Johann Wolfgang Baumgartner, 1760 - Echiche nke Mary - ọmarịcha nka

28,99 €

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a 18th narị afọ nka nka aha ya Mwere Meri e sere ya Johann Wolfgang Baumgartner. E sere nke mbụ ya na nha ya. 59 x 53,5 cm e tekwara ya na ọkara mmanụ na kwaaji. Taa, ọrụ nka bụ akụkụ nke nke Belvedere mkpokọta nka na Vienna, Austria. Site n'ikike nke © Belvedere, Vienna, nọmba ngwa ahịa: 2063 (licensed - public domain). Creditline of the artwork: purchase from Councilor Richard Canaval, Klagenfurt in 1920. In addition to this, the alignment is square and has an image ratio of 1 : 1, which means that the length is equal to the width. Johann Wolfgang Baumgartner was a male painter, etcher, whose style was mainly Baroque. The painter lived for a total of 49 years, born in 1712 in Kufstein, Tyrol, Austria and passed away in the year 1761.

Nhọrọ akụrụngwa enwere ike

Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Ị nwere ike ịhọrọ nha na ihe kachasị amasị gị n'ime nhọrọ ndị a:

  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, which is sometimes referred to as a print on plexiglass, will transform your favorite original work of art into great home decoration. The major benefit of an acrylic glass fine art print is that sharp contrasts and also painting details become more visible due to the subtle gradation.
  • Kwaaji: The UV printed canvas material applied on a wood frame. It makes the exclusive look of three dimensionality. A canvas of this artpiece will let you turn your fine art print into a large size work of art as you know from galleries. The great advantage of canvas prints is that they are relatively low in weight. That means, it is easy and straightforward to hang the Canvas print without the support of additional wall-mounts. Canvas prints are suited for any type of wall.
  • Poster (akwa akwa akwa): Our poster print is a printed canvas with a slight surface texture. It is best suited for framing the art copy with a custom frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin 2-6cm round about the work of art, which facilitates the framing with your custom frame.
  • Mbipụta nke aluminom: Aluminium Dibond prints are prints on metal with a true depth effect. A direct Direct Print on Aluminum Dibond is the ideal introduction to art replicas produced with aluminum. For your Direct Print On Aluminum Dibond, we print your artpiece on the aluminium surface. The bright & white parts of the work of art shimmer with a silk gloss but without glare. Colors are bright and luminous in the highest definition, details of the print appear clear and crisp.

Nkwupụta iwu: We try what we can in order to describe our products with as many details as possible and to demonstrate them visually on the different product detail pages. Although, some colors of the print materials and the printing might vary somehwat from the representation on the screen. Depending on the screen settings and the condition of the surface, not all color pigments are printed as exactly as the digital version. Since all our art prints are processed and printed by hand, there might as well be slight discrepancies in the exact position and the size of the motif.

Tebụl edemede

Nkewa ngwaahịa: ọmarịcha nka
Mmeputakwa: dijitalụ mmeputakwa
Usoro mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Mmalite nke ngwaahịa a: German mmepụta
Ụdị ngwaahịa: na mmepụta ihe
Eji ngwaahịa emebere: ihe ndozi mgbidi, nka mgbidi
Nhazi nka nka: nhazi square
Njikwa oyiyi: (ogologo: obosara) 1: 1
Ntụgharị nkọwa akụkụ onyonyo: ogologo ya na obosara
Nhọrọ akụrụngwa: acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta ọla (aluminium dibond)
Canvas dị n'elu ihe nrịbama (mbipụta kanvas) nha dị iche iche: 20x20cm - 8x8 ", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59", 180-x180cm
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39"
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39"
Nha ebipụta aluminom: 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39"
Nhazi nke nka nka: na-enweghị etiti

Ozi ndabere ọrụ nka

Aha nka: "Assumption of Mary"
Nhazi: sere
Okwu mkpokọta: nka ochie
Nhazi oge: 18th narị afọ
Emepụtara n'afọ: 1760
Ogologo afọ nka nka: ihe karịrị afọ 260
Ọkara nke ihe osise izizi: mmanụ na kwaaji
Akụkụ nke nka nka izizi: 59 x 53,5 cm
Egosiputara na: Belvedere
Ebe ebe ngosi nka: Vienna, Austria
Ibe weebụ: Belvedere
License: ngalaba ọha
Site n'aka: © Belvedere, Vienna, nọmba ngwa ahịa: 2063
Ebe E Si Nweta: purchase from Councilor Richard Canaval, Klagenfurt in 1920

Tebụl onye na-ese ihe

Aha onye nka: Johann Wolfgang Baumgartner
Aha ndị ọzọ: j. w. baumgartner, Baumgärtner Wilhelm, Johann Wolfgang Baumgartner, baumgartner joh. wolfgang, joh. wolfg. baumgartner, baumgartner j. w., baumgartner joh. wolfg., Baumgartner Johann Wolfgang, johann wolfg. baumgartner, Baumgartner Johann-Wolfgang
Gender: nwoke
Ọrụ nke onye na-ese ihe: etcher, onye ese
Otu nka: nna ukwu ochie
Ụdị nke onye na-ese ihe: Baroque
Afọ ọnwụ: 49 afọ
Amụrụ n'afọ: 1712
Obodo: Kufstein, Tyrol, Austria
Nwuru: 1761
Nwuru na (ebe): Augsburg, Bavaria, Germany

Nwebiisinka © | Artprinta (www.artprinta.com)

Nkọwa zuru oke site na ụlọ ngosi nka (© - nke Belvedere - www.belvedere.at)

Surrounded by a host of angels, saints and biblical figures, the Mother of God rises to the Trinity up. Striking here is caused by the density of the figures darkness that much of the heavenly airiness of Baumgartner's contemporaries - such as Daniel Gran and Franz Anton Maulbertsch - takes off. Exciting is the design of the three vaulted gusset, because it is not clear whether this should be implemented as a trompe l'oeil, or as three-dimensional pieces. Although has received on the draft, a drawing in the Castle Museum of Ellwangen, we have no knowledge regarding the execution of a dome fresco. [Georg Lechner, 2013]

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