You can choose your your favorite size and material among the following options:

  • Mbipụta aluminom (aluminium dibbond): An Aluminium Dibond print is a material with a true depth effect. The Aluminium Dibond Print is your perfect introduction to fine art replicas on alu. The colors of the print are bright and luminous in the highest definition, the details of the print appear very clear. This UV print on aluminium is the most popular entry-level product and is an extremely stylish way to showcase art, since it puts all of the viewer’s focus on the image.
  • Kwaaji: The UV printed canvas material applied on a wood frame. A canvas of your favorite artwork will give you the unique chance of turning your own art print into a large size collection piece as you know from galleries. Canvas prints are relatively low in weight. That means, it is quite simple to hang your Canvas print without the support of additional wall-mounts. Hence, canvas prints are suitable for any type of wall in your home.
  • Glass acrylic ebipụtara nwere mmetụta na-egbuke egbuke: A glossy print on acrylic glass, which is sometimes labelled as a print on plexiglass, makes your favorite artwork into stunning home decoration. The major upside of a plexiglass art print is that sharp contrasts as well as painting details will be more identifiable due to the subtle tonal gradation.
  • Mbipụta akwụkwọ mmado (ihe kwaaji): Our poster print is a printed canvas paper with a slightly rough texture on the surface, which resembles the actual artwork. Please note, that depending on the absolute size of the poster print we add a white margin 2-6 cm round about the print, which facilitates the framing with a custom frame.

Nchịkọta nke oyiri

This 20th century masterpiece called "The Race Track (Death on a Pale Horse)" was made by the symbolist master Albert Pinkham Ryder in 1908. Ụdị nke masterpiece nwere nha ndị a: Nhazi: 84,5 x 102 x 6,5 cm (33 1/4 x 40 3/16 x 2 9/16 na); Edebereghị: 70,5 x 90 cm (27 3/4 x 35 7/16 na). Mmanụ na kwaaji was applied by the North American artist as the technique for the masterpiece. The artwork's inscription is the following - signed lower left: "A. P. Ryder". Akụkụ nka gụnyere na Ụlọ ihe ngosi nka nke Cleveland art collection. With courtesy of: The Cleveland Museum of Art (licensed: public domain). In addition to that, the artwork has the following creditline: Ịzụta n'aka JH Wade Fund. Ọzọkwa, itinye n'usoro mmepụta dijitalụ na-abanye odida obodo usoro na nwere akụkụ ruru nke 1.2: 1, meaning that the length is 20% longer than the width. The artist, painter Albert Pinkham Ryder was an artist from United States, whose style can primarily be attributed to Symbolism. The American painter was born in 1847 in New Bedford, Bristol county, Massachusetts, United States and died at the age of 70 in the year 1917 in Elmhurst, New York City, New York state, United States, neighborhood.

Nkwupụta iwu: We try in order to depict the art products as clearly as possible and to demonstrate them visually. Nonetheless, the tone of the printing material, as well as the printing might diverge marginally from the image on the device's monitor. Depending on the screen settings and the nature of the surface, colors may not be printed one hundret percent realistically. Considering that our art prints are processed and printed by hand, there might also be slight discrepancies in the size and exact position of the motif.

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