Arthur Segal, 1930 - Nlele si na windo - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ozi ngwaahịa nka dị omimi
View from the Window is a work of art made by the post-impressionist Romanian painter Arthur Segal in 1930. The 90 year-old original version of the painting was painted with the size: 38-15 / 16 x 30-1 / 2 na. Oil on canvas was applied by the painter as the medium of the piece of art. Moveover, this artpiece is included in the art collection of Analọ ihe nkiri nka nke Indianapolis, which is one of the finest universal art museums that has an extensive collection of art history from different eras with objects from all parts of the world.. With courtesy of - Indianapolis Museum of Art (public domain license).Also, the artwork has the creditline: . On top of that, alignment of the digital reproduction is in portrait format with an aspect ratio of 3 : 4, which means that the length is 25% shorter than the width. Arthur Segal was a male painter, whose artistic style can be attributed primarily to Post-Impressionism. The Post-Impressionist painter was born in the year 1875 ma gafee na afọ nke 69 n'afọ 1944.
Họrọ ihe ị ga-atụkwasị na mgbidi gị
For every art print we offer a range of different sizes and materials. You can choose your preferred material and size among the subsequent options:
- Aluminom ihe eji eme ihe: An Aluminium Dibond print is a material with an impressive depth effect. Its non-reflective surface structure creates a fashionable impression. The bright & white parts of the artwork shimmer with a silky gloss, however without glare. The direct UV print on aluminium is the most popular entry-level product and is an extremely sophisticated way to showcase fine art reproductions, since it puts the viewer’s focus on the artwork.
- Poster (akwa akwa akwa): The poster print is a UV printed canvas with a slightly roughened structure on the surface. Please keep in mind, that depending on the size of the poster we add a white margin between 2 - 6cm round about the work of art to facilitate the framing.
- Kwaaji: A canvas direct print is a printed cotton canvas stretched on a wooden stretcher. Your printed canvas of this artwork will let you turn your fine art print into a large collection piece. A canvas print has the great advantage of being relatively low in weight, meaning that it is quite simple to hang up the Canvas print without additional wall-mounts. Canvas prints are suited for any kind of wall.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, which is often named as a print on plexiglass, transforms an original into stunning home décor. The work of art is being made with modern UV direct print machines. It makes vivid, impressive colors. With an acrylic glass fine art print contrasts plus artwork details become more visible because of the subtle gradation in the picture. The acrylic glass protects your selected fine art print against light and external influences for many years to come.
Ihe dị mkpa: We try everythig possible to describe our products as precisely as we can and to display them visually. Nonetheless, the colors of the printed materials, as well as the printing may differ to a certain extent from the representation on your monitor. Depending on your screen settings and the condition of the surface, color pigments might not be printed as exactly as the digital version. Bearing in mind that all art prints are processed and printed manually, there may as well be slight differences in the size and exact position of the motif.
Product ọmụma
Bipụta ụdị ngwaahịa: | mmepụta nka |
Mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Mmalite nke ngwaahịa a: | German mere |
Ụdị ngwaahịa: | a na-achọ |
Ihe eji eme atụmatụ: | foto mgbidi, ụlọ ihe osise nka |
Nhazi: | nhazi ihe osise |
Ụdị anya: | 3: 4 |
Ihe: | ogologo bụ 25% mkpụmkpụ karịa obosara |
Ụdị ngwaahịa dị iche iche: | Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị) dị iche iche: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Mbipụta nke aluminom: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Nhazi mbipụta nka: | agunyeghi |
Iberibe nkọwa nka
Aha nka nka: | "View from the Window" |
Nhazi nka nka: | sere |
Nhazi nka: | nkà nke oge a |
Nhazi oge: | 20th narị afọ |
Afọ nka: | 1930 |
Afọ nka: | ihe karịrị 90 afọ |
Agba na: | mmanụ na kwaaji |
Akụkụ nke ihe osise izizi: | 38-15 / 16 x 30-1 / 2 na |
Ụlọ ihe ngosi nka / ebe: | Analọ ihe nkiri nka nke Indianapolis |
Ebe ebe ngosi nka: | Indianapolis, Indiana, Njikota Obodo Amerika |
ibe weebụ: | Analọ ihe nkiri nka nke Indianapolis |
Ụdị ikike nka: | ngalaba ọha |
Site n'aka: | Analọ ihe nkiri nka nke Indianapolis |
Tebụl ozi omenkà
Aha onye nka: | Arthur Segal |
Aha nka ndị ọzọ: | סגל ארתור, Segal Arthur, Arthur Segal |
Gender: | nwoke |
Nationality: | Romanian |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
Obodo onye nka: | Romania |
nhazi ọkwa: | omenkà nke oge a |
Ụdị nka: | Mmetụta post-impression |
Afọ ọnwụ: | 69 afọ |
Afọ amụrụ: | 1875 |
Nwuru: | 1944 |
Nwebiisinka © - Artprinta.com
Supplemental information by Indianapolis Museum of Art (© Nwebiisinka - nke Indianapolis Museum of Art - www.discovernewfields.org)
Although he worked in a wide variety of styles, Segal consistently explored optical effects throughout his career. Here, Segal employs a pointillist technique to capture the quality of sunlight, stippling his canvas with tiny dots of pigment. An X-ray of this painting reveals that Segal initially included a seated woman, probably based on a photograph of his wife (both shown below). Note the identical hands, chair, and leaves beside her. In the final version, he removes the woman and replaces the curving, organic lines of the chair with straight, angular lines.