Antoine-Louis Barye, 1850 - Tiger in Repose - ọmarịcha nka
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- Aluminom dibond (ọkpụkpụ ọla): Aluminium Dibond prints are metal prints with a true effect of depth. The bright parts of the original artpiece shine with a silky gloss, however without glare.
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Ozi nkowa mgbakwunye from The Metropolitan Museum of Art (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)
This tiger, relaxed yet alert, is based on animals that Barye saw at the menagerie of the Jardin des Plantes in Paris, where he often drew from the 1820s onward, sometimes in the company of Delacroix. Barye was celebrated primarily as a sculptor of animal subjects, which he rendered with compelling physiognomic accuracy. He was also a prolific watercolorist, but he only made around one hundred paintings, which he seems to have kept for himself. There is a version of this composition in the Wadsworth Atheneum, Hartford.
Nkọwa ngwaahịa zuru ezu
In 1850 the male French artist Antoine-Louis Barye created the artpiece Tiger in Repose. E ji nha ya see nke mbụ ya: 10 3/4 × 14 na (27,3 × 35,6 cm). Mmanụ na kwaaji was applied by the European artist as the medium of the painting. It belongs to the Ụlọ ihe ngosi nka nke Metropolitan digital collection. With courtesy of: The Metropolitan Museum of Art, New York, Gift of Eugene V. Thaw, 2015 (ikikere: ngalaba ọha). Additionally, the artpiece has the creditline: Gift of Eugene V. Thaw, 2015. Further, the alignment of the digital reproduction is in odida obodo format ma nwee oke nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara. Antoine-Louis Barye was a male painter, sculptor, founder from France, whose art style can be classified as Romanticism. The European painter was born in the year 1795 na Paris, Ile-de-France, France ma nwụọ mgbe ọ dị afọ 80 na 1875.
Ozi ahaziri na ọrụ nka
Aha nke ọrụ nka: | "Tiger in Repose" |
Nhazi nke ihe nka: | sere |
Category: | nkà nke oge a |
Narị afọ nka: | 19th narị afọ |
Emepụtara na: | 1850 |
Ogologo afọ nka nka: | karịa afọ 170 |
Usoro nka izizi: | mmanụ na kwaaji |
Akụkụ ihe osise izizi: | 10 3/4 × 14 na (27,3 × 35,6 cm) |
Egosiputara na: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
URL webụ: | Museumlọ ihe ngosi nka nke Obodo |
License: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Onyinye Eugene V. Thaw, 2015 |
kreditline ọrụ nka: | Onyinye nke Eugene V. Thaw, 2015 |
Nkọwa ngwaahịa ahaziri ahazi
Bipụta ngwaahịa: | nka nka |
Mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV ozugbo |
Mmalite ngwaahịa: | German mmepụta |
Stockdị ngwaahịa: | a na-achọ |
Ojiji ngwaahịa: | mgbidi mgbidi, ihe ndozi ụlọ |
Ndozi onyonyo: | nhazi odida obodo |
Ụdị anya: | 4: 3 |
Nkọwa: | ogologo bụ 33% ogologo karịa obosara |
Nhọrọ akwa: | ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Nha n'arọwa n'elu ihe ndọtị (mbipụta akwa akwa): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Nhọrọ nha mbipụta aluminom: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Nhazi nke nka nka: | oyiri nka na-enweghị isi |
Banyere onye na-ese ihe
Aha onye nka: | Antoine-Louis Barye |
Aha utu aha: | a. barye, Antoine-Louis Barye, barye antoine louis, a. l. barye, Antoine Louis Barye, Barye, Barye Antoine-Louis, בריי אנטואן לואי, Barye Antoine Louis, barye a.l., barye a., a.l. barye |
Gender: | nwoke |
Obodo onye nka: | French |
Ọrụ: | founder, sculptor, painter |
Obodo obibi: | France |
Otu nka: | omenkà nke oge a |
Ụdị nke onye na-ese ihe: | Ihunanya |
Afọ ọnwụ: | 80 afọ |
Afọ amụrụ: | 1795 |
Amụrụ na (ebe): | Paris, Ile-de-France, France |
Nwuru: | 1875 |
Obodo ọnwụ: | Paris, Ile-de-France, France |
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