Camille Corot, 1865 - The Muse: Akụkọ ihe mere eme - ọmarịcha nka

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Ama

In 1865 na nwoke French onye na-ese ihe Camille Corot mere ihe osise. Nke 150 year-old version of the artpiece measures the dimensions - 18 1/8 x 13 7/8 na (46 x 35,2 cm). Oil on canvas was applied by the French painter as the technique for the artpiece. Today, this artpiece can be viewed in in the The Metropolitan Museum of Art's art collection. This nkà nke oge a ọrụ nka, nke bụ nke ngalaba ọha is being supplied with courtesy of The Metropolitan Museum of Art, New York, H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929. The creditline of the artpiece is: Mkpokọta HO Havemeyer, Arịrịọ nke Oriakụ HO Havemeyer, 1929. Na mgbakwunye na nke a, nhazi ahụ dị na Eserese format na nwere akụkụ ruru nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. Camille Corot was a male painter, whose artistic style can mainly be classified as Realism. The Realist artist was born in 1796 and passed away at the age of 79 in 1875.

Nhọrọ akụrụngwa ngwaahịa gị

Ndepụta ndetu ngwaahịa na-enye gị ohere ịhọrọ ngwa na nha nke gị. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:

  • Metal (aluminium debond mbipụta): These are metal prints on aluminium dibond material with an impressive depth. The non-reflective surface structure creates a contemporary impression. The colors are luminous and bright in the highest definition, details appear very clear, and there’s a matte look you can literally feel.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, which is sometimes named as a an art print on plexiglass, changes an original into amazing décor. Moreover, the acrylic art print is a viable alternative to canvas and aluminidum dibond art prints. Your own replica of the artwork is made with modern UV print technology.
  • Mbipụta kanvas: A canvas print, which shall not be mistaken with an artwork painted on a canvas, is a digital replica applied directly on cotton canvas fabric. Canvas prints are relatively low in weight. This means, it is quite simple to hang up the Canvas print without the help of additional wall-mounts. A canvas print is suited for any type of wall.
  • Poster (akwa akwa akwa): A poster is a UV printed canvas with a slightly rough structure on the surface, that reminds the actual version of the artwork. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of around 2-6 cm round about the print motif, which facilitates the framing with your custom frame.

Nkwupụta iwu: We try the best we can to describe our art products in as much detail as possible and to illustrate them visually on the various product detail pages. Although, the colors of the print products and the print result can vary to a certain extent from the presentation on your device's screen. Depending on your settings of your screen and the condition of the surface, color pigments may not be printed as realisitcally as the digital version on this website. Since the art prints are processed and printed by hand, there may also be minor variations in the motif's exact position and the size.

Nkọwa ngwaahịa

Bipụta ụdị ngwaahịa: ezi nka mmeputakwa
Mmeputakwa: dijitalụ mmeputakwa
Produzọ mmepụta: mbipụta dijitalụ
Ihe ngosi: emepụtara na Germany
Stockdị ngwaahịa: mmepụta ihe na-achọ
Eji ngwaahịa a chọrọ: ihe ndozi ụlọ, ime ụlọ
Nhazi: nhazi ihe osise
Njikwa oyiyi: 3: 4
Nsonaazụ nke akụkụ onyonyo: ogologo bụ 25% mkpụmkpụ karịa obosara
Materials: Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Ụdị mbipụta Dibond (ihe alumnium) dị iche iche: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Nhazi mbipụta nka: na-enweghị etiti

Nkọwapụta nka

Akụkụ nka: "The Muse: History"
Nhazi nke ihe nka: sere
Category: nkà nke oge a
oge: 19th narị afọ
Afọ nka: 1865
Afọ nka: ihe karịrị afọ 150
Usoro nka izizi: mmanụ na kwaaji
Akụkụ izizi: 18 1/8 x 13 7/8 na (46 x 35,2 cm)
Egosiputara na: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Ụlọ ihe ngosi nka webụsaịtị: Museumlọ ihe ngosi nka nke Obodo
Akwụkwọ ikike nka: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke Metropolitan, New York, HO Havemeyer mkpokọta, Arịrịọ nke Oriakụ HO Havemeyer, 1929
Ebe E Si Nweta: Mkpokọta HO Havemeyer, Arịrịọ nke Oriakụ HO Havemeyer, 1929

Tebụl nyocha nke onye na-ese ihe

aha: Camille Corot
okike onye nka: nwoke
Obodo onye nka: French
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Country: France
Nhazi nke onye nka: omenkà nke oge a
Ụdị nka: Ihe ngosi
Ndụ: 79 afọ
Afọ ọmụmụ: 1796
Nwuru: 1875

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Original artwork specifications as provided from the museum's website (© Copyright - by The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

The model for this work may have been Emma Dobigny, who often sat for Corot at the end of his career. Corot painted four other Muses in the 1860s. All of them evoke a mood of melancholy.

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