Simone Pignoni - St Sebastian - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Artwork information from Mauritshuis (© - by Mauritshuis - www.mauritshuis.nl)
Martial Reghellini Schio, Venice na Brussels, ruo 1826; Eze William I nwetara maka ndị Maurithuis, 1831
Iberibe nkọwa nka
Aha nka nka: | "St Sebastian" |
Nhazi nka nka: | sere |
Usoro izizi: | mmanụ na kwaaji |
Akụkụ nke ọrụ nka mbụ: | elu: 75,8 cm obosara: 60 cm |
Ụlọ ihe ngosi nka / ebe: | Maurithuis |
Ebe ebe ngosi nka: | Hague, South Holland, Netherlands |
Ebe nrụọrụ weebụ ihe ngosi nka: | www.mauritshuis.nl |
Akwụkwọ ikike nka: | ngalaba ọha |
Site n'aka: | Maurithuis, Hague |
kreditline ọrụ nka: | Martial Reghellini Schio, Venice na Brussels, ruo 1826; Eze William I nwetara maka ndị Maurithuis, 1831 |
Tebụl nchịkọta ihe nkiri
aha: | Simone Pignoni |
Aha ndi ozo: | Pignone Simone, Simon Pignoni, Simone Pignone, Simone Pignioni, Pignoni, Pignone, Pignoni Simone, Simone Pignoni, Pignani, Simon Pignone |
okike nke onye nka: | nwoke |
Obodo onye nka: | Italian |
Ọrụ: | onye na-akpụ ihe, onye na-ese ihe |
Country: | Italy |
Ụdị nke onye na-ese ihe: | Baroque |
Ndụ: | 87 afọ |
Afọ ọmụmụ: | 1611 |
Obodo amụrụ: | Florence, mpaghara Firenze, Tuscany, Italy |
Afọ ọnwụ: | 1698 |
Nwụrụ na (ebe): | Florence, mpaghara Firenze, Tuscany, Italy |
Banyere ngwaahịa
Nkewa edemede: | nka nka |
Usoro mmeghari: | dijitalụ mmeputakwa |
Production usoro: | UV kpọmkwem obibi |
Mmalite ngwaahịa: | Germany |
Ụdị ngwaahịa: | na mmepụta ihe |
Eji ngwaahịa a chọrọ: | Ụlọ ihe osise nka, foto mgbidi |
Ntuziaka onyonyo: | nhazi ihe osise |
Njikwa oyiyi: | 3: 4 |
Mmetụta akụkụ: | ogologo bụ 25% mkpụmkpụ karịa obosara |
Akụrụngwa ị nwere ike ịhọrọ: | mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibbond) |
Kanvas n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Nha ebipụta aluminom: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Nhazi nke nka nka: | na-enweghị etiti |
Akụrụngwa ị nwere ike isi na ya nweta
In the product dropdown menu you can select your favorite size and material. Therefore, we allow you to choose among the following options:
- Akwụkwọ mmado ebipụtara (akwa akwa akwa): A poster is a printed sheet of flat canvas paper with a slight surface texture, which reminds the actual artwork. The poster print is best appropriate for placing the art print using a personal frame. Please keep in mind, that depending on the size of the poster we add a white margin of something between 2-6cm around the artwork, which facilitates the framing with your custom frame.
- Glass acrylic ebipụtara nwere mmetụta na-egbuke egbuke (ya na mkpuchi iko n'ezie): The acrylic glass print, often denoted as a print on plexiglass, will transform the original artwork into beautiful décor. Your own replica of the artwork will be custom-made with state-of-the-art UV direct print technology. With an acrylic glass fine art print contrasts and painting details will be more visible thanks to the fine gradation.
- Mbipụta kanvas: The canvas print, which should not be confused with a real canvas painting, is a digital replica printed onto canvas material. A canvas print has the advantage of being relatively low in weight. This means, it is easy and straightforward to hang up the Canvas print without any wall-mounts. Hence, a canvas print is suitable for any kind of wall.
- Mbipụta nke aluminom: This is a metal print made on aluminium dibond with an outstanding effect of depth. The Aluminium Dibond Print is your perfect start to fine art prints on aluminum. The bright & white parts of the artpiece shine with a silky gloss, however without glare. The direct UV print on aluminium is one of the most popular entry-level products and is an extremely contemporary way to display art, as it draws focus on the image.
Ọ bụ ndị mere ihe osise a nwoke onye na-ese ihe Simone Pignoni. Ụdị ihe osise a tụrụ nha: elu: 75,8 cm obosara: 60 cm | elu: 29,8 n'obosara: 23,6 inch. Mmanụ na kwaaji was used by the Italian painter as the medium of the work of art. Today, this piece of art is included in the Ndị Maurithuis mkpokọta nka. Obi dị anyị ụtọ ikwu na nke a ngalaba ọha artpiece is being supplied with courtesy of Mauritshuis, The Hague. Besides, the work of art has the creditline: Martial Reghellini Schio, Venice na Brussels, ruo 1826; Eze William I nwetara maka ndị Maurithuis, 1831. Ọzọkwa, itinye n'usoro mmepụta dijitalụ dị Eserese format ya na oke nke 3: 4, meaning that the length is 25% shorter than the width. Simone Pignoni was a painter, sculptor, whose style can mainly be classified as Baroque. The Baroque painter lived for 87 afọ a mụrụ ya n'afọ 1611 na Florence, mpaghara Firenze, Tuscany, Italy ma nwụọ na 1698 na Florence, mpaghara Firenze, Tuscany, Italy.
Legal note: We try the best we can to describe the art products as exact as possible and to showcase them visually. Please bear in mind that the colors of the printed materials, as well as the print result might diverge to a certain extent from the image on the device's screen. Depending on the screen settings and the nature of the surface, colors might not be printed one hundret percent realistically. Since our are printed and processed manually, there might also be minor deviations in the size and exact position of the motif.
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