Lorenzo Lotto, 1520 - Venus na Cupid - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nkọwa ihe osise izizi sitere na The Metropolitan Museum of Art (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)
Lotto, whose unusual genius makes him one of the most fascinating of all Venetian painters, depicts Venus and her son Cupid in a bower, a subject inspired by ancient marriage poems. He probably painted it to celebrate the wedding of a cultivated couple in Venice or Bergamo, and Venus’s features may be taken from the bride’s. The beautifully observed details relate to the goddess and marriage. The ivy is symbolic of fidelity, the bride wore a myrtle wreath, and Cupid peeing is a lighthearted augury of fertility.
nkọwapụta
"Venus and Cupid" is a painting by Lorenzo Lotto. The over 500 year-old original creation had the following size 36 3/8 x 43 7/8 in (92,4 x 111,4 cm) and was painted with the medium mmanụ na kwaaji. Taa, ọrụ nka dị na mkpokọta nka dijitalụ nke Museumlọ ihe ngosi nka nke Obodo, nke dị na New York City, New York, Njikota Obodo Amerika. Site n'ikike nke The Metropolitan Museum of Art, New York, Purchase, Mrs. Charles Wrightsman Gift, in honor of Marietta Tree, 1986 (ikike ngalaba ọha). Creditline of the artwork: Purchase, Mrs. Charles Wrightsman Gift, in honor of Marietta Tree, 1986. Further, the alignment is in landscape format ma nwee oke nke 1.2: 1, nke pụtara na ogologo bụ 20% ogologo karịa obosara. The painter Lorenzo Lotto was an artist from Italy, whose artistic style can mainly be attributed to High Renaissance. The High Renaissance painter was born in 1475 na Venice, Venezia n'ógbè, Veneto, Italy ma nwụọ mgbe ọ dị afọ 81 n'afọ 1556.
Nye iwu ngwaahịa ị ga-achọ inwe
Maka ngwaahịa ọ bụla anyị na-enye ihe dị iche iche dị iche iche na nha. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:
- Kwaaji: A canvas print is a printed canvas mounted on a wood frame. A canvas print of this artpiece will give you the opportunity to turn your personal into a large size collection piece like you know from galleries. Canvas prints are relatively low in weight, which implies that it is quite simple to hang your Canvas print without the help of additional wall-mounts. A canvas print is suited for any type of wall.
- Aluminom dibond mbipụta (ọla): An Aluminium Dibond print is a print material with an outstanding depth, which creates a contemporary look thanks to a non-reflective surface. A direct Direct Print on Aluminum Dibond is the excellent introduction to fine art reproductions made with aluminum. The bright & white parts of the original artwork shimmer with a silk gloss, however without glow. The colors of the print are luminous, the details are crisp.
- Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): An acrylic glass print, often named a UV print on plexiglass, will transform the artwork into beautiful wall decoration. Your artwork will be made with the help of state-of-the-art UV print technology. This creates the impression of vibrant, impressive color tones. The great benefit of a plexiglass fine art print is that contrasts and color details become exposed thanks to the very subtle tonal gradation in the picture. Our plexiglass with real glass coating protects your chosen art print against sunlight and external influences for between 40-60 years.
- Ebipụta akwụkwọ mmado na ihe akwa akwa: The poster is a UV printed flat cotton canvas paper with a fine surface texture. Please note, that depending on the size of the canvas poster print we add a white margin of something between 2-6cm round about the print to facilitate the framing with your custom frame.
Ozi ndabere izugbe gbasara onye na-ese ihe
Ihe nkiri: | Lorenzo Lotto |
Aha nka ndị ọzọ: | Lorenzo Lotti, Laurentius Lottus, Lotto Lorenzo, L. Lotti, lorenzo loto, Lotto Laurentio, Lorenzo Lot Diszipulo de Corezo, Laurent Lotto, Laurenso Lotto, Lorenzo Lotto da Bergamo, Lazzaro Lotti, Loti, Laurentius Lotus, Lotto Lorenzo, L. Lotto, Lorenzo Lotto, Lorenzo Lot, Lotto |
Gender: | nwoke |
Obodo onye nka: | Italian |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe |
Obodo obibi: | Italy |
Nhazi nke onye nka: | nna ukwu ochie |
Ụdị nka: | Akwa Renaissance |
Afọ ọnwụ: | 81 afọ |
Amụrụ n'afọ: | 1475 |
Ebe omuma: | Venice, mpaghara Venezia, Veneto, Italy |
Afọ nwụrụ: | 1556 |
Nwuru na (ebe): | Loreto, Ancona Province, Marches, Italy |
Nkọwa gbasara nka
Aha eserese: | "Venus na Cupid" |
Nhazi nke ihe nka: | sere |
Category: | nka ochie |
Nhazi oge: | 16th narị afọ |
Afọ okike: | 1520 |
Ogologo afọ nka nka: | 500 afọ |
Agba na: | mmanụ na kwaaji |
Akụkụ izizi nka: | 36 3/8 x 43 7/8 na (92,4 x 111,4 cm) |
Ụlọ ihe ngosi nka / mkpokọta: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
URL webụ: | Museumlọ ihe ngosi nka nke Obodo |
License: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Purchase, Mrs. Charles Wrightsman Gift, in honor of Marietta Tree, 1986 |
kreditline ọrụ nka: | Purchase, Mrs. Charles Wrightsman Gift, in honor of Marietta Tree, 1986 |
Tebụl ngwaahịa
Ụdị ngwaahịa: | ọrụ mgbidi |
Mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | mbipụta dijitalụ (Mbipụta UV ozugbo) |
Mmalite nke ngwaahịa a: | German mmepụta |
Stockdị ngwaahịa: | a na-achọ |
Eji ngwaahịa a chọrọ: | nchịkọta nka (mmeputakwa), mma mgbidi |
Nhazi: | usoro odida obodo |
Ụdị anya: | ( Ogologo: obosara) 1.2: 1 |
Ntụgharị nkọwa akụkụ: | ogologo bụ 20% ogologo karịa obosara |
Ụdị akwa: | Mpempe akwụkwọ, akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị) dị iche iche: | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 60x50cm - 24x20", 120x100cm - 47x39" |
Mbipụta nke aluminom: | 60x50cm - 24x20", 120x100cm - 47x39" |
Nhazi mmeputa nka nka: | biko buru n'uche na mmeputakwa a enweghi okpokolo agba |
Important legal note: We try what we can in order to depict the products as clearly as possible and to exhibit them visually. Still, the tone of the print materials and the imprint may differ marginally from the presentation on your device's monitor. Depending on the settings of your screen and the condition of the surface, color pigments may not be printed 100% realistically. Given that the fine art prints are printed and processed by hand, there may also be slight differences in the motif's size and exact position.
© nwebisiinka, Artprinta.com