Artemisia Gentileschi - Esta n'ihu Ahasuerọs - ọmarịcha nka

Nchịkọta nke ihe nka, nke nwere aha Esther before Ahasuerus

"Esther before Ahasuerus" is an artpiece created by the Italian artist Artemisia Gentchi. Nke mbụ tụrụ nha: 82 x 107 3/4 inch (208,3 x 273,7cm) ma were ihe osise ese Usoro mmanụ na kwaaji. Ọ na-etolite akụkụ nke mkpokọta nke Museumlọ ihe ngosi nka nke Obodo located in New York City, New York, United States of America. With courtesy of - The Metropolitan Museum of Art, New York, Gift of Elinor Dorrance Ingersoll, 1969 (license: public domain). The creditline of the artwork is the following: Gift of Elinor Dorrance Ingersoll, 1969. Besides, the alignment of the digital reproduction is in landscape format with an aspect ratio of 4 : 3, meaning that the length is 33% longer than the width. Artemisia Gentileschi was a female painter from Italy, whose style was mainly Baroque. The artist lived for 61 years, born in the year 1593 na Rome, Rome Province, Lazio, Italy ma nwụọ na 1654.

What does the original description of the The Metropolitan Museum of Art say about the artwork created by Artemisia Gentileschi? (© - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

The most famous woman painter of the seventeenth century, Artemisia worked in Rome, Florence, Venice, and Naples. This painting, among her most ambitious, recounts the story of the Jewish heroine Esther, who appeared before King Ahasuerus to plead for her people, breaking with court etiquette and risking death. She fainted in the king’s presence, but her request found favor. The story is conceived not as a historical recreation but as a contemporary theatrical performance. Initially Artemisia included the detail of a black boy restraining a dog—still partly visible beneath the marble pavement, to the left of Ahasuerus’s knee.

Ozi ndabere na mpempe nka pụrụ iche

Tebụl nchịkọta ihe nkiri

Ngwa ngwaahịa dị

Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:

• Kwaaji: The printed canvas, which should not be confused with an artwork painted on a canvas, is a digital copy printed onto canvas fabric. Your canvas print of this work of art will let you turn your art print into a large size work of art like you know from art galleries. A canvas print has the advantage of being relatively low in weight, which means that it is easy to hang your Canvas print without the support of any wall-mounts. Hence, canvas prints are suitable for all types of walls.
• Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, often described as a print on plexiglass, will turn the original work of art into home decoration. What is more, it is a great alternative option to aluminium and canvas fine art prints. The acrylic glass protects your selected art print against sunlight and external influences for many more years to come.
• Aluminom dibond (ọkpụkpụ ọla): An Aluminium Dibond print is a print material with a true effect of depth - for a modern look and non-reflective surface structure. For your Direct Aluminium Dibond option, we print the work of art right on the surface of the white-primed aluminum. The white and bright parts of the work of art shimmer with a silk gloss, however without the glow. This direct UV print on aluminium is one of the most popular entry-level products and is a truly sophisticated way to showcase art, because it puts 100% of the viewer’s focus on the image.
• Mpempe akwụkwọ ederede (akwa akwa akwa): The Artprinta poster is a UV printed canvas with a slightly rough surface texture. It is qualified for framing the art replica with a special frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of something between 2-6cm around the artwork to facilitate the framing.

Banyere edemede a

Ihe dị mkpa: We try everything in order to describe our art products as accurate as possible and to demonstrate them visually on the product detail pages. Nonetheless, the pigments of the print materials, as well as the print result may vary somehwat from the representation on your monitor. Depending on your screen settings and the condition of the surface, color pigments may not be printed 100% realistically. In view of the fact that our art reproductions are printed and processed by hand, there might also be slight differences in the exact position and the size of the motif.

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