Franciabigio, 1509 - Isi nke Madonna - ọmarịcha nka

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• Mbipụta kanvas: The canvas print, which should not be mistaken with a painting on a canvas, is a digital replica printed on a UV direct printer. Canvas prints are relatively low in weight. This means, it is easy to hang the Canvas print without any wall-mounts. A canvas print is suited for all kinds of walls.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, which is sometimes denoted as a plexiglass print, will change your favorite original artwork into beautiful home décor. In addition to that, it forms a great alternative to dibond or canvas fine art prints. The artwork is being made thanks to state-of-the-art UV printing technology. The effect of this are and vivid colors. With an acrylic glass fine art print contrasts and small image details become exposed thanks to the delicate gradation.
• Mpempe akwụkwọ (ihe kwaaji): The poster print is a UV printed flat canvas with a slightly roughened surface finish. It is best suited for placing the art replica with a special frame. Please keep in mind, that depending on the size of the poster we add a white margin between 2-6cm around the painting in order to facilitate the framing.
• Mbipụta nke aluminom: This is a metal print made on aluminium dibond material with an impressive depth effect. The non-reflective surface structure creates a fashionable look. A direct Direct Print on Aluminum Dibond is your best introduction to art reproductions with aluminum.

Ihe dị mkpa: We try our utmost to depict our art products with as many details as possible and to exhibit them visually on the respective product detail pages. Although, the pigments of the print products and the imprint may diverge somehwat from the presentation on your screen. Depending on the screen settings and the quality of the surface, colors may not be printed as realisitcally as the digital version. Bearing in mind that all the are printed and processed by hand, there might as well be minor differences in the motif's size and exact position.

Nkọwa mgbakwunye sitere na webụsaịtị ihe ngosi nka (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

The young Florentine artist Franciabigio shared a workshop near the Palazzo della Signoria with Andrea del Sarto from around 1506. This delicate, fragmentary head of the Madonna relies closely on a painting by del Sarto of the Madonna and Child with the Young Saint John the Baptist that was probably painted around 1508 and hung in the Giustiniani collection in Rome in the seventeenth century. It is a demonstration of the close working relationship between one of the greatest Florentine artists of the sixteenth century and this talented painter.The frame is seventeenth century, probably Bolognese.

Ọrụ nka Head of the Madonna ka nka nka nka

N'elu 510 afọ nka nka mere site na Italian onye na-ese ihe Franciabigio n’afọ 1509. Ihe kariri 510 year-old original has the following dimensions 15 x 11 1/2 in (38,1 x 29,2 cm). Mmanụ na osisi was applied by the Italian painter as the technique for the piece of art. Moveover, the piece of art can be viewed in in the art collection of Museumlọ ihe ngosi nka nke Obodo, nke bụ otu n'ime ụlọ ngosi ihe ngosi nka kachasị ukwuu na nke kachasị mma n'ụwa, nke gụnyere ihe karịrị nde abụọ ọrụ nka nke gbasara puku afọ ise nke omenala ụwa, site na prehistory ruo ugbu a na site n'akụkụ ọ bụla nke ụwa .. Site n'ikike nke - Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Friedsam, Arịrịọ nke Michael Friedsam, 1931 (ikikere: ngalaba ọha). Ọzọkwa, ọrụ nka nwere kreditline: Nchịkọta Friedsam, Arịrịọ nke Michael Friedsam, 1931. Ọzọkwa, nhazi ahụ dị na eserese format ma nwee oke nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. The painter Franciabigio was a European artist from Italy, whose style can be classified as High Renaissance. The painter lived for a total of 41 afọ a mụrụ na 1484 ma nwụọ n’afọ 1525.

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