Francesco Granacci, 1506 - Jọn Onye Na-eme Baptizim Na-agba akaebe - mbipụta nka mara mma

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• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, which is sometimes labelled as a an art print on plexiglass, will convert your favorite original into beautiful wall décor. Our acrylic glass protects your chosen art print against light and heat for many years.
• Mbipụta kwaaji: The printed canvas, which should not be confused with a painting on a canvas, is a digital copy applied directly on canvas material. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang your Canvas print without the help of additional wall-mounts. Canvas prints are suited for any type of wall.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster is a printed cotton canvas paper with a granular surface structure, which resembles the original artwork. It is perfectly appropriate for placing your art print with the help of a custom frame. Please note, that depending on the absolute size of the poster print we add a white margin of around 2-6cm round about the painting, which facilitates the framing with your custom frame.
• Mbipụta ọla (aluminium dibbond): An Aluminium Dibond print is a print with an outstanding effect of depth. The bright parts of the original work of art shimmer with a silky gloss but without glare. The colors of the print are luminous, fine details of the print are crisp.

Important legal note: We try our best in order to describe the art products as accurate as possible and to illustrate them visually in our shop. Nonetheless, the pigments of the printed materials and the printing may differ to a certain extent from the presentation on the device's screen. Depending on your screen settings and the condition of the surface, color pigments may not be printed as exactly as the digital version depicted here. In view of the fact that all fine art prints are processed and printed manually, there may also be slight differences in the motif's size and exact position.

Nkọwa n'ozuzu dị ka e si na The Metropolitan Museum of Art (© Nwebiisinka - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

These two pictures belong to a series that illustrates episodes from the life of Saint John the Baptist, who preached about the coming of Jesus. Architecture and landscape are used to frame and divide the individual scenes, enabling the viewer to follow the story from the miraculous Annunciation of his conception to his father Zacharias (top picture, left background) to (in the bottom) his preaching in the wilderness. Painted to decorate a room in the Tornabuoni family palace in Florence, they are by more than one artist. Figures in the scene of the preaching have reminded some scholars of the work of Michelangelo, who was a friend of Granacci’s (they had been fellow pupils in the workshop of Domenico Ghirlandaio), and he may have been involved in some capacity.

Nkọwa nke akụkọ

a nka ochie a na-akpọ ọrụ nka Jọn Onye Na-eme Baptizim na-agba akaebe was created by the high renaissance painter Francesco Granacci. Emere ụdị ihe osise ahụ na nha: 29 3/4 x 82 1/2 na (75,6 x 209,6 cm). Mmanụ na ọla edo n'elu osisi was used by the European artist as the medium of the work of art. Today, the artwork can be viewed in in the art collection of Museumlọ ihe ngosi nka nke Obodo emi odude ke New York City, New York, Njikota Obodo Amerika. a nka ochie public domain work of art is supplied with courtesy of The Metropolitan Museum of Art, New York, Purchase, Gwynne Andrews, Harris Brisbane Dick, Dodge, Fletcher, and Rogers Funds, funds from various donors, Ella Morris de Peyster Gift, Mrs. Donald Oenslager Gift, and Gifts in memory of Robert Lehman, 1970. The creditline of the artwork is: Purchase, Gwynne Andrews, Harris Brisbane Dick, Dodge, Fletcher, and Rogers Funds, funds from various donors, Ella Morris de Peyster Gift, Mrs. Donald Oenslager Gift, and Gifts in memory of Robert Lehman, 1970. Besides, the alignment of the digital reproduction is in landscape format and has a ratio of 3: 1, nke pụtara na ogologo ahụ dị okpukpu atọ karịa obosara. Francesco Granacci was a painter of Italian nationality, whose artistic style can mainly be classified as High Renaissance. The High Renaissance artist lived for a total of 74 afọ - amuru n'ime 1469 and died in 1543 in Florence, Firenze province, Tuscany, Italy.

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