Henri Gervex, 1909 - Otu mgbede na Pre Catelan - ọmarịcha nka

Nhọrọ ihe dị

Nchịkọta nhọrọ ngwaahịa na-enye gị ohere ịhọrọ ihe na nha ọkacha mmasị gị. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Mpempe akwụkwọ ederede (akwa akwa akwa): The poster is a printed canvas with a slightly rough finish on the surface. It is best designed for putting your art replica with a customized frame. Please note, that depending on the size of the poster print we add a white margin of something between 2-6 cm around the painting, which facilitates the framing with your custom frame.
• Mbipụta kwaaji: The canvas print is a printed cotton canvas mounted on a wood frame. A canvas creates a homelike and warm effect. A canvas of this masterpiece will give you the opportunity to transform your fine art print into a large artpiece as you know from galleries. The great advantage of canvas prints is that they are relatively low in weight. That means, it is quite simple to hang your Canvas print without additional wall-mounts. A canvas print is suited for all kinds of walls.
• Aluminom ihe eji eme ihe: Aluminium Dibond prints are metal prints with an outstanding effect of depth. The non-reflective surface structure make a contemporary impression. For your Aluminium Dibond print, we print your selected artpiece on the surface of the aluminum material. The white & bright parts of the artpiece shine with a silky gloss but without any glare.
• Ihe odide acrylic glass: The print on acrylic glass, which is sometimes described as a fine art print on plexiglass, will convert your favorite original work of art into décor. Your own copy of the artwork is being made with the help of modern UV printing technology. This makes rich and deep color hues. The real glass coating protects your chosen fine art print against light and external influences for between 4 and 6 decades.

Nkwupụta iwu: We try our utmost to describe our art products as exact as possible and to illustrate them visually in our shop. However, the pigments of the printing material, as well as the printing might diverge slightly from the image on your device's screen. Depending on the settings of your screen and the quality of the surface, colors can unfortunately not be printed as exactly as the digital version depicted here. Since our are processed and printed manually, there might as well be minor variations in the motif's size and exact position.

Ozi nka nke Musée Carnavalet Paris (© - nke Musée Carnavalet Paris dere - Ụlọ ihe nkiri Carnavalet Paris)

The tradition identifies some characters as follows: in the center, back, Anna Gould facing her second husband, the Duke Hélie de Talleyrand-Périgord, and Madame Gervex. Basically, the Count and Countess Greffulhe about to get in the car. Inside the restaurant, the Marquis de Dion (right bay) Lyane Pougy (central bay), and Alberto Santos-Dumont (left bay).

The restaurant was built in 1905. The painting, commissioned by Leopold MOURRIER, the owner, was presented at the Salon of the National Society of Fine Arts from 1909, No. 491.

Ngwaahịa nka mara mma nkeonwe gị

The 20th narị afọ onye na-ese ihe sere ibe nka Henri Gervex. Ihe osise ahụ nwere nha - Ogologo: 217 cm, obosara: 318 cm and was crafted with the medium Oil painting. The painting has the following inscription: Ụbọchị na mbinye aka - Binyere aka na dee ya na ala aka nri "H. Gervex / 1909.". Ihe osise a bụ nke Ụlọ ihe nkiri Carnavalet Paris nchịkọta ihe osise dijitalụ, nke bụ ụlọ ngosi ihe ngosi nke raara nye akụkọ ihe mere eme nke obodo Paris. Site n'ikike nke Ụlọ ihe nkiri Carnavalet Paris (ikike ngalaba ọha).Creditline of the artwork: . Moreover, alignment of the digital reproduction is in landscape format with a side ratio of 3 : 2, which implies that the length is 50% longer than the width.

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