Camille Corot, 1869 - Nwanyị Ọgụgụ - mbipụta nka mara mma

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A Woman Reading bụ nke nwoke French onye na-ese ihe Camille Corot. Nke mbụ na-atụle akụkụ ndị a: 21 3/8 x 14 3/4 na (54,3 x 37,5 cm). Oil on canvas was applied by the French painter as the technique for the masterpiece. It can be viewed in in the art collection of The Metropolitan Museum of Art in New York City, New York, Njikota Obodo Amerika. Anyị na-enwe obi ụtọ ikwu na artpiece, nke bụ nke ngalaba ọha a gụnyere ya na nkwanye ùgwù nke The Metropolitan Museum of Art, New York, Gift of Louise Senff Cameron, in memory of her uncle, Charles H. Senff, 1928. Na mgbakwunye na nke ahụ, ọrụ nka nwere kreditline: Gift of Louise Senff Cameron, in memory of her uncle, Charles H. Senff, 1928. Kedu ihe ọzọ, nhazi nke mmepụta dijitalụ bụ Eserese na nwere akụkụ ruru nke 1: 1.4, nke pụtara na ogologo bụ 29% mkpụmkpụ karịa obosara. Camille Corot was a male painter, whose style can mainly be classified as Realism. The European painter lived for a total of 79 years, born in 1796 ma nwụọ na 1875.

(© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - www.metmuseum.org)

When the seventy-two-year-old Corot showed A Woman Reading at the Salon of 1869, the critic Théophile Gautier praised its naïveté and its color but criticized the faulty drawing of the woman, noting the rarity of figures in Corot’s work. Although the artist had painted similar studies for about a decade, this was the first and one of the very few that he exhibited. Corot returned to the canvas soon after the Salon; he reworked the landscape but left the figure intact.

Nkọwa nka ahaziri

Aha nke ọrụ nka: "A Woman Reading"
Nchịkọta nke ọrụ nka: sere
Okwu nche anwụ: nkà nke oge a
Nhazi oge: 19th narị afọ
Emepụtara na: 1869
Afọ nka: karịa afọ 150
Agba na: mmanụ na kwaaji
Akụkụ izizi: 21 3/8 x 14 3/4 na (54,3 x 37,5 cm)
Ụlọ ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Weebụsaịtị ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
Licensedị ikike: ngalaba ọha
Site n'aka: The Metropolitan Museum of Art, New York, Gift of Louise Senff Cameron, in memory of her uncle, Charles H. Senff, 1928
kreditline ọrụ nka: Gift of Louise Senff Cameron, in memory of her uncle, Charles H. Senff, 1928

Onye na-ese ihe

aha: Camille Corot
Gender: nwoke
Obodo onye nka: French
Ọrụ: onye na-ese ihe
Mba onye si: France
Nkewa onye nka: omenkà nke oge a
Ụdị nka: Ihe ngosi
Afọ ọnwụ: 79 afọ
Amụrụ n'afọ: 1796
Afọ nwụrụ: 1875

Nye iwu ihe kacha amasị gị

The product dropdown menu ofers you the opportunity to select your prefered size and material. We allow you to pick your favorite size and material among the following product individualization options:

  • Mbipụta kwaaji: The printed canvas, not to be mistaken with an artwork painted on a canvas, is an image printed directly on canvas. Furthermore, a canvas produces a cosy and appealing feeling. A printed canvas of this artpiece will allow you to transform your very own fine art print into a large artpiece like you know from art galleries. The advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang up your Canvas print without extra wall-mounts. Canvas prints are suitable for any kind of wall.
  • Mbipụta nke aluminom: These are metal prints on aluminium dibond with an impressive effect of depth. Its non-reflective surface make a fashionable look. The Direct Print on Aluminum Dibond is your excellent start to fine art replicas on aluminum. The bright and white parts of the original artpiece shine with a silk gloss but without the glow. The colors of the print are luminous and vivid in the highest definition, fine details of the print are very clear. This UV print on aluminium is one of the most popular entry-level products and is a truly stylish way to display art reproductions, as it puts all of the viewer’s attention on the image.
  • Akwụkwọ mmado na ihe kwaaji: The poster is a printed sheet of canvas with a fine finish on the surface, that reminds the actual work of art. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of around 2-6cm around the print in order to facilitate the framing.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The acrylic glass print, often described as a UV print on plexiglass, makes your favorite original artwork into beautiful décor. In addition, it forms a great alternative to canvas and dibond prints. The major benefit of a plexiglass fine art print is that contrasts as well as smaller color details become more recognizeable due to the delicate gradation of the picture. The real glass coating protects your chosen art replica against light and external influences for up to 6 decades.

Nkọwapụta ngwaahịa

Nkewa ngwaahịa: ọmarịcha nka
Mmeputakwa: dijitalụ mmeputakwa
Produzọ mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Nlụpụta: emepụtara na Germany
Ụdị ngwaahịa: mmepụta ihe na-achọ
Ihe eji eme atụmatụ: ihe ndozi ụlọ, nka mgbidi
Ndozi onyonyo a: usoro eserese
Njikwa oyiyi: 1: 1.4
Oke akụkụ pụtara: ogologo bụ 29% mkpụmkpụ karịa obosara
Akụrụngwa ị nwere ike ịhọrọ: Mpempe akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nwere ezigbo mkpuchi iko)
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): 50x70cm - 20x28", 100x140cm - 39x55"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: 50x70cm - 20x28", 100x140cm - 39x55"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: 50x70cm - 20x28"
Nhọrọ aluminom dibond (ihe aluminom) nhọrọ: 50x70cm - 20x28", 100x140cm - 39x55"
Nhazi nke nka nka: adịghị

Nkwupụta iwu: We try to depict our products with as many details as possible and to display them visually on the different product detail pages. However, the colors of the print materials and the print result can differ somehwat from the presentation on the device's screen. Depending on the screen settings and the condition of the surface, not all color pigments are printed one hundret percent realistically. Since the are processed and printed manually, there may also be slight differences in the exact position and the size of the motif.

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