Lorenzo Lotto, 1533 - Madonna na nwatakịrị nwere onyinye abụọ - mbipụta nka mara mma

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This painting was painted by the male painter Lorenzo Lotto. This work of art is in the the The J. Paul Getty Museum's digital art collection. With courtesy of - The J. Paul Getty Museum (nwere ikike - ngalaba ọha).Furthermore, the work of art has the creditline: . The alignment is landscape with a ratio of 4 : 3, which implies that ogologo bụ 33% ogologo karịa obosara. Lorenzo Lotto was a male painter from Italy, whose art style can mainly be classified as High Renaissance. The Italian artist lived for 81 afọ, amuru na 1475 in Venice, Venezia province, Veneto, Italy and deceased in the year 1556 in Loreto, Ancona province, Marches, Italy.

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Framed by richly draped fabric, the Virgin Mary tenderly sits Christ on her lap. The couple who commissioned the panel look up at the child, meeting his eyes as he rewards their piety with a blessing. As the symbol of Christ's resurrection, the fig branch growing behind the curtain also reassures the donors of their own redemption.

In the late 1400s, well-to-do families often commissioned such pictures for hanging in the home or the private chapel of a church. These panels served both as portraits and as testimonies to the donors' religious devotion.

Lorenzo Lotto emphasized the contrast between the earthly and the spiritual realms by using a highly naturalistic style for the couple and a more ideal, poetic rendering for the Virgin and child. With a flair for color betraying his Venetian origins, Lotto contrasted Mary's luminous blues and reds with the donors' more somber clothing.