John Quidor, 1828 - Ichabod Crane Na-efe efe site na onye na-agba ịnyịnya na-enweghị isi - mbipụta nka mara mma.

Họrọ ngwa ngwaahịa ọkacha mmasị gị

Maka mbipụta nka ọ bụla dị mma anyị na-enye ihe dị iche iche na nha dị iche iche. Nhọrọ ndị a dị maka n'otu n'otu:

• Mbipụta nke aluminom: An Aluminium Dibond print is a print material with an outstanding depth. A non-reflective surface structure creates a contemporary look. The Direct Print on Aluminum Dibond is the best introduction to fine art reproductions made on aluminum. For the Print On Aluminum Dibond, we print the selected artpiece onto the surface of the white-primed aluminum composite. The bright parts of the work of art shimmer with a silk gloss but without glare. Colors are luminous and bright, the details of the print are crisp and clear, and you can really perceive a matte appearance of the art print surface.
• Mbipụta kanvas: The canvas direct print is a printed cotton canvas mounted on a wooden frame. Canvas Prints have the advantage of being relatively low in weight, meaning that it is quite simple to hang up the Canvas print without the help of any wall-mounts. Because of thata canvas print is suited for any kind of wall.
• Ugogbe acrylic ebipụtara: An print on acrylic glass, which is often denoted as a UV print on plexiglass, will change an original work of art into great home décor. Above all, the acrylic glass art print makes a good alternative to dibond and canvas fine art prints. With an acrylic glass fine art print contrasts plus small artwork details will be more exposed due to the granular gradation of the print. Our real glass coating protects your chosen art print against light and heat for several decades.
• Bipụta akwụkwọ mmado n'ihe kwaaji: The poster is a printed canvas with a nice texture on the surface. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of something between 2-6 cm round about the work of art, which facilitates the framing with a custom frame.

Ozi dị mkpa: We try everything in order to describe the art products as clearly as it is possible and to showcase them visually on the respective product detail pages. Although, the pigments of the print products and the printing may differ marginally from the presentation on the monitor. Depending on the screen settings and the nature of the surface, color pigments may not be printed one hundret percent realistically. In view of the fact that all the art prints are processed and printed manually, there may also be minor discrepancies in the motif's size and exact position.

Nkọwa ngwaahịa nka

This 19th century painting "Ichabod Crane Flying from the Headless Horseman" was made by the American onye na-ese ihe John Quidor. The masterpiece was painted with the size: framed: 31 5/8 x 39 7/8 x 3 5/16 in (80,33 x 101,28 x 8,41 cm) 22 5/8 x 30 1/16 in (57,5 x 76,4 cm). Mmanụ na kwaaji was applied by the North American artist as the medium of the work of art. What is more, the artpiece is part of the digital art collection of Yale University Art Gallery, which belongs to Yale University and is the oldest art museum of a university in the western hemisphere. With courtesy of - Artlọ Osisi Mahadum Yale (public domain). In addition, the artpiece has the creditline: Mabel Brady Garvan Collection. Besides, the alignment of the digital reproduction is odida obodo ya na oke onyonyo nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara.

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