Camille Pissarro, 1899 - Haystacks, Morning, Éragny - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Isiokwu
Haystacks, Morning, Éragny is an artwork created by Camille Pissarro. The original was painted with the exact dimensions: 25 x 31 1/2 na (63,5 x 80 cm) e tekwara ya na ọkara mmanụ na kwaaji. Akụkụ nka gụnyere na Ụlọ ihe ngosi nka nke Metropolitan nchịkọta nka dijitalụ na New York City, New York, Njikota Obodo Amerika. a nkà nke oge a public domain piece of art is being included with courtesy of The Metropolitan Museum of Art, New York, Bequest of Douglas Dillon, 2003. The creditline of the artpiece is the following: Bequest of Douglas Dillon, 2003. Ọzọkwa, nhazi ahụ bụ odida obodo yana oke nke 1.2: 1, nke pụtara na ogologo bụ 20% ogologo karịa obosara. The artist, painter Camille Pissarro was an artist from France, whose art style can be attributed primarily to Impressionism. The European painter was born in the year 1830 na Charlotte Amalie, Virgin Islands nke United States ma nwụọ mgbe ọ dị afọ 73 na 1903.
Original artwork description from the museum (© Copyright - The Metropolitan Museum of Art - www.metmuseum.org)
Made the same year as Pissarro’s bird’s-eye views of the Jardin des Tuileries in Paris, this idyllic scene of a meadow near the artist’s home in rural Éragny is a counterpoint to his paintings of modern urban life. Pissarro depicted the same trio of haystacks, seen from a slightly different vantage point, and under afternoon rather than morning light (private collection), a practice recalling Monet’s Haystacks series of the early 1890s.
Nkọwa nka ahaziri
Aha nka nka: | "Haystacks, Morning, Éragny" |
Nhazi nka: | sere |
Okwu mkpokọta: | nkà nke oge a |
oge: | 19th narị afọ |
Emepụtara na: | 1899 |
Afọ nka: | gbara afọ 120 |
Usoro nka izizi: | mmanụ na kwaaji |
Nha izizi: | 25 x 31 1/2 na (63,5 x 80 cm) |
Egosiputara na: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
URL webụ: | www.metmuseum.org |
Ụdị nka nka: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Bequest of Douglas Dillon, 2003 |
Ebe kredit nke ọrụ nka: | Bequest of Douglas Dillon, 2003 |
Tebụl ozi omenkà
Aha onye nka: | Camille Pissarro |
Aha ndi ozo: | c. pissarro, Camille Pissarro, Pissarro Jacob-Abraham-Camille, camille pissaro, camillo pissarro, camille pisarro, Pissaro Camille, Pissarro Jacob Abraham Camille, pissarro c.f., Pissaro, Pissarro Camille Jacob, c. pissaro, Pissaro Camille Jacob, Pisarro Camille, Pisaro Ḳami, Pissarro C., pissarro c., פיסארו קאמי, Camille Jacob Pissarro, Pissarro, פיסארו קמי, Pissarro Camille |
okike onye nka: | nwoke |
Obodo onye nka: | French |
Ọrụ onye na-ese ihe: | onye na-ese ihe, onye na-ese ihe |
Mba onye si: | France |
nhazi ọkwa: | omenkà nke oge a |
styles: | Mmetụta |
Akwụsị: | 73 afọ |
Afọ amụrụ: | 1830 |
Amụrụ na (ebe): | Charlotte Amalie, Virgin Islands nke United States |
Afọ ọnwụ: | 1903 |
Obodo ọnwụ: | Paris, Ile-de-France, France |
Nweta ngwaahịa ngwaahịa masịrị gị
Nchịkọta nhọrọ ndetu ngwaahịa na-enye gị ohere ịhọrọ nha na ihe dị ka mmasị gị si dị. Ị nwere ike ịhọrọ nha na ihe kachasị amasị gị n'ime nhọrọ ndị a:
- Metal (aluminium debond mbipụta): Aluminium Dibond prints are metal prints with a true depth. The colors are luminous, the fine details are clear and crisp, and you can truly feel a matte appearance of the print.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, often referred to as a plexiglass print, transforms the original work of art into brilliant wall décor. The great advantage of an acrylic glass art print is that contrasts and also details will be visible with the help of the fine gradation. The real glass coating protects your chosen art replica against light and heat for between 40-60 years.
- Mbipụta kanvas: The UV printed canvas material mounted on a wood frame. It generates the unique look of three dimensionality. A printed canvas of your favorite masterpiece will let you turn your very own fine art print into a large size collection piece. Canvas prints are relatively low in weight, which means that it is easy to hang up the Canvas print without extra wall-mounts. Therefore, canvas prints are suited for any type of wall.
- Ebipụta akwụkwọ mmado na ihe akwa akwa: A poster print is a UV printed canvas paper with a slight texture on the surface. Please bear in mind, that depending on the size of the poster print we add a white margin between 2 - 6cm around the artwork in order to facilitate the framing with your custom frame.
Nkọwapụta ngwaahịa
Nkewa edemede: | ọrụ mgbidi |
Usoro mmeghari: | dijitalụ mmeputakwa |
Production usoro: | Mbipụta UV ozugbo |
Production: | Germany |
Stockdị ngwaahịa: | mmepụta ihe na-achọ |
Ngwaahịa were: | nka mgbidi, gallery mgbidi |
Ndozi onyonyo a: | usoro odida obodo |
Oke akụkụ onyonyo: | 1.2: 1 ogologo: obosara |
Mmetụta akụkụ onyonyo: | ogologo bụ 20% ogologo karịa obosara |
Nhọrọ dị: | mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibbond) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 60x50cm - 24x20", 120x100cm - 47x39" |
Nhọrọ ebipụta aluminom: | 60x50cm - 24x20", 120x100cm - 47x39" |
Nhazi mbipụta nka: | enweghị etiti |
Disclaimer: We try in order to describe our products as precisely as possible and to showcase them visually in our shop. Please bear in mind that the colors of the printing material and the imprint can differ somehwat from the representation on the device's screen. Depending on your screen settings and the nature of the surface, not all color pigments can be printed as exactly as the digital version depicted here. Since our fine art prints are printed and processed by hand, there may also be slight deviations in the motif's size and exact position.
© nwebiisinka, Artprinta.com