Fra Bartolomeo, 1509 - Ndị fọdụrụ na ụgbọ elu banye Egypt na St. Jọn Baptist - ọmarịcha nka.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Description by The J. Paul Getty Museum website (© - nke J. Paul Getty Museum dere - www.getty.edu)
The Virgin Mary and Joseph convey a sense of calm as they rest on a golden late summer afternoon, watching as the Christ Child grasps the young John the Baptist's reed cross. Fra Bartolommeo evokes Christ's Passion in a variety of ways in this painting. The palm tree on the left suggests the palm fronds that would pave Christ's final entry into Jerusalem, while the pomegranate, lying on the ground in front of Mary, is a symbol of his Resurrection. In the background on the right, Fra Bartolommeo represented the family fleeing Bethlehem to avoid King Herod's massacre of the innocents.
The Rest on the Flight into Egypt with St. John the Baptist is an artwork created by Fra Bartolomeo in 1509. Today, this work of art is part of the art collection of The J. Paul Getty Museum in Los Angeles, California, Njikota Obodo Amerika. The kpochapụwo nka ngalaba ọha artpiece na-nyere na n'ikike nke Ụlọ ihe ngosi nka nke J. Paul Getty.Ihe kredit nke ọrụ nka bụ: . Na mgbakwunye na nke a, nhazi nke mmepụta dijitalụ bụ Eserese n'akụkụ akụkụ nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Fra Bartolomeo was a male painter, whose artistic style can be classified as High Renaissance. The painter was born in 1473 ma nwụọ mgbe ọ dị afọ 44 na 1517.
Họrọ ụdị ihe dị iche iche
In the dropdown selection right next to the product you can select the material and size of your choice. In order match your personal requirements perfectly, you can choose among the following product customization options:
- Bipụta na iko acrylic na-egbuke egbuke: A glossy print on acrylic glass, which is often named as a plexiglass print, will transform your favorite original artwork into marvellous home decoration and forms a viable alternative to dibond or canvas art prints. The work of art is manufactured with the help of state-of-the-art UV print machines. The great benefit of a plexiglass fine art print is that contrasts and also image details will be exposed thanks to the fine tonal gradation in the picture.
- Poster (akwa akwa akwa): The Artprinta poster print is a printed flat canvas with a slightly rough surface structure. It is excellently suited for placing your art replica using a personal frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of around 2-6cm round about the print in order to facilitate the framing with your custom frame.
- Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with a true depth effect. For the Direct Aluminium Dibond option, we print your chosen artwork onto the aluminium composite surface. The bright and white sections of the original artpiece shine with a silky gloss but without the glow.
- Mbipụta kanvas: The canvas print, not to be mistaken with a painting on a canvas, is an image printed on an industrial printer. It has a exclusive look of three-dimensionality. Hanging a canvas print: Canvas Prints have the advantage of being low in weight, which means that it is easy and straightforward to hang up your Canvas print without the use of additional wall-mounts. A canvas print is suitable for any kind of wall.
Nchịkọta ihe nkiri
aha: | Fra Bartolomeo |
Gender: | nwoke |
Nationality: | Italian |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe |
Obodo onye nka: | Italy |
Otu nka: | nna ukwu ochie |
Ụdị nka: | Akwa Renaissance |
Akwụsị: | 44 afọ |
Afọ amụrụ: | 1473 |
Nwụrụ n'afọ: | 1517 |
Iberibe ozi nka
Aha nka: | "The Rest on the Flight into Egypt with St. John the Baptist" |
Nhazi: | sere |
Okwu mkpokọta: | nka ochie |
Century: | 16th narị afọ |
Afọ okike: | 1509 |
Afọ nka: | ihe karịrị afọ 510 |
Ụlọ ihe ngosi nka / mkpokọta: | Ụlọ ihe ngosi nka nke J. Paul Getty |
Ebe ngosi nka: | Los Angeles, California, Njikota Obodo Amerika |
Weebụsaịtị ihe ngosi nka: | www.getty.edu |
Ikikere nke ihe osise: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke J. Paul Getty |
Banyere ngwaahịa
Nkewa ngwaahịa: | ọmarịcha nka |
Usoro mmeghari: | dijitalụ mmeputakwa |
Usoro mmepụta: | UV kpọmkwem obibi |
Mmalite nke ngwaahịa a: | emepụtara na Germany |
Ụdị ngwaahịa: | a na-achọ |
Eji ngwaahịa emebere: | art mmeputakwa gallery, ụlọ imewe |
Ndozi onyonyo a: | nhazi ihe osise |
Oke akụkụ onyonyo: | 1: 1.2 |
Akụkụ onyonyo pụtara: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Nhọrọ akwa: | Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond) |
Nha n'arọwa n'elu ihe ndọtị (mbipụta akwa akwa): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 50x60cm - 20x24", 100x120cm - 39x47" |
Mpempe akwụkwọ Dibọn (ihe alumnium): | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhazi mmeputa nka nka: | na-enweghị etiti |
Ederede iwu dị mkpa: We try everythig possible in order to depict our art products with as many details as possible and to demonstrate them visually. However, the colors of the printing material and the print result might differ slightly from the representation on your monitor. Depending on the screen settings and the quality of the surface, not all color pigments are printed one hundret percent realistically. Because the art reproductions are processed and printed manually, there may also be slight deviations in the size and exact position of the motif.
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