Nicolaes Maes, 1682 - Eserese ma ọ bụ Catharina Dierquens (1664-1715) - mbipụta nka mara mma.

Họrọ ngwa ngwaahịa nke ị họọrọ

In the dropdown selection right next to the product offering you can choose your prefered size and material. Hence, we allow you to choose among the following options:

• Mbipụta ọla (aluminium dibbond): These are metal prints on aluminium dibond with an impressive depth. A direct Aluminium Dibond Print is your ideal start to art replicas with aluminum. For your Print On Aluminum Dibond, we print your favorite artpiece on the aluminium white-primed surface. The bright & white parts of the original artwork shimmer with a silky gloss but without the glare. The colors of the print are luminous, the details appear crisp and clear, and the print has a a matte look you can literally feel.
• Mbipụta akwụkwọ mmado (akwa akwa akwa): A poster print is a UV printed canvas paper with a granular surface texture. It is particularly suited for framing your art replica using a custom frame. Please note, that depending on the size of the poster print we add a white margin 2 - 6cm around the artwork, which facilitates the framing.
• Mbipụta kwaaji: A printed canvas mounted on a wood stretcher frame. It creates a unique impression of three dimensionality. A canvas print of your favorite masterpiece will let you turn your into a large artwork. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang the Canvas print without the help of additional wall-mounts. Hence, canvas prints are suited for any kind of wall.
• Mbipụta enyo acrylic: A glossy print on acrylic glass, which is often named as a UV print on plexiglass, will convert the original work of art into magnificient décor and makes a good alternative option to dibond or canvas prints. Your own copy of the work of art is being custom-made thanks to the help of modern UV print technology. This makes vivid and impressive color hues. The major benefit of a plexiglass fine art copy is that contrasts and also granular color details will be identifiable due to the very fine gradation in the print.

Ederede iwu: We try to depict the products with as many details as possible and to exhibit them visually in our shop. Please bear in mind that the pigments of the print materials and the print result might diverge somehwat from the representation on the monitor. Depending on the settings of your screen and the nature of the surface, colors might not be printed as exactly as the digital version depicted here. Considering that all art prints are printed and processed manually, there may also be minor discrepancies in the size and exact position of the motif.

Ozi nkowa mgbakwunye dị ka e si na webụsaịtị ihe ngosi nka (© - nke Mauritshuis - www.mauritshuis.nl)

Probably Cornelis ten Hove, Catharina Dierquens and their heirs, The Hague, until 1907; bequest of Jonkvrouw Maria Johanna Singendonck, The Hague, 1907

Nkọwa ngwaahịa nka

Onye na-ese ihe sere ihe osise narị afọ nke 17 a Nicolaes Maes. The 330 years old masterpiece was made with the dimensions: elu: 57,4 cm obosara: 45,5 cm | elu: 22,6 n'obosara: 17,9 inch. Mmanụ na kwaaji was used by the Dutch painter as the technique for the piece of art. "Signed: MAES" is the masterpiece's inscription. Nowadays, this artpiece forms part of the art collection of Mauritshuis. The nka ochie ngalaba ọha masterpiece is included with courtesy of Mauritshuis, The Hague. The creditline of the artpiece is the following: Probably Cornelis ten Hove, Catharina Dierquens and their heirs, The Hague, until 1907; bequest of Jonkvrouw Maria Johanna Singendonck, The Hague, 1907. Ihe ọzọ bụ, alignment bụ na Eserese format ya na oke nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. The painter Nicolaes Maes was an artist, whose style can mainly be classified as Baroque. The Baroque artist lived for a total of 59 years and was born in 1634 na Dordrecht, South Holland, Netherlands wee nwụọ na 1693.

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