Canaletto, 1730 - Campo Santa Maria Zobenigo, Venice - mbipụta nka mara mma

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• Mbipụta kwaaji: The printed canvas material applied on a wooden stretcher frame. Canvas Prints have the advantage of being low in weight, which implies that it is easy to hang up the Canvas print without any wall-mounts. Canvas prints are suited for all types of walls.
• Bipụta akwụkwọ mmado n'ihe kwaaji: Our poster print is a printed canvas paper with a fine structure on the surface. Please note, that depending on the absolute size of the poster print we add a white margin of around 2-6cm round about the painting in order to facilitate the framing with your custom frame.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, often denoted as a print on plexiglass, changes your favorite original work of art into lovely home decoration. The artwork is being printed with modern UV direct print technology. The plexiglass protects your custom art replica against light and external influences for many years to come.
• Metal (aluminium debond mbipụta): Aluminium Dibond prints are metal prints with a true depth effect. A direct Aluminium Dibond Print is your best start to fine art replicas with aluminum. For the Direct Print On Aluminum Dibond, we print the selected artpiece right on the surface of the white-primed aluminum. The colors of the print are luminous and vivid in the highest definition, details are crisp and clear.

Disclaimer: We try what we can to describe our products with as many details as possible and to illustrate them visually. Still, the colors of the printing material and the imprint can diverge to a certain extent from the representation on the device's monitor. Depending on the screen settings and the quality of the surface, not all colors will be printed as exactly as the digital version on this website. Because all are processed and printed manually, there might as well be minor differences in the exact position and the size of the motif.

Ozi nkowa mgbakwunye by The Metropolitan Museum of Art (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

But for the fact that the bell tower collapsed, leaving only the stub of a building (which is now a small shop), the Baroque church and square of Santa Maria Zobenigo are the same today. Canaletto took the license of peeling back the buildings opposite the church and along an adjoining footpath, or calle, so as to expose the entire facade. The picture is from a series of twenty views that were probably painted for Joseph Smith, British consul in Venice from 1744 to 1760.

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In 1730 Canaletto painted this artwork. The original measures the size: 18 1/2 × 30 3/4 na (47 × 78,1 cm). Mmanụ na kwaaji was applied by the Italian painter as the technique for the artwork. Moveover, the piece of art can be viewed in in the Ụlọ ihe ngosi nka nke Metropolitan nchịkọta nka dijitalụ. Site n'ikike nke - Ụlọ ihe ngosi nka nke Metropolitan, New York, Arịrịọ nke Oriakụ Charles Wrightsman, 2019 (ikikere: ngalaba ọha). Ihe kredit nke ọrụ nka bụ nke a: Arịrịọ nke Oriakụ Charles Wrightsman, 2019. Nhazi ahụ bụ odida obodo na a akụkụ ruru nke 16: 9, which means that the length is 78% longer than the width. The painter Canaletto was an artist, whose art style can mainly be attributed to Baroque. The Italian artist was born in 1697 ma nwụọ mgbe ọ dị afọ 71 n'afọ 1768.

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