Alexandre Cabanel, 1876 - Catharine Lorillard Wolfe (1828-1887) - mbipụta nka mara mma.

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The nkà nke oge a ọrụ nka Catharine Lorillard Wolfe (1828–1887) e sere onye ukwu n'ezie Alexandre Cabanel in 1876. The over 140 years old original version was made with the size: 67 1/2 x 42 3/4 na (171,5 x 108,6 cm). Mmanụ na kwaaji was applied by the artist as the technique for the piece of art. Today, this piece of art is in the the collection of The Metropolitan Museum of Art located in New York City, New York, United States of America. With courtesy of - Ụlọ ihe ngosi nka nke Metropolitan, New York, Catharine Lorillard Wolfe mkpokọta, Arịrịọ nke Catharine Lorillard Wolfe, 1887 (nwere ikike: ngalaba ọha). Ebe kredit nke ọrụ nka: Nchịkọta Catharine Lorillard Wolfe, Arịrịọ nke Catharine Lorillard Wolfe, 1887. Further, the alignment is portrait with an aspect ratio of 2 : 3, which means that ogologo bụ 33% mkpụmkpụ karịa obosara. The painter, university teacher Alexandre Cabanel was a European artist from France, whose style can mainly be assigned to Realism. The European painter was born in the year 1823 in Montpellier, Occitanie, France and deceased at the age of 66 na 1889.

(© - Ụlọ ihe ngosi nka nke obodo ukwu - www.metmuseum.org)

The chic satin evening gown that collector and philanthropist Catharine Lorillard Wolfe donned for portrait sittings in Paris belies her reputation as "quiet and unassuming." Wolfe, the first female benefactor of The Met, was said to be the richest unmarried woman in the United States. Her cousin John Wolfe encouraged her patronage of Cabanel, a celebrated society portraitist and genre painter, and other preeminent European academic artists. She bequeathed this portrait, amid numerous artworks, to the museum in 1887 along with an acquisitions endowment—a gift heralded by the press as greatly elevating the profile of public collections of modern art in New York.

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Legal note: We do everything to describe our products in as much detail as possible and to display them visually on the various product detail pages. At the same time, the pigments of the print products, as well as the imprint might diverge to a certain extent from the presentation on the screen. Depending on your screen settings and the nature of the surface, not all color pigments can be printed as exactly as the digital version on this website. Given that all fine art prints are printed and processed manually, there might as well be slight deviations in the motif's exact position and the size.

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