Henri-Joseph Harpignies, 1854 - Osisi Fir na Trembleaux, na nso Marlotte (firs na Trembleaux na Marlotte) - ọmarịcha nka.

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Na menu ndọpụta ngwaahịa ị nwere ike họrọ nha na ihe nke gị. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:

• Mbipụta kwaaji: A UV printed canvas mounted on a wooden stretcher frame. Your canvas print of this artwork will let you turn your own fine art print into a large size collection piece as you know from art galleries. The great advantage of canvas prints is that they are relatively low in weight. This means, it is easy and straightforward to hang the Canvas print without the support of extra wall-mounts. A canvas print is suitable for any kind of wall.
• Mbipụta enyo acrylic: An print on acrylic glass, which is often labelled as a plexiglass print, will convert your favorite original artwork into gorgeous wall decoration and is a distinct alternative to canvas or aluminium dibond fine art replicas. The real glass coating protects your selected fine art print against light and heat for many years to come.
• Mpempe akwụkwọ mmado ebipụtara na akwa akwa: A poster print is a UV printed flat canvas paper with a slightly rough finish on the surface. It is suited for putting the art replica with a custom-made frame. Please note, that depending on the size of the poster print we add a white margin 2-6cm round about the print, which facilitates the framing with a custom frame.
• Mbipụta nke aluminom: This is a metal print made on aluminium dibond with an outstanding depth - for a modern look and a non-reflective surface structure. For the Print On Aluminum Dibond, we print the work of art on the aluminium composite white-primed surface. This UV print on Aluminum Dibond is one of the most demanded entry-level products and is a truly sophisticated way to display fine art prints, because it puts 100% of the viewer’s focus on the whole artwork.

Nkwupụta iwu: We try everything in order to depict the products as closely as possible and to display them visually in our shop. Please keep in mind that the colors of the printing material and the printing can differ to a certain extent from the presentation on the screen. Depending on the screen settings and the condition of the surface, color pigments might not be printed 100% realistically. Since our art prints are processed and printed manually, there may also be minor variations in the motif's exact position and the size.

Original artwork information as provided by The Metropolitan Museum of Art (© - Ụlọ ihe ngosi nka nke obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

This vertically oriented landscape is an early work by Harpignies that was painted near Marlotte, a small village southeast of Paris and on the edge of the Forest of Fountainbleau. An heir to the traditions of the Barbizon painters who worked in this region, Harpignies painted this landscape en plein air, or outdoors, as many Barbizon painters did. We are certain of this by the inscription written in the hand of Harpignies on the reverse side of the canvas which reads: “faite d’après nature” (painted from life). As a result, this landscape is fresh and direct. The two advancing figures, probably a father and son, animate the idyllic scene. The fir trees that fill the shaded foreground extend vertically beyond the canvas and frame the figures, creating a receding passageway to the golden hills and crisp, sunlit sky of the background.

Banyere ihe osise akpọrọ The Fir Trees in Trembleaux, near Marlotte (firs to Trembleaux in Marlotte)

N'elu 160 ọrụ nka afọ The Fir Trees in Trembleaux, near Marlotte (firs to Trembleaux in Marlotte) bụ onye na-ese ihe n'ezie mere Henri-Joseph Harpignies in 1854. The original was painted with the size 16 1/4 x 12 5/8 in (41,3 x 32,1 cm) and was produced on the medium oil on canvas. It is part of the Ụlọ ihe ngosi nka nke Metropolitan digital collection, nke bụ otu n'ime ụwa kasị na kasị mma art ngosi nka, nke na-agụnye ihe karịrị nde abụọ ọrụ nka na-eru puku afọ ise nke omenala ụwa, site prehistory ruo ugbu a na site n'akụkụ ọ bụla nke ụwa .. Site n'ikike nke Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Robert Lehman, 1975 (nwere ikike: ngalaba ọha). : Robert Lehman Collection, 1975. What is more, the alignment of the digital reproduction is in portrait format ya na oke akụkụ nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. Henri-Joseph Harpignies was a painter, printmaker, whose artistic style can mainly be classified as Realism. The painter lived for 97 afọ, amuru na afo 1819 ma nwụọ na 1916.

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