Camille Pissarro, 1881 - Owuwe ihe ubi, Pontoise (Owuwe ihe ubi, Pontoise) - mbipụta nka mara mma.

Ihe di

Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:

• Mbipụta nke aluminom: These are metal prints on aluminium dibond with an impressive depth effect. A direct Aluminium Dibond Print is the ideal start to fine art replicas on aluminum. For our Print On Aluminum Dibond, we print your favorite work of art right onto the aluminium composite surface. The white and bright components of the artpiece shimmer with a silk gloss but without any glow.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, which is often labelled as a print on plexiglass, changes your favorite original into brilliant wall décor. Your own version of the work of art is made thanks to the help of state-of-the-art UV direct printing machines. This has the effect of vibrant and stunning color tones. The acrylic glass protects your custom art print against light and external influences for between 40-60 years.
• Akwụkwọ mmado ebipụtara (ihe kwaaji): Our poster is a UV printed cotton canvas paper with a slightly roughened surface structure. Please note, that depending on the absolute size of the canvas poster print we add a white margin between 2-6cm round about the work of art, which facilitates the framing with a custom frame.
• Mbipụta kwaaji: A canvas print, which shall not be mistaken with a canvas painting, is a digital copy applied onto cotton canvas. It creates a unique look of three-dimensionality. Canvas Prints have the advantage of being relatively low in weight, which implies that it is quite simple to hang up your Canvas print without the help of extra wall-mounts. That is why, a canvas print is suitable for any kind of wall.

Ederede iwu: We try what we can to depict the products as accurate as it is possible and to showcase them visually in our shop. However, the colors of the print materials, as well as the imprint might differ marginally from the presentation on the device's monitor. Depending on the screen settings and the condition of the surface, color pigments might not be printed as exactly as the digital version depicted here. Given that all the fine art prints are printed and processed manually, there might also be minor deviations in the exact position and the size of the motif.

General description as provided by the museum (© Copyright - by The Metropolitan Museum of Art - www.metmuseum.org)

The theme of potato gathering recurs in Pissarro’s oeuvre in a number of media—pencil, gouache, oil, and prints—over a period of thirty years. The artist is borrowing a subject from the great Barbizon painter Camille Corot, while anticipating the more staccato, broken brushwork of later artists such as Georges Seurat. In the Lehman Collection painting, Pissarro’s treatment of harvesters in Pontoise is carefully structured, while remaining expressive in tone and brushwork.

Nkọwa ngwaahịa nka

The 19th narị afọ ihe nka mere site na nwoke artist Camille Pissarro in 1881. Ihe gafere 130 mbụ afọ afọ ka e ji nha: 18 1/8 x 21 3/4 na (46 x 55,2 cm). Mmanụ na kwaaji was used by the European painter as the medium of the artpiece. The piece of art is part of the Ụlọ ihe ngosi nka nke Metropolitan mkpokọta nka. Site n'ikike nke: Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Robert Lehman, 1975 (ikike ngalaba ọha). Ihe kredit nke ọrụ nka bụ nke a: Nchịkọta Robert Lehman, 1975. Ihe ọzọ bụ, alignment bụ na odida obodo usoro na nwere akụkụ ruru nke 1.2: 1, nke pụtara na ogologo bụ 20% ogologo karịa obosara. Camille Pissarro was a artist, painter of French nationality, whose art style can mainly be classified as Impressionism. The Impressionist artist was born in the year 1830 na Charlotte Amalie, Virgin Islands nke United States ma nwụọ mgbe ọ dị afọ 73 N'afọ 1903 na Paris, Ile-de-France, France.

Nkọwa ihe nka

Product nkọwa

Nchịkọta dị mkpirikpi nke onye na-ese ihe

Nwebiisinka © - Artprinta.com (Artprinta)