Édouard Manet, 1864 - Azụ (Ndụ ka dị) - mbipụta nka mara mma

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Nkọwa ihe osise izizi sitere na Art Institute Chicago (© Nwebiisinka - nke Art Institute Chicago - Ụlọ ọrụ Art Chicago)

Although still-life ensembles were an important element in many of the major paintings of the avant-garde artist Édouard Manet, his most sustained interest in the genre itself was from 1864 to 1865, when Fish was painted. Manet’s focus on still lifes coincided with the gradual reacceptance of the genre during the nineteenth century, due in part to the growth of the middle class, whose tastes ran to intimate, moderately priced works. This painting, like many of Manet’s still-life compositions, recalls seventeenth-century Dutch models. The directness of execution, bold brushwork, and immediacy of vision displayed in the canvas, however, suggest why the public found Manet’s work so unorthodox and confrontational. While Fish is indeed an image of “dead nature” (nature morte is the French term for still life), there is nothing still about the work: the produce seems fresh and the handling of paint vigorous. Further enliven-ing the composition is the placement of the carp, which offsets the strong diagonal of the other elements. Manet never submitted his still lifes to the official French Salon but rather sold them through the burgeoning network of art galleries in Paris and gave them to friends.

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The over 150 year-old masterpiece was painted by the realist painter Edouard Manet. A na-ese ihe mbụ nke ihe osise ahụ na nha: 73,5 × 92,4 cm (28 15/16 × 36 3/8 na) e tekwara ya na ọkara mmanụ na kwaaji. "Signed lower right: Manet" is the painting's original inscription. Nowadays, the artpiece belongs to the Ụlọ ọrụ Art nke Chicago collection, which is one of the world’s great art museums, housing a collection that spans centuries and the globe. This modern art artpiece, which belongs to the ngalaba ọha is being included with courtesy of Art Institute Chicago. Moreover, the artwork has the creditline: Mr. and Mrs. Lewis Larned Coburn Memorial Collection. Furthermore, alignment of the digital reproduction is landscape and has a side ratio of 1.2: 1, meaning that the length is 20% longer than the width. Édouard Manet was a painter of French nationality, whose style can mainly be assigned to Realism. The French artist lived for a total of 51 afọ a mụrụ na 1832 ma nwụọ n'afọ 1883 na 8th arrondissement nke Paris.

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