Camille Pissarro, 1873 - Ụlọ akụ nke Oise dị nso na Pontoise - mbipụta nka mara mma
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Nye iwu ihe ị ga-achọ inwe
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- Akwụkwọ mmado ebipụtara (akwa akwa akwa): The Artprinta poster print is a UV printed cotton canvas with a granular finish on the surface. Please keep in mind, that depending on the absolute size of the poster print we add a white margin between 2-6cm round about the print motif, which facilitates the framing with your custom frame.
- Mbipụta nke aluminom: An Aluminium Dibond print is a print with a true effect of depth - for a modern look and a non-reflective surface. For our Aluminium Dibond option, we print the favorite artpiece right onto the surface of the white-primed aluminum. The colors are luminous in the highest definition, fine details of the print appear clear and crisp, and there’s a matte appearance you can literally feel.
- Mbipụta kanvas: The canvas direct print is a printed canvas mounted on a wooden frame. A canvas generates a particular effect of three-dimensionality. Furthermore, a canvas generates a familiar and positive feeling. Canvas Prints have the advantage of being relatively low in weight, which implies that it is easy to hang your Canvas print without extra wall-mounts. Canvas prints are suited for all types of walls.
- Mbipụta iko acrylic na-egbuke egbuke (ya na mkpuchi iko n'ezie): The acrylic glass print, which is sometimes described as a UV print on plexiglass, changes your favorite original into magnificient home decoration. Our real glass coating protects your selected fine art print against light and external influences for many decades.
Nkwupụta iwu: We do everything to depict our art products as closely as we can and to demonstrate them visually. However, the pigments of the print products and the printing might vary somehwat from the image on your device's monitor. Depending on the screen settings and the condition of the surface, not all colors will be printed as realisitcally as the digital version shown here. Given that all the fine art prints are printed and processed by hand, there may as well be slight differences in the exact position and the size of the motif.
Nkọwa nka nka izizi dị ka webụsaịtị ihe ngosi nka nyere (© Nwebiisinka - Ụlọ ihe ngosi nka nke Indianapolis - www.discovernewfields.org)
Pissarro’s landscape was painted at the dawn of the Impressionist era. Its silver light and vast expanse of sky reflect the movement’s emphasis on recording atmospheric conditions. While the loose Impressionist brushwork creates a rich surface texture, the composition locks road, river, sky, and field into the firm structure that is a hallmark of his style. Tucked into the scene are a barge, factory, smokestack, and railroad—clear signs of the growing industrialization that the Romantics and most Impressionists preferred to omit from their views of the French countryside.
Nkọwapụta edemede
Nke a na narị afọ nke 19 bụ onye na-ese ihe mere ya Camille Pissarro in 1873. The version of the artpiece has the following size: 15 x 21-3/4 in and was painted with mmanụ na kwaaji. Ihe osise a dị na Ụlọ ihe ngosi nka nke Indianapolis mkpokọta nka. Nke a nkà nke oge a public domain work of art is being supplied with courtesy of Indianapolis Museum of Art.: . On top of that, alignment is landscape with a side ratio of 3: 2, meaning that the length is 50% longer than the width. Camille Pissarro was a male artist, painter from France, whose artistic style was mainly Impressionism. The painter was born in 1830 in Charlotte Amalie, Virgin Islands of the United States and passed away at the age of 73 in 1903 in Paris, Ile-de-France, France.
Nkọwa ahaziri nke ihe nka
Aha nke ihe nka: | "The Banks of the Oise near Pontoise" |
Nhazi nka: | sere |
Category: | nkà nke oge a |
Nhazi oge: | 19th narị afọ |
Year: | 1873 |
Ogologo afọ nka nka: | ihe dị ka afọ 140 |
Ihe osise izizi: | mmanụ na kwaaji |
Nha izizi: | 15 x 21-3/4 nke anụ ọhịa |
Egosiputara na: | Analọ ihe nkiri nka nke Indianapolis |
Ebe ngosi nka: | Indianapolis, Indiana, Njikota Obodo Amerika |
Webụsaịtị ihe ngosi nka: | Analọ ihe nkiri nka nke Indianapolis |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | Analọ ihe nkiri nka nke Indianapolis |
Banyere ihe
Ụdị edemede: | ọrụ mgbidi |
Usoro mmeghari: | dijitalụ mmeputakwa |
Production usoro: | UV kpọmkwem obibi |
Ihe ngosi: | emepụtara na Germany |
Stockdị ngwaahịa: | mmepụta ihe na-achọ |
Eji ngwaahịa a chọrọ: | ụlọ mmepụta ihe nka, mgbidi gallery |
Nhazi: | nhazi odida obodo |
Njikwa oyiyi: | 3:2- (ogologo: obosara) |
Oke onyonyo pụtara: | ogologo bụ 50% ogologo karịa obosara |
Materials: | Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko) |
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Nhọrọ nha nke mbipụta aluminom (aluminium dibond material) | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
ụba: | biko chere na ngwaahịa a enweghị etiti |
Tebụl onye na-ese ihe
Ihe nkiri: | Camille Pissarro |
Aha ndị ọzọ: | Pissarro Camille, c. pissarro, pissarro c.f., Pissarro Jacob-Abraham-Camille, Camille Jacob Pissarro, Pissaro Camille, פיסארו קאמי, camille pisarro, camille pissaro, camillo pissarro, פיסארו קמי, pissarro c., c. pissaro, Pissarro, Pissaro Camille Jacob, Pisarro Camille, Pissarro Jacob Abraham Camille, Pissarro Camille Jacob, Pissaro, Pisaro Ḳami, Camille Pissarro, Pissarro C. |
okike nke onye nka: | nwoke |
Nationality: | French |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe, omenkà |
Country: | France |
Otu nka: | omenkà nke oge a |
Ụdị nke onye na-ese ihe: | Mmetụta |
Akwụsị: | 73 afọ |
Amụrụ n'afọ: | 1830 |
Obodo ọmụmụ: | Charlotte Amalie, Virgin Islands nke United States |
Afọ ọnwụ: | 1903 |
Nwụrụ na (ebe): | Paris, Ile-de-France, France |
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