Camille Corot, 1860 - Gburugburu ebe obibi nke Paris - mbipụta nka mara mma

29,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Nkọwa n'ozuzu dị ka enyere site na webụsaịtị ihe ngosi nka (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - www.metmuseum.org)

Corot painted at least four versions of this composition. The other three seem to predate this work of the mid-1860s by about a decade. The subject is a view of the rue Brancas near the artist’s home at Ville-d’Avray, southwest of Paris, which is visible in the distance.

Ozi ọrụ nka

Aha nka: "The Environs of Paris"
nhazi ọkwa: sere
Okwu nche anwụ: nkà nke oge a
Century: 19th narị afọ
Afọ nka: 1860
Ogologo afọ nka nka: 160 afọ
Ihe osise izizi: mmanụ n'elu osisi
Nha nke ihe osise izizi: 13 1/2 x 20 1/4 na (34,3 x 51,4 cm)
Egosiputara na: Museumlọ ihe ngosi nka nke Obodo
Ebe ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Weebụsaịtị ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
License: ngalaba ọha
Site n'aka: The Metropolitan Museum of Art, New York, Theodore M. Davis Collection, Arịrịọ nke Theodore M. Davis, 1915
kreditline ọrụ nka: Theodore M. Davis mkpokọta, Arịrịọ nke Theodore M. Davis, 1915

Ozi ndabere na onye na-ese ihe

aha: Camille Corot
Gender: nwoke
Nationality: French
Ọrụ: onye na-ese ihe
Country: France
Otu nka: omenkà nke oge a
Ụdị nke onye na-ese ihe: Ihe ngosi
Ndụ: 79 afọ
A mụrụ: 1796
Afọ ọnwụ: 1875

Nkọwa akụkọ ahaziri ahazi

Ụdị ngwaahịa: ezi nka mmeputakwa
Usoro mmeghari: dijitalụ mmeputakwa
Usoro mmepụta: mbipụta dijitalụ (Mbipụta UV ozugbo)
Production: Germany
Ụdị ngwaahịa: na mmepụta ihe
Eji ngwaahịa emebere: Nhazi ụlọ, mkpokọta nka (mmeputakwa)
Ndozi onyonyo a: nhazi odida obodo
Njikwa oyiyi: 3: 2
Oke akụkụ pụtara: ogologo bụ 50% ogologo karịa obosara
Nhọrọ dị: akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nke nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta kwaaji
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39"
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Nhọrọ Dibond (ihe alumnium) nhọrọ: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
ụba: agunyeghi

Ngwaahịa anyị na-enye:

Maka mbipụta nka ọ bụla anyị na-enye ihe dị iche iche & nha. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

  • Mbipụta kwaaji: The printed canvas stretched on a wood stretcher frame. Also, a canvas produces a soft and appealing ambience. Your canvas of your favorite artpiece will let you turn your art print into a large work of art like you know from galleries. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang your Canvas print without any wall-mounts. Canvas prints are suited for all types of walls.
  • Mbipụta iko acrylic na-egbuke egbuke: A glossy acrylic glass print, often labelled as a UV print on plexiglass, makes your favorite original into beautiful home decoration. Your favorite work of art is made with modern UV direct print machines. The major advantage of a plexiglass art print is that contrasts plus color details become visible because of the delicate tonal gradation.
  • Poster (akwa akwa akwa): The poster is a printed sheet of canvas with a slightly rough surface structure, which reminds the original work of art. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of something between 2-6cm around the work of art in order to facilitate the framing with your custom frame.
  • Mbipụta nke aluminom: These are metal prints on aluminium dibond material with a true depth, which creates a contemporary impression by having a non-reflective surface structure. The Aluminium Dibond Print is the excellent start to art replicas with aluminum. For the Aluminium Dibond print, we print your selected work of art onto the surface of the aluminum. The colors of the print are bright and vivid, the fine details appear clear and crisp. The direct print on Aluminum Dibond is one of the most demanded entry-level products and is an extremely contemporary way to showcase art, because it puts 100% of the viewer’s focus on the whole artwork.

Nkọwa ngwaahịa nka

In 1860 Camille Corot created this 19th narị afọ artwork na aha The Environs of Paris. Ihe osise a tụrụ nha: 13 1/2 x 20 1/4 na (34,3 x 51,4 cm). Mmanụ na osisi was applied by the European painter as the technique for the piece of art. This artwork is included in the Ụlọ ihe ngosi nka nke Metropolitan nchịkọta ihe osise dijitalụ, nke bụ otu n'ime ụlọ ngosi ihe ngosi nka kachasị ukwuu na nke kachasị mma n'ụwa, nke gụnyere ihe karịrị nde abụọ ọrụ nka na-agbasa puku afọ ise nke omenala ụwa, site na prehistory ruo ugbu a na site n'akụkụ ọ bụla nke ụwa .. Nke a nkà nke oge a artpiece, which is part of the public domain is supplied with courtesy of The Metropolitan Museum of Art, New York, Theodore M. Davis Collection, Bequest of Theodore M. Davis, 1915. The creditline of the artwork is the following: Theodore M. Davis mkpokọta, Arịrịọ nke Theodore M. Davis, 1915. N'elu nke ahụ, nhazi nke mmepụta dijitalụ na-abanye odida obodo format na oke nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara. Camille Corot was a painter of French nationality, whose artistic style was primarily Realism. The painter was born in 1796 and passed away at the age of 79 in the year 1875.

Ederede iwu dị mkpa: We try to describe the products with as many details as we can and to illustrate them visually in our shop. Nonetheless, the pigments of the print products and the printing might differ somehwat from the image on your screen. Depending on your screen settings and the condition of the surface, not all colors can be printed one hundret percent realistically. In view of the fact that our fine art prints are processed and printed manually, there may as well be minor discrepancies in the size and exact position of the motif.

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