Raphael, 1504 - Madonna na Nwata Ndị-nsọ nọkwasịrị n'ocheeze - mbipụta nka mara mma

Nkọwa n'ozuzu dị ka ihe ngosi nka nyere (© Nwebiisinka - The Metropolitan Museum of Art - www.metmuseum.org)

Raphael painted this altarpiece around 1504/5 for the Franciscan convent of Sant’ Antonio in Perugia. It hung in a part of the church reserved for the nuns, who may have insisted on its conservative details, such as the elaborately clothed Christ Child. By contrast, the weighty male saints look to the future—the recent works by Leonardo da Vinci and Fra Bartolomeo that Raphael had just begun to study in Florence. The nuns sold their altarpiece in 1678, and in the early twentieth century its purchase by J. Pierpont Morgan received clamorous press coverage. For more information about this painting, including a reconstruction of the altarpiece, visit metmuseum.org.

Nkọwapụta ngwaahịa nka

Na 1504 na nwoke artist Raphael painted this classic art artpiece Madonna and Child Enthroned with Saints. Emere ụdị nka ahụ n'ogo zuru oke: Main panel, overall 67 7/8 x 67 7/8 in (172,4 x 172,4 cm), painted surface 66 3/4 x 66 1/2 in (169,5 x 168,9 cm); lunette, overall 29 1/2 x 70 7/8 in (74,9 x 180 cm), painted surface 25 1/2 x 67 1/2 in (64,8 x 171,5 cm). Mmanụ na ọla edo n'elu osisi was used by the Italian artist as the technique for the artwork. This artwork can be viewed in in the art collection of The Metropolitan Museum of Art. The nka ochie artwork, nke bụ nke ngalaba ọha is being provided with courtesy of The Metropolitan Museum of Art, New York, Gift of J. Pierpont Morgan, 1916. The creditline of the artpiece is the following: Gift of J. Pierpont Morgan, 1916. The alignment is in Eserese format and has a side ratio of 3 : 4, meaning that the length is 25% shorter than the width. The painter Raphael was a European artist, whose art style can primarily be assigned to High Renaissance. The Italian artist was born in 1483 ma nwụọ mgbe ọ dị afọ 37 na 1520.

Ihe di

Maka ngwaahịa ọ bụla anyị na-enye ihe dị iche iche na nha. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Bipụta na iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): An acrylic glass print, which is sometimes described as a plexiglass print, will convert the original artwork into beautiful décor. Your work of art is being made thanks to the help of state-of-the-art UV printing machines. This creates rich and sharp color shades. With an acrylic glass fine art print sharp contrasts as well as small image details become more exposed with the help of the delicate gradation. The real glass coating protects your selected art print against sunlight and external influences for many decades.
• Mbipụta kwaaji: The canvas print, which shall not be confused with a real canvas painting, is a digital image applied directly on canvas. A canvas creates a sculptural look of three-dimensionality. A canvas creates a attractive and warm feeling. A canvas print has the advantage of being relatively low in weight. This means, it is easy to hang your Canvas print without the use of any wall-mounts. Therefore, a canvas print is suited for any kind of wall.
• Mbipụta nke aluminom: This is a metal print manufactured on aluminium dibond material with a true effect of depth, which creates a fashionable impression thanks to a surface , that is non-reflective. A direct Direct Print on Aluminum Dibond is the best start to fine reproductions on aluminum. For our Direct Print On Aluminum Dibond, we print the selected artwork on the aluminium composite surface. The white and bright parts of the original artpiece shine with a silky gloss but without glare. The UV print on Aluminum Dibond is the most popular entry-level product and is a modern way to showcase art reproductions, because it draws attention on the whole artwork.
• Ebipụta akwụkwọ mmado na ihe akwa akwa: The poster print is a printed flat canvas with a fine surface finish. A poster print is suited for framing the fine art print in a custom frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin between 2-6cm round about the work of art in order to facilitate the framing with your custom frame.

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Nkọwapụta ihe

Ozi dị mkpa: We try whatever we can to describe our art products as exact as we can and to showcase them visually on the product detail pages. Nonetheless, the pigments of the print materials and the imprint can diverge marginally from the presentation on your device's screen. Depending on your screen settings and the nature of the surface, color pigments might not be printed as exactly as the digital version depicted here. Since all our fine art prints are printed and processed manually, there may as well be minor variations in the motif's exact position and the size.

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