Ralph Earl, 1789 - Esther Boardman - mbipụta nka mara mma

39,99 €

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Ozi izizi gbasara nka sitere na ụlọ ngosi nka (© - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

The Connecticut portraits Earl painted after returning from a seven-year stay in England are his greatest works as they combined his natural talents with the lessons he had gleaned from English art of the period. He rendered most of this portrait of Esther Boardman (1762–1851) in deep shades of green and brown to highlight his sitter’s striking face. Her alert gaze suggests intelligence, and her coiffure and wraparound dress, or levite, reveal her to be at the height of fashion, as was her brother, Elijah (whose portrait is also in the Museum's collection; 1979.395). The background shows the town of New Milford, which the Boardman family had been instrumental in settling.

The 18th narị afọ ihe osise mere site na rococo painter Ralph Earl in 1789. The artwork measures the size of 42 1/2 x 32 in (108 x 81,3 cm) and was made with the Usoro of mmanụ na kwaaji. The mpempe nka bụ nke dijitalụ collection nke Museumlọ ihe ngosi nka nke Obodo emi odude ke New York City, New York, Njikota Obodo Amerika. With courtesy of The Metropolitan Museum of Art, New York, Gift of Edith and Henry Noss, 1991 (public domain license). The creditline of the artwork is the following: Gift of Edith and Henry Noss, 1991. On top of that, alignment of the digital reproduction is in Eserese usoro ma nwee oke akụkụ nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. The painter Ralph Earl was an artist from United States, whose style can primarily be classified as Rococo. The American artist was born in 1751 in Shrewsbury, Worcester county, Massachusetts, United States and deceased at the age of 50 in 1801 in Bolton, Tolland county, Connecticut, United States.

Họrọ nhọrọ akụrụngwa gị

In the product dropdown lists you can pick the size and materialaccording to your preferences. The following sizes and materials are the options we offer you for individualization:

  • Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko): An acrylic glass print, often referenced as a UV print on plexiglass, will convert the original into stunning wall decoration and makes a distinct alternative to aluminium or canvas fine art replicas. The artwork will be made with the help of state-of-the-art UV direct print machines. This has the impression of impressive, rich colors. The plexiglass with real glass coating protects your chosen art replica against light and heat for decades.
  • Akwụkwọ mmado ebipụtara (akwa akwa akwa): A poster print is a UV printed sheet of canvas paper with a nice surface texture. The printed poster is excellently suited for framing the art copy with the help of a special frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of something between 2-6 cm around the painting to facilitate the framing with your custom frame.
  • Metal (aluminium debond mbipụta): Aluminium Dibond prints are metal prints with an impressive depth effect. The white & bright parts of the original artwork shimmer with a silky gloss, however without glare. The colors are vivid and luminous, details are clear and crisp, and you can perceive a matte appearance of the product.
  • Kwaaji: The printed canvas, which shall not be mistaken with a real painting on a canvas, is a digital copy applied directly on cotton canvas. A canvas makes a plastic look of three dimensionality. Your printed canvas of your favorite artwork will provide you with the opportunity of transforming your personal fine art print into a large artwork like you would see in a gallery. Canvas prints are relatively low in weight, which implies that it is easy and straightforward to hang up your Canvas print without additional wall-mounts. A canvas print is suitable for all types of walls.

Nchịkọta nkenke nke onye na-ese ihe

Aha onye nka: Ralph Earl
Aha nka ndị ọzọ: Ralph Earl, Ralph Earle, Earl Ralph, Earle Ralph, Earl
okike nke onye nka: nwoke
Obodo onye nka: American
Ọrụ: onye na-ese ihe
Country: United States
Nhazi nke onye nka: nna ukwu ochie
Ụdị nka: Rococo
Afọ ọnwụ: 50 afọ
Afọ amụrụ: 1751
Obodo amụrụ: Shrewsbury, Worcester County, Massachusetts, Njikota Obodo Amerika
Nwuru: 1801
Obodo ọnwụ: Bolton, Tolland County, Connecticut, Njikota Obodo Amerika

Nkọwa gbasara ihe nka

Iberibe aha nka: "Esther Boardman"
Nhazi nka: sere
Okwu nche anwụ: nka ochie
oge: 18th narị afọ
Ekepụtara: 1789
Afọ nka: ihe karịrị 230 afọ
Ihe osise izizi: mmanụ na kwaaji
Akụkụ izizi: 42 1/2 x 32 inch (108 x 81,3 cm)
Ụlọ ihe ngosi nka / mkpokọta: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Weebụsaịtị ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
Ikikere nke ihe osise: ngalaba ọha
Site n'aka: The Metropolitan Museum of Art, New York, Gift of Edith and Henry Noss, 1991
Ebe E Si Nweta: Gift of Edith and Henry Noss, 1991

Nkọwapụta ngwaahịa

Bipụta ngwaahịa: mmepụta nka
Mmeputakwa: dijitalụ mmeputakwa
Usoro nhazi: Mbipụta UV ozugbo (mbipụta dijitalụ)
Ihe ngosi: arụpụtara na Germany
Stockdị ngwaahịa: a na-achọ
A na-atụ aro iji ngwaahịa eme ihe: ihe ndozi mgbidi, mma mgbidi
Nhazi: nhazi ihe osise
Ụdị anya: 3: 4 (ogologo: obosara)
Nkọwa: ogologo bụ 25% mkpụmkpụ karịa obosara
Nhọrọ ihe onwunwe: Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta kanvas, mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Canvas dị n'elu ihe nrịbama (mbipụta kanvas) nha dị iche iche: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Mbipụta aluminom: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Igwe onyonyo: biko rịba ama na emebeghi mmeputakwa a

Disclaimer: We try our utmost to describe our products as accurate as possible and to display them visually in our shop. At the same time, some pigments of the printing material and the imprint might vary marginally from the presentation on your device's screen. Depending on the screen settings and the condition of the surface, color pigments may not be printed as exactly as the digital version shown here. Bearing in mind that all our are printed and processed manually, there may as well be slight discrepancies in the motif's size and exact position.

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