Giovanni di Pietro, 1440 - Ndị ọrụ gọọmentị Sienese na-anata ụlọ ọrụ nnọchi anya ụlọ ọrụ - ọmarịcha akwụkwọ nka.

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Ozi ngwaahịa nka

Sienese Government Officials Receiving an Embassy bụ nwoke na-ese ihe sere ya Giovanni di Pietro in 1440. Ụdị nke eserese ahụ nwere nha ndị a: N'ozuzu: 10 1/4 x 14 9/16 na (26 x 37 cm) ma arụpụtara ya na teknụzụ nke tempera na ọla edo na panel. Ọrụ nka bụ akụkụ nke nchịkọta Ntọala Barnes, nke ebe obibi nke otu n'ime ndị kasị ukwuu n'ụwa nchịkọta nke impressionist, post-impressionist na mmalite modernist eserese. Site n'ikike nke: Site n'ikike nke Barnes Foundation, Merion na Philadelphia, Pennsylvania (ikike ngalaba ọha).Ebe E Si Nweta nke ihe osise:. Ọzọkwa, itinye n'ọnọdụ nke mmepụta dijitalụ bụ odida obodo ma nwee oke nke 1.4: 1, which means that the length is 40% longer than the width. The painter Giovanni di Pietro was an artist from Italy, whose art style can be classified as High Renaissance. The painter was born in the year 1398 ma gafee na afọ nke 86 na 1484.

Nkọwapụta nka dị ka ewepụtara site na webụsaịtị ihe ngosi nka (© Nwebiisinka - Barnes Foundation - www.barnesfoundation.org)

A delegation led by an official riding a white horse enters Siena through the city's northern gate, the Porta Camollia. The equestrian figure holding a mace appears in four other similar panels; in each case he is depicted as a civic or military protagonist. Now dispersed across different collections, the size and subject matter of these panels suggest that they originally decorated a cassone, or marriage chest.

Ozi nka ahaziri

Aha nka: "Sienese Government Officials Receiving an Embassy"
nhazi ọkwa: sere
Nhazi nka: nka ochie
Narị afọ nka: 15th narị afọ
Emepụtara n'afọ: 1440
Afọ nka: gbara afọ 580
Ihe osise izizi: tempera na ọla edo na panel
Nha izizi nka: N'ozuzu: 10 1/4 x 14 9/16 na (26 x 37 cm)
Ụlọ ihe ngosi nka / mkpokọta: Ntọala Barnes
Ebe ebe ngosi nka: Philadelphia, Pennsylvania, Njikota Obodo Amerika
Dị n'okpuru: Ntọala Barnes
Akwụkwọ ikike nka: ngalaba ọha
Site n'aka: Site n'ikike nke Barnes Foundation, Merion na Philadelphia, Pennsylvania

Ose okwu

aha: Giovanni di Pietro
Gender: nwoke
Obodo onye nka: Italian
Ọrụ: onye na-ese ihe
Obodo onye nka: Italy
nhazi ọkwa: nna ukwu ochie
Ụdị nke onye na-ese ihe: Akwa Renaissance
Nwụrụ anwụ: 86 afọ
A mụrụ: 1398
Afọ nwụrụ: 1484

Nye iwu ihe ị ga-achọ inwe

Ndepụta ndetu ngwaahịa na-enye gị ohere ịhọrọ nha na ihe kacha amasị gị. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

  • Mbipụta kanvas: The printed canvas material mounted on a wooden frame. A canvas print has the great advantage of being low in weight. This means, it is easy and straightforward to hang the Canvas print without the support of additional wall-mounts. That is why, canvas prints are suitable for any type of wall.
  • Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with an impressive effect of depth, which makes a contemporary look thanks to a surface , which is not reflective. The white & bright parts of the work of art shimmer with a silky gloss, however without glare.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The acrylic glass print, often referenced as a plexiglass print, will transform the original into beautiful décor. In addition, it is a distinct alternative to canvas and aluminidum dibond prints. The work of art is being manufactured with the help of modern UV direct printing technology.
  • Poster (akwa akwa akwa): The Artprinta poster is a printed sheet of cotton canvas with a granular surface finish. Please keep in mind, that depending on the size of the poster print we add a white margin of something between 2-6 cm round about the print, which facilitates the framing.

Banyere ngwaahịa

Nkewa edemede: nka nka
Usoro mmeghari: dijitalụ mmeputakwa
Production usoro: Mbipụta UV / dijitalụ
Nlụpụta: German mere
Ụdị ngwaahịa: a na-achọ
Ihe eji eme atụmatụ: ịchọ mma mgbidi, ihe ndozi mgbidi
Nhazi nka nka: usoro odida obodo
Oke akụkụ: 1.4: 1
Ntụgharị asụsụ oke onyonyo: ogologo bụ 40% ogologo karịa obosara
Nhọrọ dị: Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Mbipụta kanvas (akwa akwa n'elu etiti ihe ndọtị) ụdị nha dị iche iche: 70x50cm - 28x20", 140x100cm - 55x39"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: 70x50cm - 28x20", 140x100cm - 55x39"
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: 70x50cm - 28x20"
Mbipụta nke aluminom: 70x50cm - 28x20", 140x100cm - 55x39"
Nhazi mbipụta nka: biko buru n'uche na mmeputakwa a enweghi etiti

Ederede iwu: We try everything in order to depict our art products with as many details as possible and to illustrate them visually. Nonetheless, the colors of the printing material and the imprint can diverge somehwat from the presentation on the device's monitor. Depending on your settings of your screen and the quality of the surface, color pigments might not be printed as exactly as the digital version on this website. Since the are printed and processed by hand, there might also be minor variations in the motif's exact position and the size.

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