Thomas Gainsborough, 1787 - Nwa nwoke nwere nwamba—Ututu - mbipụta nka mara mma

Họrọ ụdị ebipụta nka mara mma gị

Na menu ndọpụta na-esote akụkọ ị nwere ike ịhọrọ nha na akụrụngwa masịrị gị. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:

• Aluminom ihe eji eme ihe: These are metal prints on aluminium dibond with a true effect of depth. A direct Aluminium Dibond Print is the excellent start to art reproductions produced with aluminum. The white & bright parts of the artpiece shimmer with a silky gloss but without any glow.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): The poster is a printed canvas with a slight structure on the surface. The printed poster is particularly suited for framing the art copy using a custom frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin 2 - 6cm round about the print motif, which facilitates the framing with a custom frame.
• Mbipụta kanvas: A canvas direct print is a printed canvas stretched on a wood stretcher. A canvas produces the particular look of three-dimensionality. A printed canvas generates a nice and comfy impression. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang up your Canvas print without the use of additional wall-mounts. That is why, canvas prints are suitable for any type of wall.
• Mpempe iko acrylic na-egbuke egbuke: An acrylic glass print, which is often described as a fine art print on plexiglass, will change your favorite original artwork into brilliant décor. Beyond that, it offers a viable alternative option to canvas or aluminium dibond art prints.

Ihe dị mkpa: We try what we can in order to depict the products with as many details as possible and to display them visually on the product detail pages. Although, the tone of the print products and the printing may differ somehwat from the representation on your device's monitor. Depending on the screen settings and the nature of the surface, not all color pigments are printed as exactly as the digital version. Since our art prints are printed and processed manually, there may as well be slight differences in the motif's exact position and the size.

Ozi nkowa mgbakwunye by The Metropolitan Museum of Art (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

The canvas had as its pendant a painting of two children, one seated and one standing, warming themselves before a cottage fire. The latter has disappeared but its composition is known from an 1809 mezzotint engraving. The pair formed part of a group of rustic paintings of working-class children much admired in the late eighteenth and nineteenth centuries as "fancy pictures." Jack Hill, shown here, was a professional beggar whom Gainsborough took into his house as a model.

E kere ọrụ nka site na Thomas Gainsborough. Ihe gafere 230 afọ mbụ nwere nha ndị a: 59 1/4 x 47 1/2 na (150,5 x 120,7 cm). Mmanụ na kwaaji was used by the artist as the medium of the artpiece. This artwork belongs to the digital collection of Museumlọ ihe ngosi nka nke Obodo, nke bụ otu n'ime ụlọ ngosi ihe ngosi nka kachasị ukwuu na nke kachasị mma n'ụwa, nke gụnyere ihe karịrị nde abụọ ọrụ nka na-agbaso puku afọ ise nke omenala ụwa, site na prehistory ruo ugbu a na site n'akụkụ ọ bụla nke ụwa .. Site n'ikike nke: Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Marquand, Onyinye Henry G. Marquand, 1889 (ọha na eze). Tụkwasị na nke ahụ, ihe nkiri ahụ nwere akara ngosi: Mkpokọta Marquand, Onyinye nke Henry G. Marquand, 1889. Ọzọkwa, alignment bụ Eserese ya na oke nke 1: 1.2, which means that the length is 20% shorter than the width. Thomas Gainsborough was a painter, whose artistic style can mainly be classified as Rococo. The painter lived for a total of 61 afọ a mụrụ na 1727 in Sudbury, Suffolk, England, United Kingdom and died in 1788 in London, Greater London, England, United Kingdom.

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