Thomas Hovenden, 1882 - Oge Ikpeazụ nke John Brown - mbipụta nka mara mma

59,99 €

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Artwork description by the museum (© Copyright - by The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

In 1859 John Brown, the controversial abolitionist, led a raid on a federal armory in Harpers Ferry, Virginia (now West Virginia), intending to arm enslaved African Americans. Brown had come to believe that the only way to end slavery in America was through bloodshed. Captured and convicted of treason against the Commonwealth of Virginia, Brown was sentenced to die by hanging. His hasty trial electrified the nation, and a sensational newspaper account reported how he paused on his way to the scaffold to kiss a baby. At the request of a patron two decades later, Hovenden, also an abolitionist, made it the subject of this sympathetic work.

Nkọwa ihe osise

Aha eserese: "The Last Moments of John Brown"
Nhazi nka: sere
Okwu mkpokọta: nkà nke oge a
Narị afọ nka: 19th narị afọ
Emepụtara na: 1882
Afọ nka: 130 afọ
Ihe osise izizi: mmanụ na kwaaji
Akụkụ ihe osise izizi: 77 3/8 x 66 1/4 na (196,5 x 168,3 cm)
Ụlọ ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
Ebe ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
E Nwere na: Museumlọ ihe ngosi nka nke Obodo
License: ngalaba ọha
Site n'aka: The Metropolitan Museum of Art, New York, Gift of Mr. and Mrs. Carl Stoeckel, 1897
Ebe kredit nke ọrụ nka: Gift of Mr. and Mrs. Carl Stoeckel, 1897

Tebụl ozi omenkà

Aha onye nka: Thomas Hovenden
Aha ndị ọzọ: Hovenden Thomas, Thomas Hovenden, Hovendon Thomas, Hovenden
okike nke onye nka: nwoke
Nationality: American
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Country: United States
Nkewa onye nka: omenkà nke oge a
Ụdị nka: Mmetụta post-impression
Ndụ: 55 afọ
Afọ ọmụmụ: 1840
Amụrụ na (ebe): Dunmanway, County Cork, Ireland
Afọ ọnwụ: 1895
Ebe ọnwụ: New Jersey, United States

Banyere ngwaahịa

Bipụta ụdị ngwaahịa: nka nka
Mmeputakwa: mmeputakwa n'ụdị dijitalụ
Usoro mmepụta: Mbipụta UV ozugbo
Production: German mere
Ụdị ngwaahịa: a na-achọ
Ngwaahịa were: foto mgbidi, ihe ndozi mgbidi
Ndepụta: nhazi ihe osise
Ụdị anya: 1: 1.2
Ihe: ogologo bụ 20% mkpụmkpụ karịa obosara
Ụdị akwa: Mbipụta kwaaji, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Ọdịiche dị n'okirikiri akwa akwa akwa (akwa akwa): 50x60cm - 20x24"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: 50x60cm - 20x24"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: 50x60cm - 20x24"
Nhọrọ nha nha nke aluminom dibond (ihe aluminom): 50x60cm - 20x24"
Nhazi mbipụta nka: agunyeghi

Họrọ ihe nka nka nke ịchọrọ

The product dropdown list provides you with the possibility to pick your prefered material and size. In order match your personal requirements perfectly, you can choose among the following product customization options:

  • Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with a true effect of depth - for a modern impression and non-reflective surface structure. The bright & white parts of the original artwork shimmer with a silky gloss, however without glare. This UV print on Aluminum Dibond is the most popular entry-level product and is an extremely modern way to display art, as it draws attention on the image.
  • Kwaaji: A canvas print, not to be confused with a real painting on a canvas, is a digital copy printed on an industrial printer. The advantage of canvas prints is that they are relatively low in weight, which implies that it is quite simple to hang up your Canvas print without the help of extra wall-mounts. Because of thata canvas print is suited for any type of wall.
  • Mpempe akwụkwọ (ihe kwaaji): A poster is a UV printed sheet of canvas with a granular surface texture. Please note, that depending on the absolute size of the canvas poster print we add a white margin of something between 2-6cm round about the artwork, which facilitates the framing with your custom frame.
  • Bipụta na iko acrylic na-egbuke egbuke: An print on acrylic glass, often referred to as a UV print on plexiglass, will transform the original artwork into great décor. With a glossy acrylic glass fine art print sharp contrasts plus granular color details become more exposed thanks to the granular tonal gradation in the print.

The painting "The Last Moments of John Brown" by the modern artist Thomas Hovenden as your unique art replica

The nkà nke oge a artpiece was created by the male artist Thomas Hovenden. The 130 year old piece of art was painted with the absolute size 77 3/8 x 66 1/4 na (196,5 x 168,3 cm). Oil on canvas was used by the American painter as the medium of the piece of art. This work of art is included in the Ụlọ ihe ngosi nka nke Metropolitan nchịkọta dijitalụ, nke bụ otu n'ime ụlọ ngosi ihe ngosi nka kachasị ukwuu na nke kachasị mma n'ụwa, nke gụnyere ihe karịrị nde abụọ ọrụ nka na-agbatị puku afọ ise nke omenala ụwa, site na prehistory ruo ugbu a na site na akụkụ ọ bụla nke ụwa .. Site n'ikike nke: The Metropolitan Museum of Art, New York, Gift of Mr. and Mrs. Carl Stoeckel, 1897 (ikike ngalaba ọha). Ebe kredit nke ọrụ nka: Gift of Mr. and Mrs. Carl Stoeckel, 1897. Kedu ihe ọzọ, nhazi ahụ bụ eserese na oke nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. The painter Thomas Hovenden was a North American artist, whose art style can be attributed mainly to Post-Impressionism. The North American artist was born in the year 1840 in Dunmanway, County Cork, Ireland and passed away at the age of 55 in 1895 in New Jersey, United States.

Ozi dị mkpa: We do whatever we can to depict our art products as accurately as possible and to exhibit them visually in our shop. Please bear in mind that the pigments of the print products and the imprint may vary somehwat from the representation on the device's monitor. Depending on the settings of your screen and the condition of the surface, not all colors can be printed one hundret percent realistically. In view of the fact that all the art prints are processed and printed by hand, there might also be minor differences in the size and exact position of the motif.

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