Camille Corot, 1865 - Ụlọ akụ nke Seine na Conflans - mbipụta nka mara mma

59,99 €

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Nkọwapụta nka site na ihe ngosi nka (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

In 1868, about the time this work was painted, the aspiring artist Odilon Redon noted Corot’s advice "to place an unknown next to a known" in his compositions. That approach to picture-making is evident in this scene of workers, which has a ring of familiarity although the precise labor depicted resists identification. It is replete with details, such as the fruit on the tree at the center and the lettering on the sign at the top right, that favor painterly qualities over legibility. Yet the painting appears to be far more grounded in observation than the landscapes Corot typically conjured in his later years.

Nkọwa gbasara ọrụ nka mbụ

Aha nke eserese ahụ: "The Banks of the Seine at Conflans"
Nhazi nka nka: sere
Okwu mkpokọta: nkà nke oge a
Time: 19th narị afọ
Year: 1865
Ogologo afọ nka nka: ihe karịrị 150 afọ
Usoro izizi: mmanụ na kwaaji
Nha nke ihe osise izizi: 18 1/4 x 21 7/8 na (46,4 x 55,6 cm)
Egosiputara na: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Weebụsaịtị ihe ngosi nka: www.metmuseum.org
Ụdị nka nka: ngalaba ọha
Site n'aka: The Metropolitan Museum of Art, New York, Bequest of Eloise Lawrence Breese Norrie, 1921
Ebe E Si Nweta: Bequest of Eloise Lawrence Breese Norrie, 1921

Banyere omenka

Aha onye nka: Camille Corot
Gender: nwoke
Obodo onye nka: French
Ọrụ onye na-ese ihe: onye na-ese ihe
Obodo obibi: France
nhazi ọkwa: omenkà nke oge a
Ụdị nke onye na-ese ihe: Ihe ngosi
Oge ndu: 79 afọ
Afọ ọmụmụ: 1796
Nwuru: 1875

Nkọwapụta ngwaahịa

Nkewa ngwaahịa: mmepụta nka
Usoro mmeputakwa: dijitalụ mmeputakwa
Production usoro: mbipụta dijitalụ (Mbipụta UV ozugbo)
Ihe ngosi: German mere
Ụdị ngwaahịa: na mmepụta ihe
Ojiji ngwaahịa: imewe ụlọ, mgbidi gallery
Nhazi: nhazi odida obodo
Ụdị anya: 1.2: 1 ogologo: obosara
Oke akụkụ pụtara: ogologo bụ 20% ogologo karịa obosara
Nhọrọ dị: Mpempe akwụkwọ, akwụkwọ mmado (akwụkwọ akpa), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibbond)
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị) dị iche iche: 60x50cm - 24x20"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: 60x50cm - 24x20"
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: 60x50cm - 24x20"
Aluminom dibond ọdịdị nha ebipụta: 60x50cm - 24x20"
Igwe onyonyo: na-enweghị etiti

Họrọ nhọrọ ihe onwunwe gị

The product dropdown menu ofers you the possibility to pick your favorite material and size. The following sizes and materials are the options we offer you for individualization:

  • Mbipụta nke aluminom: Aluminium Dibond prints are prints on metal with an impressive effect of depth - for a modern look and non-reflective surface structure. The bright parts of the original work of art shimmer with a silky gloss but without the glare. This UV print on aluminium is one of the most demanded entry-level products and is a sophisticated way to showcase art prints, since it puts the viewer’s focus on the replica of the artwork.
  • Mpempe akwụkwọ ederede (akwa akwa akwa): The poster is a UV printed canvas paper with a fine surface finish. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of around 2 - 6cm round about the painting to facilitate the framing with your custom frame.
  • Mbipụta enyo acrylic: A glossy acrylic glass print, often referred to as a plexiglass print, makes your favorite artwork into beautiful wall décor and offers a great alternative to canvas and dibond prints. The great benefit of a plexiglass print is that contrasts and granular painting details will be more exposed due to the subtle gradation.
  • Mbipụta kanvas: The canvas print is a printed cotton canvas mounted on a wood frame. Your canvas of this work of art will allow you to transform your customized fine art print into a large collection piece. The advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang up your Canvas print without the support of additional wall-mounts. That is why, a canvas print is suited for all kinds of walls.

Background information on this artpiece painted by Camille Corot

This modern art artwork was made by Camille Corot. The beyond 150 afọ mbụ e mere ya na nha: 18 1/4 x 21 7/8 na (46,4 x 55,6 cm) and was painted on the medium oil on canvas. Today, this artwork belongs to the Ụlọ ihe ngosi nka nke Metropolitan nchịkọta dijitalụ. Nke a ngalaba ọha a na-enye mpempe nka site n'ikike nke The Metropolitan Museum of Art, New York, Bequest of Eloise Lawrence Breese Norrie, 1921. Furthermore, the artwork has the creditline: Bequest of Eloise Lawrence Breese Norrie, 1921. In addition to this, the alignment of the digital reproduction is landscape and has a ratio of 1.2 : 1, which means that the length is 20% longer than the width. Camille Corot was a painter of French nationality, whose artistic style can be classified as Realism. The artist lived for a total of 79 years and was born in 1796 ma nwụọ na 1875.

Ozi dị mkpa: We try everythig possible in order to describe the products as accurate as possible and to illustrate them visually on the different product detail pages. Please keep in mind that the pigments of the print products and the imprint might vary somehwat from the presentation on the device's monitor. Depending on the screen settings and the nature of the surface, color pigments can unfortunately not be printed as realisitcally as the digital version on this website. In view of the fact that the fine art prints are printed and processed manually, there might also be slight discrepancies in the motif's size and exact position.

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